Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
Sarah Jessica Parker Claps Back at Haters Criticizing Her Gorgeous Gray Hair
Sarah Jessica Parker is known for playing the fashionable character Carrie Bradshaw in the HBO show “Sex and the City.” However, the “Footloose” star often faces criticism for her real-life fashion choices.
Sarah Jessica Parker is famous for playing the stylish Carrie Bradshaw on the HBO show “Sex and the City.” During her time on the show, she became a fashion icon, inspiring women all over the world with her glamorous looks.
Many women looked up to her as a trendsetter, using fashion to express themselves and their feelings. However, in real life, Parker has never been as passionate about fashion. In a 2012 interview with People, she said that she doesn’t relate to her character’s fashion sense. She explained:
“It’s not how I think of myself, and I think it’s probably the healthier approach.”
Parker likes nice clothes and beautiful things, but you won’t catch her in a tutu at the grocery store. She believes that fashion takes a backseat to life, especially since she has three kids. She stated:
“It’s just not a reality — not when you have three kids, and you go to the market, and there are hungry people at home. You have a limited time to do it. There’s just no time to let vanity enter into that.”
People have often noticed her style choices. In an interview with Vogue, she mentioned that she finds it funny when people criticize her looks.
Over the years, she has faced backlash for her fashion choices, including a much-discussed outfit at the Met Gala. Parker said that people borrow styles that resonate with them at different times, but some will always dislike them. She doesn’t understand why people criticize her choices. “So, what’s the point of the criticism?” she asked.
Parker has learned to ignore her critics. For her everyday outfits, she chooses what she likes without worrying too much about whether it matches.
“Unsexiest Woman Alive”
Parker also faced tough times when Maxim magazine named her “Unsexiest Woman Alive” because she doesn’t fit certain beauty standards, like getting Botox or having fuller lips. She felt that this title was harsh and hurtful, affecting her and her husband, actor Matthew Broderick.
Things got worse when paparazzi took unflattering pictures of Parker having lunch with TV host Andy Cohen. She was makeup-free with her gray hair showing, leading to negative comments about her age. Cohen defended her, pointing out that he has gray hair too and called the comments “misogynistic.”
Parker did not stay quiet about the criticism. During an interview with Vogue, she spoke about how people seem to enjoy seeing others struggle with aging. She said:
“It almost feels as if people don’t want us to be perfectly OK with where we are, as if they almost enjoy us being pained by who we are today.”
She added, “I know what I look like. I have no choice. What am I going to do about it? Stop aging? Disappear?”
However, this was not the last of the harsh comments. In 2018, she faced ridicule again after wearing an ornate headpiece to the Met Gala. People mocked her looks online, calling her a senior citizen.
In June 2023, during a chat with Howard Stern, she discussed Hollywood’s obsession with cosmetic surgery and aging. When asked how she views herself, she said, “I’m presentable,” but added that she doesn’t enjoy looking in the mirror. She acknowledged that she thinks about cosmetic procedures but has never had plastic surgery, although she has tried skin treatments like peels.
Parker reflected on potentially getting a facelift at 44 but was uncertain about it. Stern expressed relief that she hadn’t gone through with it. She understands why some people choose procedures but knows that there is societal pressure about aging. She recalled the viral photo with Cohen, where people criticized her but ignored his gray hair.
Now in her late 50s, Parker remains unbothered by her critics and has clear thoughts on aging. She said in an August 2023 interview:
“I just don’t spend that much time [thinking about appearance]. It’s not that I don’t have an ego, that I don’t have a decent, healthy amount of vanity, but I just don’t want to spend that much time really deconstructing it all.”
Choosing Family over Fashion
Despite facing criticism over her fashion choices, Parker prioritizes her family. During New York Fashion Week in 2006, while others rushed to find the perfect outfits, she chose to stay home with her family. Her son James had just started school, and she wanted to be there for him.
Now, attending events is challenging since she has three kids. She and Broderick welcomed their first child, James Wilkie, on October 28, 2002, and he is now a student at Brown University. Their twins, Tabitha and Marion, were born on June 23, 2009, through a surrogate.
Though some fans criticize her, Broderick remains supportive. He often praises Parker’s beauty and feels lucky to be with her.
They married in a surprise ceremony on May 19, 1997, and have been happy ever since. Parker mentioned that their relationship thrives because they spend time apart and then come back together. She said on a podcast:
“I know this sounds nuts, but we have lives that allow us to be away and come back together.”
Broderick often shares how much he admires Parker, recalling their first date and how he remembers her clearly walking toward him.
Despite the negative comments and criticism, Parker feels secure in her relationship, partly due to Broderick’s constant support. He calls her “just a great, beautiful, hilarious person!”
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