
Claudia Cardinale, a well-known actress, has acknowledged aging with conviction and grace, stating that one cannot “stop time.” Look at the seasoned actress’s incredible growth throughout time.
Italian actress Claudia Cardinale was rather well-known in Hollywood during its prime. She has starred in more than 100 movies during the course of her illustrious career; the years 1960 to 1970 were her busiest.
In just one decade, she acted in over thirty films, including beloved series like “8½” (1963), “The Leopard” (1963), and “The Professionals” (1966), in which she costarred with Lee Marvin and Burt Lancaster.
One of her best performances is in the cult classic “Once Upon a Time in the West” (1968), directed by Sergio Leone. When asked about her memories of working with Leone, Cardinale mentioned in an interview that he had a unique working style.
She added that he would have the actors listen to the score before filming a scene, and that he would have the music created before shooting started. The Tunisian native said, “My main advantage was that I didn’t ask to go to Hollywood, they called me,” when discussing her acting career in the United States.

Hollywood studios scurried to grab hold of any emerging star during that period, with the aim of controlling all the rising talent. They regularly offer actors restrictive contracts to sign, which could eventually hinder their careers.
But Cardinale managed to block her own path. She accepted one contract at a time, refusing to sign an exclusive agreement with Universal. She was able to continue her profession and move in the industry at her own pace as a result.
Cardinale made her mark in “The Pink Panther” and “The Professionals” during her three years in Hollywood. She also appeared on screen with notable actors like Rock Hudson in “Blindfold” and with John Wayne and Rita Hayworth in “Circus World.”

She also had the opportunity to mingle with a number of Hollywood heavyweights, including Steve McQueen, Barbara Streisand, and Warren Beatty.
The two films that Cardinale debuted at Cannes in 1961 were Mauro Bolognini’s “The Lovemakers,” in which she costarred with Jean-Paul Belmondo, and Valerio Zurlini’s “Girl With a Suitcase,” in which she portrayed a self-reliant singer.
She returned to the Croisette in 1963 with two landmark pictures, “8½” by Federico Fellini and “The Leopard” by Luchino Visconti.The well-known actress confirmed in an interview that she shot both movies simultaneously.
Cardinale revealed that whereas Visconti preferred her to have black hair, Fellini preferred a golden appearance. Cardinale had very long hair at the time. Every two weeks, she had to change the color of her hair to suit their different opinions.

After that, Cardinale started a three-year career producing Hollywood films, appearing in two of them as co-stars alongside Rock Hudson, namely “Blindfold” and “Lost Command.”
She disclosed, “At the time, Universal wanted me to sign an exclusive contract,” about this encounter. Yet I responded, “No, I’m European.” I’m returning. However, they persisted a lot!
Unlike many other women, Cardinale has never participated in a nude scene. Aside from her work in movies, she is totally committed to women’s issues and has no desire in getting cosmetic surgery.
In an interview, she once disclosed, “I have never engaged in face-lifting—what do you think? similar things. “Wait until you are older; you will always be smiling,” my mother used to remark. It is accurate. Why then would you conceal it?

The actor is still heavily involved in the entertainment business; at one point, his film “And Now…Ladies and Gentlemen” was shown at the Cannes Film Festival outside of competition.
Her final motion picture role was in the Italian-Tunisian production “The Island of Forgiveness.”At the age of 77, Cardinale said of her continuous appearance on television, “The most important thing is to stay active.” Since time cannot be stopped, I dislike all of these facelifts and plastic surgery procedures.
The “All Roads Lead to Rome” actress was the 1957 winner of the title of “Most Beautiful Italian Girl in Tunisia.” See how the 86-year-old actress has changed throughout the years to showcase her breathtaking beauty.
Cardinale’s career spans several decades, demonstrating her enduring brilliance, grace, and fortitude. One of the most recognizable stars of Hollywood’s heyday, she has inspired others to embrace honesty and inherent beauty in addition to leaving a lasting impression on the motion picture business.
During the live performance of Journey’s “Don’t Stop Believin’” in 1981, Steve Perry’s vocals were truly phenomenal

In 1981, Steve Perry of Journey delivered a live performance of “Don’t Stop Believin’” that cemented his reputation as one of the greatest singers in history. Earlier that year, the song had become a worldwide sensation. During a 1981 concert in Houston, Texas, the band showcased their exceptional talent on this now iconic track.
Perry’s vocal delivery on this song is strikingly smooth and almost ethereal, capturing the magnetic presence of a rock star that electrifies the audience. Observers often comment that Perry’s live performance surpasses his studio recordings in its raw intensity and finesse. For an even better experience, you can watch an HD remaster of Journey’s 1981 Houston performance of “Don’t Stop Believin’” on their official YouTube channel.
With 274 million views, this live performance is one of Journey’s most popular videos, ranking third overall on their YouTube channel and number one among their live recordings. The footage comes from their Escape Tour, which supported their seventh studio album, Escape.
Journey played two shows in Houston on November 5 and 6, 1981, but it remains unclear which night “Don’t Stop Believin’” was recorded. The band was clearly in top form during the Escape tour, as evidenced by the popularity of “Who’s Crying Now”, which was also recorded in Houston and was the second most viewed live performance on their YouTube channel.
Fans praised the performance with comments like “No auto-tune, no backing tracks, just exceptional musicianship” and “Steve Perry sings like he’s effortlessly passing a test without studying”. The reaction underscores the awe and admiration for Journey’s live rendition of “Don’t Stop Believin’” in Houston.
The song reached top ten status both in the US and internationally, eventually becoming Journey’s most consistent hit, with 18 platinum awards in the US.
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