
Ali MacGraw became a Hollywood superstar overnight. But just as quickly as she rose to fame, she disappeared from show business altogether.
Ali MacGraw
Ali MacGraw – born Elizabeth Alice MacGraw – was born on April 1, 1939, in Pound Ridge, New York, USA. Her mother, Frances, was an artist and worked at a school in Paris, later settling in Greenwich Village. She married Richard MacGraw, who was also an artist. In 1939, Ali was born.
Ali’s father Richard supposedly had issues from his own childhood which made him a little bit different from others.
He had survived a terrible childhood in an orphanage, running away at the age of 16 to go to sea. He would later study at an art school in Munich, Germany.
“Daddy was frightened and really, really angry. He never forgave his real parents for giving him up,” Ali explained, saying said her father’s adult life was spent “suppressing the rage that covered all his hurt.”
Ali MacGraw – childhood
Money was short for their family, too. Frances and Richard, together with Ali and her brother, Richard Jr, had to move into a house on a Pound Ridge wilderness preserve which they shared with an elderly couple.
“There were no doors; we shared the kitchen and bathroom with them,” Ali said. “It was utter lack of privacy. It was horrible.”
Mom Francis worked with several commercial-art assignments and supported the family. At the same time, Richard had a hard time selling his paintings, and as a result became very frustrated. Ali’s brother Richard became a victim for his anger at home.
“On good days he was great, but on bad days he was horrendous,” she recalled. “Daddy would beat my brother up, badly. I was witness to it, and it was terrible.”
Ali was the daughter of artists, and she knew that she, too, wanted to go into a creative line of work as she got older. She earned a scholarship at the prep school Rosemary Hall, and in 1956, she moved to study at Wellesley College in Massachusetts
By the age of 22, Ali MacGraw moved to New York and got her first job as an assistant editor at Harper’s Bazaar, working with photographers as an assistant.
Fashion work in New York
Fashion editor Diana Vreeland hired Ali as, what she recalls as, a “flunkie”. Ever seen the film The Devil Wears Prada? Well, it was pretty much that.
“It was ‘Girl! Get me a pencil!’,” MacGraw recalled.
The future Hollywood celebrity worked her job as an assistant for several months. Then, about six months in, fashion photographer Melvin Sokolsky noticed her beautiful looks, and Ali MacGraw was hired as a stylist,and given a better salary. She’d end up staying in that position for six years.
“I don’t know where she got this work ethic, but Ali would come in at eight a.m., and many times I’d come back at one in the morning and she would still be doing things for the next day,” Ruth Ansel, a former art director of Vanity Fair and Harper’s Bazaar recalls.
Ali was great as a stylist. But soon, she was asked to work in front of the cameras as a model. It didn’t take long before she was on magazine covers all over the world, even appearing in television commercials. For thing led to another, and Ali tumbled headfirst into the profession of acting.
She had been sketched nude by Salvador Dali a couple of years earlier. But when the surrealist artist started sucking her toes, MacGraw decided that she’d rather be an actress than a model.
Ali MacGraw – films
Ali went straight from an unknown stylist and into the world of cinema, and boy, did she do it with a bang.
She was untutored in the art of film, which gave her acting another dimension. Her natural beauty was stunning, and the audience loved her.
Following a small role in A Lovely Way to Die (1968), she was asked to star in the 1969 film Goodbye, Columbus. It turned out to be a great call, with MacGraw receiving a Golden Globe for Most Promising Newcomer – Female. The following year, she got her big international breakthrough with a role that would pretty much sum up her career.
Ali MacGraw had received a script from her agent. She’d read it and wept twice because of how much she loved it. She decided she really wanted a part in it, and got herself a meeting with the film’s producer Robert Evans – who at the time was Paramount Picture’s head of production – at the Beverly Hills Hotel’s Polo Lounge. Not only did Evans think she was perfect for the part in the movie Love Story, he absolutely fell in love with her.
MacGraw – playing the role of Jenny – acted alongside Ryan O’Neal in the movie Love Story. The American romantic drama film, in which Ali played a working-class college student, became a smash hit.
Love Story hit the cinemas in 1970, and wow did the audience cherish it. It became the No. 1 film in the United States, and at the time, it was the sixth highest grossing movie in history in the US and Canada.
Award-winning actress
MacGraw earned an Academy Award nomination for her role, and the film itself earned her another win and five Academy Award Nominations. She also won herself a second Golden Globe as Best Actress in a Motion Picture – Drama.
