15 Famous People of the Past Whose Depictions Prove That Photoshop Existed, Even in the Nineteenth Century

Photo editing programs have long been a part of our lives, so you can rarely see a photo that hasn’t been retouched. However, it’s wrong to think that Photoshop belongs only to the modern world. People have been improving the looks of their portraits for centuries. That means there were specialists in photo retouching that date all the way back to the nineteenth century. Even painters have worked hard to make models look more beautiful than they really were.

At Bright Side, we searched the archives and found photos of royalty from the nineteenth century and the beginning of the twentieth century, and we compared them to their portrait paintings. At the end of the article, we’ll show you what Vincent van Gogh really looked like.

Isabella II of Spain (1830 — 1904)

Mary of Teck, the spouse of George V (1867 — 1953)

Elizabeth Bowes-Lyon, the mother of Queen Elizabeth II (1900 — 2002)

Princess Helena of the United Kingdom (1846 — 1923)

Victoria, Princess Royal, German Empress (1840 — 1901)

Charlotte of Belgium (1840 — 1927)

Sophie of Württemberg, Queen of the Netherlands (1818 — 1877)

Queen Victoria (1819 — 1901)

Maria Christina of Austria, Queen-consort of Spain (1858 — 1929)

Maria Luisa of Bourbon-Parma, Princess-consort of Bulgaria (1870 — 1899)

Grand Duchess Elena Vladimirovna of Russia (1882 — 1957)

Princess Beatrice of the United Kingdom, Queen Victoria’s fifth daughter (1857 — 1944)

Alexandra Feodorovna, the spouse of Nicholas II of Russia (1872 — 1918)

Princess Alice of Battenberg, the mother-in-law of Queen Elizabeth II (1885 — 1969)

Alexandra of Denmark, the spouse of Edward VII (1844 — 1925)

onus: Vincent van Gogh (1853 — 1890)

What do you think about Photoshop? Do you use it often? Tell us in the comments below.

A mother’s love is shown in her decision to use makeup to recreate her son’s birthmark, helping to restore his confidence amid critical stares.

One-year-old Enzo Castari, of Cáceres, Brazil, was born with a noticeable birthmark that spans one side of his nose and covers most of his forehead. His mother, 26-year-old Carolina Giraldelli, vowed with all of her heart that her son would never let the mark define him and that he would always feel perfect in his own flesh.

Carolina said, “It was a trying time for both of us.” “Judging looks and murmurs met us; they were filled with fear, scorn, pity, and even disgust. To demonstrate Enzo that he is normal despite the mark, my spouse and I decided to act as though nothing was out of the ordinary. We want him to know that he is loved exactly the way he is, to be resilient, and to have faith in himself.

Carolina and her spouse put forth a lot of effort to fight the discrimination that Enzo encountered. “We explain that Enzo is a normal boy, capable of playing, making friends, and experiencing love just like any other child,” we say to those who react with unease, curiosity, or terror.

Carolina asked a friend who works as a cosmetic artist to replicate Enzo’s birthmark on her face for a particular event. She remarked, “I was touched and surprised.” “I thought I was the world’s most beautiful woman.” Enzo was ecstatic, despite his inability to completely comprehend the significance.

Carolina even wore the makeup to work. “I felt like the proudest mother in the world, but people looked at me differently,” she remarked.

The birth of Enzo was challenging because the umbilical cord was wound twice around his neck. Carolina initially believed the birthmark to be dirt, but when she learned it was permanent, she sobbed, but not in grief, but in relief that her son was well. She understood then that in order to support him in facing the outside world, she would need to be strong, brave, and bold.

Carolina was shocked by the amount of support she received after posting a picture of herself online with the painted birthmark. “There have been innumerable words of love, support, and consolation for my son,” she remarked. “I think a lot of moms would be able to relate to

+my emotions upon viewing these images.”

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