The house was built in the late twenties of the twentieth century for banker Dimitar Ivanov and his wife Nadezhda Stankovic. Inside, the accent falls on the red marble fireplace located in the reception hall. There is a podium for musicians as well as crystal glasses on the interior doors. Several bedrooms, beautiful terraces, a large study room and service rooms. Nothing of the furniture is preserved, but it is known that high-class Sofia citizens at that time preferred furniture from Central and Western Europe.
The exterior is a large front yard facing the street, separated from the sidewalk by a beautiful wrought iron fence. Triple staircase to the entrance of the house, but it is always very impressive that the special portals for carriages and carriages on both sides of the yard. Even today I imagine a cabin with the members of the invited family entering the yard of the house through one portal, the horseshoes and the carriage staying in the space behind the house, specially tailored for that while waiting for the reception to end and go out again from the yard, but through the other portal.
Banker Ivanov’s family lived happily in the house, at least until 1944. After the war the property was nationalized and originally housed the Romanian embassy. Later in the year, the house was a commercial representation of the USSR in Bulgaria, as well as the headquarters of the administration of various communist structures of unclear purpose.
In the 90’s the house was restituted and returned to the heir of the first owner-banker Dimitar Ivanov. Since 2004 the property is the property of the director of Lukoil-Valentin Zlatev, who has not yet shown any relation to this monument of culture. The beautiful house once ruined for decades and is now sadly sad.
Celebrated country music singer, dies at 79 after Parkinsons battle….
A beloved figure from the music world, known for his sharp wit and satirical edge, has passed away at the age of 79, leaving fans in shock. This larger-than-life personality first gained fame in the early 1970s with a boundary-pushing, unconventional style that forever altered the landscape of country music. His provocative lyrics and fearless performances quickly earned him a loyal following, and he continued to surprise audiences with his bold approach to both music and life. His journey, which included a remarkable collaboration with one of the most iconic musicians of all time, was as unpredictable as it was unforgettable.
The late singer first rose to prominence with his satirical country band in the early ’70s, delivering unforgettable hits like “They Ain’t Makin’ Jews Like Jesus Anymore” and “Get Your Biscuits in the Oven and Your Buns in the Bed.” Although the band’s time was brief, his solo career flourished, and he embarked on a two-year tour with Bob Dylan, solidifying his place in music history.
Kinky’s colorful career extended beyond music. In 2006, he made headlines by running for governor of Texas, challenging incumbent Rick Perry. Although he finished fourth, his candidacy drew widespread attention and showcased his unique approach to politics. He later ran for the Democratic nomination for agriculture commissioner in 2010 and 2014, continuing his unconventional forays into public service.
A close friend, Clive Hattersley, fondly remembered Kinky as “an extraordinary communicator who could stir deep emotions—whether through laughter or tears.” Hattersley also revealed that Kinky had been quietly battling Parkinson’s disease in the years leading up to his death.
Throughout his prolific career, Kinky released 18 albums, with his final one, Circus of Life, arriving in 2018. His legacy of wit, music, and unapologetic authenticity will endure, leaving a lasting imprint on both his fans and the world of satire.
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