Hollywood clichés about romances involving younger co-stars or older men dating considerably younger women are defied by Pierce Brosnan’s love story. Following his 1991 widower status, Brosnan fell in love with American journalist Keely Shaye Smith. The two have been blissfully married for 20 years and co-parent their children.
Keely’s weight and appearance have drawn criticism from some, despite their close bond. In reaction, Brosnan vehemently defended his spouse, stressing that he values every facet of her existence and accepts her for who she is, regardless of how she looks.
In Hollywood, where older men typically date much younger women, Brosnan defies the convention by choosing to stay faithful to the same woman. This demonstrates the exaggerated demands made on women’s appearance, implying that they should never “let themselves go” and constantly surpass males.
His devotion to his spouse serves as a role model for love that transcends appearances, highlighting the importance of accepting and valuing a person for who they really are. The bond between Pierce Brosnan and his partner is proof of the sincerity and profundity of real love.
Golden Globes Gets Skewered As “New Low”
As Hollywood studios continue to see movie after movie fIop with audiences who want to be entertained by a compelling storyline rather than preached to by woke directors or shown CGI slop with no reaI plot, the Golden Globes this year were yet another humiliating disaster for the entertainment industry.
In fact, even sympathetic media outIets torched the Golden Globes, saying that they were mostly a disaster this year.
This year’s flop of a Golden Globes event was particularly bad for the industry given that, having been taken over from NBC by CBS, it was meant to be something of a reboot for the awards party and bring back a show generally known over the past few years for its declining ratings, if anything.
But rather than a revivaI, it was another flop for Hollywood, with even generally sympathetic media outlet Vanity Fair running a review of the event titled, The 2024 Golden Globes Were a Near-Total Disaster. Continuing, that review went on to describe host Jo Koy’s lengthy opening monologue as a horrid, sophomoric mishmash of lazy jokes” that didn’t elicit much laughter, a problem exacerbated by Koy being mostly unknown.
Similarly, the Iess sympathetic New York Post tore into the event as being a new low for an already troubled show, with a review article titled, Golden Globes 2024 were a new low for dying awards shows. Pulling no punches, the NYP article argued that it would have been better to cancel the event than run one so awful, saying:
Preparing for the 2024 Golden Globes, the awards show made a bunch of reforms to its ethically wobbIy voting body, got a new owner and moved to a different network. But none of those PR efforts matter much when the broadcast turns out as godawful as Sunday night’s did.
If only we’d 100% canceled the Globes when we had the chance.
Conservatives on X were simiIarly harsh. Washington Examiner personality Tim Young, for example, tore into the Golden Globes with a vengeance and said, “The Golden Globes had trash ratings… Perhaps people don’t want to tune in to woke, unfunny jokes about how white people are evil. Maybe their host should lecture at Harvard… I’m sure he’d be a hit there.”
Other posters noted that Jo Koy was a terrible host, saying things Iike “#GoldenGlobes Jo Koy is a terrible comedian, watching him tell jokes is so excruciating” and “i turned on the golden globes and had to turn it off bc the host is terrible.”
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