Film producer Robert Evans not only loved her on screen, he had fallen in love with her in real life, and that love was reciprocated. In 1969, the couple tied the knot, and two years later, they welcomed their son, Josh Evans.
Ali MacGraw was the hot new star of the 1970s, but her private life and marriage with Evans would soon come to an end. Steve McQueen had visited their home to ask her to star alongside him in The Getaway, and the two Hollywood stars clicked right away.
“I looked in those blue eyes, and my knees started knocking,” MacGraw recalled. “I became obsessed.”
MacGraw and McQueen had an affair, and she soon left Evans to live with the actor in Malibu, along with her son Josh.
“Steve was this very original, principled guy who didn’t seem to be part of the system, and I loved that,” she said.
Ali MacGraw – Steve McQueen
But after a while, Ali realized that Steve McQueen had his own problems. Following his father abandoning his mother, a then-14-year-old Steve was sent to a school for delinquent children. MacGraw said he never trusted women after that.
He didn’t like that she worked and had her own career. For a while, Ali stayed home to raise their sons. But her husband’s demands were something Ali simply couldn’t accept in the long run.
Not only that, but he’d explode if she even looked at another man. He also wanted her to sign a prenuptial agreement, promising not to ask for anything if they’d divorce. She abided by the agreement when they did divorce in 1978.
“I couldn’t even go to art class because Steve expected his ‘old lady’ to be there every night with dinner on the table,” she recalled.
“Steve’s idea of hot was not me. He liked blond bimbos, and they were always around.”
This was the start of a pretty dark time in MacGraw’s life. She arrived on set to shoot the 1978 film Convoy both drunk and high, which prompted her to quit drugs.
Leaving show business
At the same time, several of her movies, such as Players (1970) and Just Tell Me What You Want (1980) flopped.
“It’s brutal for women,” MacGraw told The Guardian about returning to show business in the late 1970s.
“I don’t think there’s a woman over 40 who’s ever been conspicuously in the spotlight who doesn’t get sick of the kind of questioning the media lays on you, the fashion industry, all of it. It’s cruel.”
MacGraw had a short stint as a Hollywood superstar actress. Thereafter, she decided to start working in interior design instead, but didn’t fully give up on her show business career. She appeared in the television miniseries The Winds of War (1983) and China Rose (1985), but soon, her life would change for the worse.
Ali MacGraw simply couldn’t get any work in film, and she thought she was useless. At the same time, she didn’t feel complete unless she had a partner, describing being in love like “a drug high”.
She felt alone and desperate, and drank heavily. In 1986, she checked herself into the Betty Ford Clinic in California.
“The worst stuff happened when I drank,” she said. “I lost my judgment; I fancied other women’s husbands.”
Family tragedies
Her son Josh Evans was 15 at the time and had a hard time watching his mother suffering. MacGraw spent 30 days in group therapy and came out a stronger person.
In 1993, another family tragedy occurred when her house in California burnt down due to a wildfire. She then decided to move from Los Angeles and settled in a town near Santa Fe, New Mexico.
“I live in a little village north of Santa Fe, New Mexico called Tesuque,” she revealed last year.
According to McGraw, her neighbors don’t see her as a former Hollywood star – instead they appreciate all the community work she’s been doing.
For example, she has been doing volunteer work at the annual International Folk Art Market in Santa Fe, New Mexico.
Ali MacGraw left acting, but in 2006, she found herself once again on stage. She reunited with her Love Story co-actor Ryan O’Neal in the Broadway adaptation of the Danish film Festen.
Outside of the Broadway show, MacGraw’s been out of the spotlight the last couple of decades. She’s put her heart into work for animal rights … and produced plenty of successful yoga videos.
Speaking to the Herald-Tribune in 2019, MacGraw stated that she’s still open to new adventures and work.
“One of the lucky things for someone my age is that I’m open and curious,” MacGraw said. “There’s not just one thing I love to do and feel bereft if I can’t. But I know that I’m not happy when I’m not doing something creative.”
Josh Evans – Ali MacGraw
Even though Ali left acting, her family still has a foot in the business. Son Josh Evans is an actor and director, and he’s made a great name for himself in Hollywood.
Also, he looks so much like his mother!
Being the child of Hollywood celebrities Robert Evans and Ali MacGraw certainly came with plenty of pressure.
