Deep within the animal realm, among the verdant forests and huge savannas, lives a unique species that goes by the name of elephant. Scientists and environmentalists have long been fascinated by these gentle giants. After years of intensive study and close observation, we now know that elephants have a profound emotional range and a grieving process that is remarkably comparable to our own.
George Wittemyer is a committed conservation biologist from Colorado State University who has spent a large amount of his professional life researching elephants. He once gave National Geographic a glimpse into his observations, illuminating the complex and mysterious mechanisms by which these majestic creatures deal with the death of a fellow herd member.
“Elephants have respect for their dead,” Wittemyer stated, “but their interaction with their dead is not something we fully understand.” Researchers have been intrigued by this mysterious part of their behaviour, which shows that when these animals experience the loss of one of their own, they react from deep-seated emotions.
Recently, Twitter user Parveen Kaswan released a video that revealed this fascinating discovery, underscoring the depth of elephants’ emotional intelligence and their distinct grieving process. The film shows a scenario on a peaceful road where all of the traffic has stopped and people are staring at an incredible sight.
A magnificent herd of elephants is crossing the street with a grace that is appropriate for their size and harmony. One elephant in particular sticks out in the parade, softly holding something in its trunk. Viewers, intrigued, quickly discover that the elephant is bearing a young, dead elephant calf, which is inert.
The herd stops quite solemnly, and the elephant carrying the small load carefully lays the dead calf on the ground. The others assemble around, creating a circle of respect. This scenario is quite moving; it conveys a sense of shared sadness and mourning.
The title of the video, as Parveen Kaswan so eloquently put it, “The family just don’t want to leave the baby.” Their behaviour is reminiscent of the solemn cortege of a deceased person.
The elephants continue to amaze and astound researchers and viewers alike with their level of emotional depth as they exhibit an instinctive reverence for the deceased and an understanding of the great grief they have experienced.
As they go on their trek, a second elephant comes up and tenderly cradles the dead calf in its trunk. Elephant herds are emotionally connected to one another, and this display of deep grieving and solidarity emphasises how capable elephants are of feeling loss and sadness.
This will move you !! Funeral procession of the weeping elephants carrying dead body of the child elephant. The family just don’t want to leave the baby.
The film serves as a moving reminder of the extraordinarily emotional lives that elephants lead and is evidence of the strong bonds that exist among animals. It’s a tale that connects our worlds and serves as a moving reminder of the intricacy and beauty of nature. Please spread the word about this post on Facebook to your loved ones so that others can also be moved by the moving scenes shown in the film.
Jacqueline Bisset, 78, continues to wow audiences with her natural beauty
Jacqueline Bisset is magnificent – in so many ways.
In a career spanning 58 years and a portfolio that includes about 50 films, the 78-year-old actress shows no signs of slowing down.
Jacqueline Bisset has been one of my role models since I was a very little girl, my parents just loved her. To me, she really is one of the few actresses that represent the glamour that Hollywood once had.
I admire her aging naturally and always thought she had a very natural beauty and sex appeal. She never wore tons of makeup.
Throughout her storied career, the brown-haired beauty, known for her high cheekbones and striking green eyes, has demonstrated her versatility by playing a range of characters including the sultry seductress Miss Goodthighs in the spy parody Casino Royale (1967), a devoted mother in Sleepy Time Gal (2001), First Lady Jacqueline Kennedy Onassis in America’s Prince: The John F. Kennedy Jr. Story (2003) and Anna Karenina (1985) in the sweeping love story of the same name, where she starred opposite Christopher Reeves.
Bisset made her first on-screen appearance in Roman Polanski’s Cul-de-Sac (1966) and gained notoriety in 1968 when she starred in back-to-back films in one single year: Detective with crooner Frank Sinatra, Bullitt with Steven McQueen, and her Golden Globe-nominated performance in The Sweet Ride with Tony Franciosa and Bob Denver, who’s famously known as Gilligan on Gilligan’s Island.
You’ll also recognize her from her performances in Day for Night (1973), Murder on the Orient Express (1974), The Deep (1977), Wild Orchid (1990), her Golden Globe and Emmy-nominated role in Joan of Arc (1999), her Golden Globe-winning role in the miniseries Dancing on the Edge (2013), Miss You Already (2015) and Birds of Paradise (2021).
In 2010, the multilingual actor–she speaks English, French and Italian–was awarded the Legion of Honor, the highest state order in France, and in 2023, Sedona International Film Festival recognized Bisset with a Lifetime Achievement Award.
Despite filming with some of Hollywood’s hottest men, Bisset has never been married. The stunning woman was pursued by Frank Sinatra, and rumors swirled that she was involved with Bullitt co-star, Hollywood bad boy, Steve McQueen. But Bisset, a proper English lady, said they were too different.
Referring to McQueen, she said in an interview with the Daily Mail, “He was attractive, but a little scary. I was very English and he was a hip American. The way he talked would have driven me mad–I didn’t know what a dude or a soul chick was!”
She’s had long-term relationships with Canadian actor Michael Sarrazin, the ballet dancer Alexander Godunov and actor Vincent Pérez, but she admits she’s too independent for anything permanent.
In an interview with the Independent, Bisset said, “I’ve had some very interesting men in my life. They have been a handful. I don’t choose easy men, I’m told.” She continued, “Sometimes you get too much information when you spend time with people. You start to see things–bad habits. You start to discover them and then you have to marry bad habits and I’m not sure I can cope with them. I don’t ever have bad relationships. I haven’t broken up angry. I’ve just moved out of situations that have been overwhelming.”
Though Bisset–Godmother to Angelina Jolie–hasn’t made headlines for having outrageous relationships, she was trending after she won the Golden Globe for her portrayal as Lady Cremone in the BBC series Dancing on the Edge.
Her acceptance speech, with the background music playing to signal her off the stage, was mostly filled with ramblings but demonstrated genuine gratitude from the then 69-year-old, who had been waiting 47 years to win, since her first nomination for best newcomer.
Since then, she starred as a sassy femme fatale in the French thriller The Lodger (2020), and most recently, she appeared in the film Loren & Rose (2022). Bisset plays the lead character Rose, a legendary actor trying to re-establish her career, who’s bound by a reputation that casts her as being a “little zany and a bit unreliable.”
According to the film’s director Russell Brown, the character of Rose is the opposite of Bisset in real life. Brown said, “Viewers often assume that Jacqueline is ‘like she is in the movie.’ But this really isn’t the case–as an actress and a woman, I think she is quite different from Rose, and it’s a testament to her skill that the transformation feels so seamless.”
Bisset is a timeless beauty who embraces aging with grace. In her infamous Golden Globes speech, she said: ‘I believe, if you want to look good, you’ve got to forgive everybody. It’s the best beauty treatment.’
She’s also said that though in her youth she had “lots of complexes” she was never tempted by plastic surgery. “I don’t think it makes you look younger. It makes you different,” said Bisset.
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