Tom Cruise, one of the most well-known American movie actors, became well-known at a very young age. When he acted in the now-classic film “Top Gun,” the actor was just 24 years old.
Fans might not be aware, though, that Cruise was given a dyslexia diagnosis when he was just seven years old. The actor has also been a longstanding follower of the Church of Scientology, and he attributes their help in helping him overcome his dyslexia.
Mimi Rogers, Cruise’s first wife, introduced him to the faith. Since her father was a member, he introduced Cruise to his faith and extended an invitation to a meeting at the Hollywood Scientology facility.
Cruise is a member of the Hollywood Educational Literacy Project’s board of directors. With the use of this learning tool, adults and children can receive free one-on-one instruction.
Cruise claimed that even with many tutors’ assistance, he had made every effort to comprehend the reading material, but he was unable to retain what he had read.
Cruise wasn’t able to acquire the assistance he need until he discovered L. Ron Hubbard’s Scientology study tools.
The actor greatly appreciates H.E.L.P. technology because it enabled him to overcome his learning problem by placing the object he was studying in front of him. The idea is to “have an airplane in front of you, if at all possible, while you’re studying an airplane.”
The airplane example is appropriate as Cruise has acknowledged to others that he has always wanted to become a pilot. Despite getting to pretend to be a pilot in “Top Gun,” his dyslexia prevented him from pursuing a career in aviation.
Instyle magazine claims that Cruise and Rogers first spoke in an interview with Rolling Stone in 1986. However, the actress was seeing his friend at the time, so she was powerless to stop it.
Nonetheless, Tom claimed that her “extreme brilliance” piqued his interest. Things moved swiftly once they grew close, and they soon started discussing marriage.
It was not an easy effort, nevertheless, to marry one of the most well-known guys in Hollywood; according to Instyle, they hid the wedding by referring to it as “the project.” The project was carried out in 1987. They seemed to have had a lovely, private ceremony.
The actor claimed that Rogers improved him as an actor and that he couldn’t see himself with anyone else. He continued, saying:
“My wife is the most important person in my life. My best friend is her.
According to Andrew Morton’s unofficial biography of Tom Cruise, the actor filed for divorce on December 9, 1989.
But Mimi gave a detailed account of the circumstances behind her marriage’s dissolution in an interview. She acknowledged that it “bothers” her that her age is frequently mentioned in the media. Tom Cruise was six years her junior.
The well-known actress Rogers maintained, though, that their separation had nothing to do with Scientology, celebrity, or Cruise’s jealously.
The actress disclosed that Cruise had given serious thought to becoming a monk, a career choice that would not work with a married life. As a result, their marriage failed.
Although Cruise maintains the privacy of his personal life, Instyle reports that there are speculations circulating that he dated his “Mission Impossible” co-star Hayley Atwell from 2020 to mid-2022 and is currently unmarried.
Regarding Rogers, she wed producer Chris Ciaffa in 2003; the couple is parent to two kids, Charlie and Lucy.
Following their divorce, Cruise and Rogers announced that the actress had quit Scientology. He continues to be an involved member of the church, for his part.
According to some sources, the church of Scientology played a role in the breakup of Cruise’s two marriages—the first to Rogers and the second to Nicole Kidman.
The actor, who still attends his church, feels that Scientology was a major factor in his success and in helping him get over his dyslexia.
I Opened a Mysterious Door in My Cellar—Now I Regret Everything
I never believed in hidden doors or secret rooms; those were things from mystery stories. But when Florence and I decided to renovate our cellar, we found more than just a door behind the old wallpaper. It was something we were never meant to discover, and now, I wish I had never opened it.
You never truly understand a house until you’ve lived in it for some time. That’s what I always believed. Florence and I bought this old Victorian house five years ago. We called it our dream home. It had history, charm, and unique details, the kind of house with a past you could feel in every room.
When we started the renovation project, we thought we knew what we were getting into. The cellar was dark, damp, and unused. Peeling wallpaper and cracked tiles told us it hadn’t been touched in years. But we were excited about turning it into a useful space, maybe a wine cellar or storage room. That’s when we noticed something odd—a section of the wall that didn’t match the rest.
I never believed in hidden doors or secret rooms; those were things from mystery stories. But when Florence and I decided to renovate our cellar, we found more than just a door behind the old wallpaper. It was something we were never meant to discover, and now, I wish I had never opened it.
You never truly understand a house until you’ve lived in it for some time. That’s what I always believed. Florence and I bought this old Victorian house five years ago. We called it our dream home. It had history, charm, and unique details, the kind of house with a past you could feel in every room.
When we started the renovation project, we thought we knew what we were getting into. The cellar was dark, damp, and unused. Peeling wallpaper and cracked tiles told us it hadn’t been touched in years. But we were excited about turning it into a useful space, maybe a wine cellar or storage room. That’s when we noticed something odd—a section of the wall that didn’t match the rest.
In the back corner, we found something even stranger: an old wooden chest, covered in dust and cobwebs. It was locked, but the lock seemed weak, like it could easily break. Florence begged me to leave it alone, but I was too curious. I forced it open, and what I saw made my heart race.
Inside were old documents, letters written in a language I didn’t understand, and something wrapped in a faded cloth. When I unwrapped it, I froze. It was a small, strange object that didn’t belong in this world. Florence screamed and ran out of the cellar, terrified.
I should have followed her, but I was too deep into it. I put everything back in the chest and closed the door, but the feeling that something had changed wouldn’t leave me. Since that day, things have been different. Strange noises, cold drafts, and shadows moving where they shouldn’t.
Now, I regret opening that door. Florence refuses to go back into the cellar, and I can’t sleep at night. I don’t know what we uncovered, but I fear we’ve let something into our home that we can’t control. Every day, I wish I had just left the door hidden behind the wallpaper, where it belonged.
Now, the cellar remains locked. I’ve sealed the door with heavy boards, hoping that will keep whatever we disturbed at bay. Florence refuses to go near it, and our once happy home feels suffocating with the tension between us. It’s like the house itself has changed, like it’s watching us.
At night, I hear whispers coming from the floor below. I try to convince myself it’s just the wind or my imagination, but deep down, I know something’s wrong. The object I found in the chest haunts my thoughts—I’ve hidden it away, but it’s like it calls to me. Florence says I need to get rid of it, but I’m too afraid to touch it again.
I tried contacting the previous owners, but they didn’t know anything about the hidden room. They had lived here briefly before selling the house. No one in the neighborhood seems to know its history, and records of the house are vague. It’s like this part of the house was meant to stay forgotten.
I keep telling myself everything will be fine if I just leave it alone, but the strange occurrences are getting worse. Lights flicker, doors creak open on their own, and sometimes, I catch glimpses of something moving in the dark corners. It feels like the house is alive—angry that we disturbed its secret.
Florence is talking about moving, and maybe she’s right. But part of me knows that whatever we let out, whatever we disturbed, might not stay behind. And now, I wonder if sealing that door was just the beginning of something far more terrifying.
I never should have opened that door.
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