But for Josh Evans, born in January of 1971, it was pretty much show business he wanted to do from the start.
The first job he ever wanted to do, however, wasn’t in the film business. He didn’t dream about working as an actor, but it was just one of those things that happened.
In 1989, Josh Evans had a small part in Dream a Little Dream (1989), but he wanted to do more. As a teenager with nothing to lose, he used to go to the manager’s office to see the breakdowns of movies being made.
Josh Evans – actor & director
That’s when he met someone he recognized in famous director Oliver Stone. He was making Born on the Fourth of July at the time, starring Tom Cruise. And Josh wanted in.
“At the time I just knew [Oliver Stone] from Platoon. He was making a movie with Tom Cruise and there was a role for the little brother. I wanted to play that part, so he got me a meeting with Oliver Stone,” Josh Evans recalls.
“When I sat with him, Oliver asked ‘Oh, you think you look like Tom Cruise?’. Now knowing him, I realize he was mocking me, but I said, ‘Yeah, I do.’ So, he said, ‘We’ll see what happens.’ Four months later, I got a call to audition and I got the part. It was very exciting and you could feel how special that movie was going to be.”
Since then, Josh has had a great career both acting and directing. He starred in the biographic film The Doors in 1991 and since, he’s been both acting and directing.
With eight films on his resume as a director, he actually had Michael Madsen starring in his 2015 film Death in the Desert. But what does he like best?
“I am definitely more comfortable on the side of the camera that does not show myself,” Josh Evans says.
“If an interesting opportunity presents itself, I am not opposed to it. I think there are other people out there who are more qualified and want it more than I do. As far as directing and telling my stories, I would do that for free, whereas acting is more of a job, but I enjoy it once I do it.”
Josh Evans – family
Josh is a really handsome man, and the resemblance to her mother Ali MacGraw truly is great, especially in his big wonderful eyes.
In 2019, his father – Ali’s ex-husband – Robert Evans passed away. However, the family had the great memory of being together for him when he was honored with a star on the Hollywood Walk of Fame in 2012.
Josh has been married twice. In October 2012, he married American singer and musician Roxy Saint. By then, their son Jackson was two years old – Grandma Ali MacGraw loves spending time with her wonderful family.
“He’s so wonderful,” MacGraw said about her son. “He’s my favorite human being on the planet, and he goes out with a girl I’m nuts about. Their relationship is so much about, among other things, friendship and respect.”
Ali MacGraw and Josh Evans surely are very proud of their wonderful family. We wish them all the best in the future, and who knows, maybe we’ll see them on the same stage or movie set in the future?
3 Stories of Children’s Secrets That Transformed Their Families Forever

Family secrets often hide beneath the surface, shaping relationships in unexpected ways. Unraveling these mysteries can lead to profound revelations and emotional journeys. In this collection, we explore three compelling stories where hidden truths come to light, forever altering the lives of those involved.
From a newfound friend that changes River’s routine at school to a pair of blue shoes Paige notices in the background of her husband’s photo, and a secret box Emma discovered in her father’s drawer, these tales highlight the enduring power of love, the sting of betrayal, and the unbreakable ties that bind families together.
My 4-Year-Old Daughter Started Drawing Dark Pictures after Accidentally Discovering Her Dad’s Secret
When her daughter exhibits unusual behavior, Jennifer questions everything. Eventually, Emma tells her the truth — that she found a box of her father’s secrets.
My daughter, Emma, has always been the rainbow child, wearing the brightest colors and drawing unicorns and butterflies.
But recently, there has been a change in her behavior. She’s been withdrawn, hasn’t been eating properly, and always wants to sit outside.
At first, I didn’t think much about it because Emma constantly goes through phases. But then, her teacher, Mrs Silverton, called me in for a parent-teacher meeting. She was just in kindergarten, but the school prided itself on checking in with parents.
“I didn’t want to alarm you, Jennifer, but there’s something concerning going on with Emma.”
She pulled out a yellow file and showed me a series of drawings by Emma — all dark and shadowy, menacing even.
I drove home from the school in silence. I knew that something was different with Emma, but I didn’t think it was that bad.
Later, while I made noodles for our dinner, I decided to talk to Emma about it.
“Sweetheart,” I said. “I went in to see Mrs Silverton today.”
“Really? Why?” she asked curiously.
“She spoke about the new drawings you’ve been doing and how different they are from the usual ones.”
She looked at her bowl of noodles, twirling her fork through it — her response was silence.
