Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
My Fiancé Humiliated Me in His Wedding Vows
It was the day that I had been waiting for. After months of wedding planning and dieting to fit into my dream dress. This was the moment.
“Come on, darling,” my father said, holding out his hand, ready to walk me down the aisle to Jason.
“How do you feel?” my father asked me, kissing my forehead.
“Happy,” I said simply. “I’ve been dreaming of this moment for years now, Dad.”
We walked down the aisle to soft music that I had chosen months ago. The guitarist perched on a wooden stool.
“You look beautiful, Emily,” Jason said, taking my hand from my father.
The ceremony began with the priest talking about love and commitment, just as he had told us he would.
“It’s time for the vows,” the priest said, smiling at us both.
“Jason, you are my best friend, and I’ve always wanted to marry my best friend. I promise to support you, to always laugh with you, and to grow with you. I vow to be faithful and cherish every moment we have together. In this life, and the next.”
My sister sighed next to me, wiping away her tears.
“Jason,” the priest said. “It’s now your turn.”
Jason looked at me and smiled, and then he turned to his groomsmen, causing them to snigger.
“Emily, my love,” he said. “I promise to always be there for you, even when you’re nagging me to take out the trash because you think the house smells.”
Jason’s groomsmen chuckled.
“And I’ll always hold your hand, especially when we’re walking through spider-infested areas because we all know how much you love those eight-legged critters.”
The groomsmen laughed louder. Some of our guests joined in.
And still, Jason continued.
“I vow to remind you to pick up your dragging feet when you walk, so we can avoid another trip to the emergency room like that time you tripped over absolutely nothing. And to taste all the burnt lasagna in the world because that’s your signature dish.”
The more Jason spoke, the more embarrassed I got.
I frowned at him, hoping that he would understand that there was nothing beautiful or romantic about his words. But he ignored me and continued.
“Also, I will tolerate your singing in the shower. It may sound like a cat in distress but at least it makes me appreciate good music! And most importantly, Emily,” he said.
“I promise to forgive you for basically forcing me to propose to you after you left those bridal magazines all over the apartment.”
My jaw dropped.
I didn’t know how to react. Jason’s groomsmen were all but falling over each other with laughter.
“Really?” I whispered to him.
Jason winked.
“Now, it’s time for you to exchange rings,” the priest said.
Jason’s niece came up to the altar with the wedding rings tied onto a little cushion that she clutched tightly.
“Here you go, Aunty Emily,” she said nervously.
“Thank you, sweetheart,” I said, taking the rings from her.
Holding the rings, I realized I didn’t want to put Jason’s ring on his finger. We were married now, all but for signing the registration book.
But after hearing Jason’s vows, I didn’t know if I wanted to be with this man.
“Give me your hand,” Jason said, pulling my hand.
He slid the ring onto my finger and held his hand out for me to do the same.
My stomach turned. Suddenly, my dream bubble had burst. Nothing felt as it had moments before.
“Jason, you may now kiss the bride!” the priest exclaimed.
Jason grabbed my waist and pulled me close to him, his other hand gripping the back of my neck. He kissed me without passion or feeling.
“What on earth was that?” I asked Jason when we were doing our photographs before the reception.
“What do you mean?” he asked, frowning.
“Your vows,” I said. “They were insensitive and embarrassing.”
“No! They were cute!” he said. “I kept them true to us.”
“You basically told everyone that I’m a nag and clumsy. And that I forced you into marrying me.”
I crossed my arms and waited for some kind of explanation.
“Oh, come on, Emily,” he said. “Everyone was laughing. It’s not as deep as you’re making it. Let’s just do this photoshoot and go back to the party. I am starving.”
I bit my tongue. I didn’t have it in me to fight.
At the reception, Jason truly let himself go. He went overboard with the drinks and ate enough steak and potatoes to make anyone sick to their stomach.
“Mom,” I said, kneeling next to my mother before the formalities began. “I don’t feel good.”
“What do you mean, sweetheart?” my mother asked.
“Jason…” I said, my voice trailing as the weight of my uneasiness set in. “Those vows were nothing but an embarrassment.”
“Maybe it was just nerves, Emily,” my mother said. “You know how Jason can be sometimes.”
“I don’t know, Mom,” I said. “I just feel like the magic has escaped.”
Soon after, the emcee got up and began the formalities. Jason’s brother stood up and spoke about how we met and his first impressions of me.
“I didn’t think Emily would stay!” Jackson laughed, his beer bottle in his hand. “But I guess she knows how to deal with my brother.”
It went on and on, and my husband ate up his brother’s words, chuckling loudly.
Then, it was time for my father-in-law’s speech.
“Ladies and gentlemen, I have a few words to say to my son and his new bride, the lovely Emily,” he said.
I held my breath. I had always gotten along with Robert, and he had always treated me well. But I had thought the same of Jason until his vows were said.
I didn’t know if I had to prepare myself for something from Robert, too.
If I had to be honest with myself, I just wanted to run away. I didn’t feel like a bride. I didn’t feel much like anything. I didn’t even feel like myself.
I wanted to rip off my wedding dress and get into my comfiest pair of sweatpants. I wanted to cry.
“Jason, do you know what makes a marriage work, son?” Robert asked.
“Uh, love? Attraction? Chemistry?” Jason said, faltering.
Who on earth is this man? I wondered to myself.
“It’s respect,” Robert said, shaking his head. “It’s about cherishing your partner and never making them feel small or embarrassed. Today, you turned your vows into a series of jokes at Emily’s expense. That was not only inappropriate but also deeply hurtful.”
I glanced around and saw some of the guests were shaking their heads.
“To teach you a lesson, Jason,” Robert continued. “I’m going to share something about you that you might find equally embarrassing.”
“What? Dad! Stop!” Jason said, standing up.
“Jason still sleeps with a nightlight. He says that it’s because he likes to read in bed, but we all know that it’s because he’s afraid of the dark.”
Laughter erupted through the room.
“And let’s not forget about the time when Jason tried to cook for Emily and set off the fire alarm because he didn’t know that normal people don’t put metal in microwaves.”
“Dad, just stop it,” Jason hissed.
“Or about the time when he got drunk after a party, and insisted that he needed to sleep on the floor in my bedroom.”
The crowd laughed louder.
“I shared these stories not to embarrass you, Jason. But to show you how it feels. Humor at someone else’s expense isn’t funny, it’s cruel. You need to understand the consequences of your actions.”
I smiled at Robert, finally feeling seen.
“Emily, on behalf of my son, I apologize. Jason still has a lot to learn about being a loving and respectful partner. But I know that he can do better, and I hope you give him the chance to prove it.”
“I’m so sorry, Emily,” Jason said from beside me. “I thought I was being funny, but I see how ridiculous I was being. Give me another chance.”
“Fine,” I said. “But it’s going to take more than just empty words to fix this.”
I want to give us another chance, but something still feels very off.
What would you do?
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