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The paintings of Italian-born artist Agostino Brunias, who made a profession of depicting the island in subdued, stylized settings that covered up the harsh realities of colonial control, were my first visual introduction to Dominica. However, as soon as I step onto its winding roads, which begin to twist shortly after I arrive, it becomes evident that this region, which is situated in the center of the Lesser Antilles’ curve, is anything but tame. The two-toned leaves of its bois canot trees, which change color from green to white when they sway in the wind, shimmer and bristle with the power of the volcano. It lulls with the erratic sound of its numerous waterfalls, scatters rainbows haphazardly across its breathtaking horizons, and enchants from the depths with its vibrant coral reefs. And it roars come storm season.
The indigenous Kalinago people of Dominica survived invasion by the French and British, who imposed slavery on the Africans who now make up four-fifths of the island’s population and left a linguistic legacy of English and French-based Creole, by mastering the lush tropical rainforest that covers more than 60% of the island. If you visit Trinidad for roti and Jamaica for jerk, you should travel to Dominica for green things like bush rum and flower teas. There are a ton of medicinal herbs in the forest.
The Jungle Bay Dominica resort, located smack dab in the center of the Soufrière jungles, leans into nature instead, maybe realizing the futility of fighting against the earth’s generosity. When I finally get there, the kitchen is closed. Joanne Hilaire, the operations manager, tells me that they never let guests go hungry, though, so I can feel the warmth of Dominica’s welcome. The cook is preparing an excellently stewed dish of beans with taro, rice, and plantain for our late dinner, off the menu, while I have a refreshing ginger-lime cocktail that is a local favorite. When I wake up the following morning, I find that my villa’s doors open onto a private veranda that faces southwest toward Soufrière Bay, where the Caribbean Sea and the Atlantic Ocean converge. I let the light wake me for the remainder of my stay by leaving my blinds open.
The duet of Iggy Pop’s fragile ballad, sung by Tina Turner and David Bowie, lights up the stage
Tina Turner had a remarkable year in 1984. After splitting from Ike Turner in July 1976, she built her solo career with the help of celebrity friends such as the Rolling Stones, for whom she opened during their 1981 US tour. She also appeared as a guest on a Chuck Berry television show in 1982. Her cover of Al Green’s “Let’s Stay Together”, released in November 1983, became an unexpected international hit.
Following the success of this single, Capitol Records gave the green light for a new album. Private Dancer was released in May 1984 and recorded in just two weeks. The album peaked at number 3 on the Billboard 200 and reached number 2 in the UK. The single “What’s Love Got to Do with It” became Turner’s only song to top the US Billboard Hot 100, with other hits such as “Private Dancer” and “Better Be Good to Me” following. In November 1984, she released “Tonight”, a duet with David Bowie from the Iggy Pop song.
Vintage Paint, a paint brand, describes the experience of attending Turner’s concert as an unforgettable honor. David Bowie’s surprise appearance sent the crowd into a frenzy and created an electrifying atmosphere. The mention of “vintage paint” is related to the recent loss of Tina Turner on May 24, 2023, and the earlier death of David Bowie on January 10, 2016. Turner was 83 and Bowie was 69. Fans can still enjoy an unforgettable live performance of Bowie’s “Let’s Dance” with Turner and Bowie collaborating.
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