Finally, she spilled the beans.
“I found Daddy’s secret,” she said quietly.
“What secret, honey?” I asked her.
“Come, I’ll show you, Momma,” she said, jumping up from the table.
William, my husband, lives with Emma and me only part-time because of his job. Sometimes, he must work away from home, and traveling always gets to him. So, he decided to rent an apartment for when he worked away.
When Emma led me to William’s home office, I wondered what my daughter had discovered.
I watched as she went to William’s desk and opened the top drawer, taking out an old box.
“I saw this when I came looking for crayons,” she said.
Emma gave me the box before bolting to her room.
The moment I glimpsed inside, my entire world crumbled.
Inside were photos — images of William hugging another woman and a set of three beautiful children, aged between two and seven years old.
My emotions somersaulted from shock to betrayal to raw heartbreak.
Beneath the photos was a little notebook with numbers scribbled in them. It seemed like a replica of my notebook in my handbag with all the emergency numbers ready.
I knew that I needed to confront William but I didn’t know how to deal with the entirety of the situation. I just knew that Emma needed some stability. It was affecting her already.
I returned everything to the box and stored it on the desk.
As I left the room, I found Emma standing in the hallway, her eyes wide with worry and confusion.
“Let’s get you to bed,” I said. “I promise you, everything is going to be just fine.”
I dropped Emma off at school and then went back home. I took another look at the small book and called Mia, the woman in the photographs. I pretended to be their son’s teacher.
As betrayed as I felt, everything was seamless, thanks to William’s little notebook.
“Hang on,” Mia told me. “Speak to husband, William.”
I heard William’s voice on the phone, confirming my worst fears. I hung up immediately.
As the hours dragged on and the time to pick Emma up edged closer, I needed to do something. I needed some answers before I looked at Emma’s precious little face.
I picked up the phone again, called Mia, and told her everything.
She was just as shocked as I was and revealed that she didn’t know about Emma and me.
Next, I called my lawyer — I needed to end my marriage to William. Emma deserved better. Mia deserved better, and so did her children. I deserved better, too.
A few weeks passed, and Mia came over — we sat and spoke for hours and uncovered the truth — William had just used the both of us, keeping our families in different towns to keep us from finding out about each other.
My lawyer took over for Mia and me, ensuring we would get justice. We also wanted the four kids to get to know each other as siblings — because the children were siblings regardless of what was happening.
Ultimately, we united against a man who manipulated our lives, unveiling a story more convoluted than any soap opera plot.
Our lawyer ensured that we got alimony from William — although we could never figure out how William had managed to marry both of us — and kept the lie going for so many years.
I’ve also gotten Emma into therapy to ensure that my daughter was healing from this traumatic experience. But if I’m being honest, I think the best therapy was Emma getting to know her half-siblings.
My Daughter Kept Taking an Extremely Heavy Backpack to School – I Realized Why When I Finally Met Her Bus Driver
Life as a single mom in the suburbs is a tightrope walk between joy, coffee, and juggling acts. I’m Juliet, a financial advisor, striving to build a career robust enough to secure a bright future for my nine-year-old daughter, River.
Since my husband deserted us and fled to a new state when River was only a toddler, the brunt of parenting fell solely on my shoulders. “At least this way,” my mother said, feeding River, “you don’t have to worry about your daughter learning Richard’s lying and cheating ways. She’s all yours, and you can mold her in the way you want.”
A few weeks ago, we were sitting down to dinner together, and River began telling me all about the latest news at school. She went into a whole explanation of after-school clubs and felt that she should join.
“Okay,” I said, pleased by her growing interest in school activities. “What are you thinking about? Drama? Art?”
River sat and thought about it for a minute, picking at her broccoli.
“I think Art club,” she said.
“We’ll go out and buy art supplies tomorrow,” I promised.
“I’m so excited about this!” River gushed.
I couldn’t mask my relief that River would have something constructive to occupy her time while I was still at work.
One morning, River, brimming with newfound responsibility, declared that she wanted to pack her own lunches to foster her independence. I was standing at the counter sorting out River’s breakfast of cereal and juice while starting her lunch for the day.
“Mom, I think I should start packing my own lunches,” she stated firmly, watching me add her things to her sandwich.
“That’s a great idea, River. I’m so proud of you for taking this step,” I said, encouraging her self-reliance. “But you’ll have to ask me for help when it comes to knife things.”
