Hollywood actors Georg Stanford Brown and Tyne Daly only dated for five months before deciding they wanted to be together forever.
Their love affair began in the 1960s when interracial marriage was considered taboo, illegal, and punishable by law.
They married on June 1, 1966, just one year before interracial marriage became legal across the U.S. As late as 1960 such marriages were illegal in 31 states in the U.S.
Georg Stanford Brown had moved from Havana to Harlem when he was 7 years old and then moved to LA 10 years later where he finished his education, majoring in theater arts.
Although, initially choosing the path of theater arts to ‘do something easy’ he ended up enjoying it and returned to New York to attend the American Musical and Dramatic Academy, working as a school janitor to pay his tuition, earning $80 a week.
It was there that he met his future wife Tyne Daly where they both studied under Philip Burton, Richard Burton’s mentor.
Brown is perhaps best known for his role as Officer Terry Webster, one of the stars of the ABC television series “The Rookies” that aired from 1972 to 1976.
He was also well known for his character Tom Harvey in the mini-series “Roots.”
During his long career as an actor and director, Brown played a variety of film roles, including Henri Philipot in The Comedians and Dr. Willard in Bullitt. In 1984 he starred in The Jesse Owens Story as Lew Gilbert.
When Brown married American singer and actress Tyne Daly she was a household name for her iconic role-playing Mary Beth Lacey, the gun-toting working-mother cop in the hit show “Cagney and Lacey.”
When the couple got married they faced racial prejudice but chose to ignore it – until they appeared on an episode of “The Rookies” together and shared their first on-screen interracial kiss.
Network censors wanted the scene deleted, but the couple stood their grounds, taped, and aired the segment without any issues from those closest to them.
In an interview with the Washington Post in 1985, Daly said she never saw being married to Brown as interracial. She does not, she says, “like pigeonholes.”
She is married to “another member of the human race. I gave up categories a long time ago,” she added.
The couple has three daughters Alisabeth Brown, born December 12, 1967; Kathryne Dora Brown, born February 10, 1971; and Alyxandra Beatris Brown, born October 1, 1985.
Daly said when their daughter Alyxandra was born, “on her birth certificate, under ‘race,’ we put ‘human’; under ‘sex’ we put ‘yes’, and under ethnic origin, we put ‘citizen of the world.’”
Describing her marriage to Brown, Daly said: “I have a good and interesting marriage that has gone on for quite some time and he’s an interesting fellow and we have some fascinating young children . . .”
Brown went into directing, and in 1986, he won a Primetime Emmy Award for Best Director in a Drama Series for the final episode of “Cagney & Lacey.”
Daly went on to star in many Broadway shows playing the role of Madame Arkadina in “The Seagull” in 1992, Cynthia Nixon in the 2006 comedy “Rabbit Hole,” and Maria Callas in “Master Class” in 2011, among others.
In 1990, after 24 years of marriage, Brown, and Daly filed for divorce. Even though their marriage had stood the test of time, they had to go their separate ways due to irreconcilable differences.
Despite divorcing after more than two decades this couple’s love and their fight to ignore the prejudice they faced is an inspiration.
How My Wife’s Rejection Revealed a Powerful Lesson About Self-Worth
When a Sales Assistant Insulted My Wife, I Taught Her a Lesson She’d Never Forget
My wife, Emma, has always had an incredible sense of style. The way she combines her outfits draws admiration from friends, family, and even strangers. Her self-confidence is one of the things I love most about her—it’s truly inspiring.
But one incident managed to shake her confidence to its core.
While visiting a shopping center one afternoon, Emma noticed a hiring sign displayed in the window of one of her favorite lingerie stores. She adored the brand for its quality products and elegant displays, and since she was already searching for a retail job, this seemed like the perfect opportunity.
Excited and optimistic, she stepped into the store and approached a sales assistant. However, instead of a friendly greeting, she was met with cold indifference.
When Emma politely asked about the application process, the assistant looked her up and down with a sneer and said, “Look, I don’t think you’re pretty enough for this job. NO CHANCE. Don’t even try.”
Those cruel words shattered Emma. She came home in tears, her self-esteem bruised. Seeing her in that state broke my heart, and I couldn’t believe someone could be so callous and dismissive. But sadness quickly turned into determination—I couldn’t let this slide.
I called my friend Mike, a talent scout with an eye for models, and told him the story. He was just as outraged as I was and agreed to help me teach the sales assistant a lesson.
The next day, Mike and I returned to the store. I pretended to browse while Mike introduced himself to the same sales assistant. He explained that he was searching for fresh faces for an upcoming modeling campaign.
The assistant’s demeanor instantly changed. She adjusted her hair, straightened her clothes, and struck exaggerated poses, trying to impress Mike. But after a few moments, Emma walked into the store.
Mike turned to the sales assistant and said, “Sorry, you’re not what we’re looking for.” Then, as if noticing Emma for the first time, he added with a smile, “Miss, have you ever considered modeling? You’d be a perfect fit for our campaign.”
Emma’s face lit up with a smile, and the sales assistant’s expression turned sour.
As we left the store together, Emma admitted she felt a little sorry for the assistant. But I knew the lesson had been delivered.
I wanted Emma to understand that her beauty and self-worth aren’t defined by someone else’s shallow opinion—they come from within.
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