Our routine continued like clockwork. We had breakfast together, and I walked River to the front of our yard, where the yellow school bus picked her up.
But a few days ago, something changed.
As we got to the bench my father had installed in our yard, I asked River to put her backpack down so I could help her into her jacket.
Moments later, as I pulled the jacket closed, a slight wince escaped her when I tapped her back.
“What’s wrong?” I asked immediately.
River shrugged her shoulders and dismissed it as the weight of her schoolbooks causing discomfort, but the mother in me stirred with worry.
“Are you sure you’re okay? That seemed like it hurt,” I probed, concern lacing my tone.
“It’s just the books, Mom,” my nine-year-old said. “They’ve been really heavy this week,” she brushed off, avoiding my gaze.
“Do you want me to take you to school, then?” I asked her as I checked my watch for the time.
“No, thank you,” River said, as the bus honked around the corner.
Driven by concern and curiosity, I got to my office and called the school.
“No, Juliet,” the secretary said. “We don’t allow the kids to take textbooks home because of how heavy they are. So, they use them at school only.”
Then what was River taking to school?
I decided to leave work early. I wanted to pick River up and talk with her about whatever was going on.
River was a responsible child, and I knew that she wouldn’t be doing anything wrong. But if she was hurting herself in some way, I needed to understand why and what was going on with her.
I parked next to a school bus and waited to see River run out. I followed her to the school bus that did our route and caught a snippet of conversation between River and the bus driver.
“Did she like everything?” River asked the driver.
“She loved it!” the driver said. “Are you sure that it’s okay that you’re bringing things for my Rebecca?”
“Yes,” River said. “As long as Rebecca is happy.”
Who is Rebecca? I wondered to myself.
“River!” I called as other students started to get on the bus.
“Mom!” she exclaimed when she saw me. “What are you doing here?”
“I left work early,” I told her, ready to take the immovable boulder that had been her backpack on her shoulders, which was now suddenly light as air.
“Honey, where are all your things?” I asked.
River hesitated as we walked to the car.
“I’ll tell you at home,” she said.
Taking her hands in mine, I knelt to her level.
“Tell me what’s going on. You can tell me anything, River. And you can trust me,” I encouraged her, trying to soothe her distress.
Through tears, River told me everything.
The new bus driver with whom she had made fast friends had a daughter who was battling leukemia.
“I saw her photo next to the steering wheel, Mom,” River said. “Mr. Williams makes me sit on the seat behind him because I’m so small. So when I saw the photo, I asked him who the girl was.”
I sat back and let River continue. She needed to let the story out—and feel seen and heard.
“Mr. Williams said that Rebecca is only two years younger than me, and that she hasn’t been in school at all. Because she’s stuck in the hospital.”
I nodded.
“So, when we got the art supplies for school, I took two of everything so that I could make a pack for Rebecca, too. And even the clothes, because she said that the hospital is so cold.”
“You’ve spoken to Rebecca?” I asked.
“Yes,” River said, tears streaming down her face again. “Mr. Williams has been taking me. I don’t go to any after-school clubs.”
River sucked in her breath and held it until I spoke.
“Oh, baby,” I said. “You should have told me.”
I was torn between admiration and fear for her safety. We agreed to meet Mr. Williams at the hospital later in the evening. And upon meeting him, his sincerity and gratitude washed away my fears.
“Thank you for allowing and supporting River in this,” Mr. Williams thanked me, assuming that I had been aware of River’s actions.
“Your daughter is wonderful, Juliet,” he said.
“Thank you,” I said. “I would love to do more.”
Mr. Williams smiled at me and led us down a hallway to Rebecca’s room. The rest of the day was spent in laughter and shared stories as River and Rebecca played in the hospital room, their joy echoing off the walls.
Watching them, I realized that my daughter had taught me a valuable lesson in compassion, one that I would cherish and nurture as she continued to grow.
I Overheard My Husband Asking Our 4-Year-Old Son Not to Tell Me What He Saw – Days Later, I Uncovered the Shocking Truth Myself
Paige loves her career, even if it means being away from home a lot. However, when she returns from a business trip, she overhears a cryptic conversation between her husband and her four-year-old son. Little does she know — the thread of her marriage is about to unravel.
When I think about the foundations of my life, there were three that always stood out: my husband, Victor, my son, Mason, and my career. Despite the storms that Victor and I weathered together, including four heart-wrenching miscarriages, we emerged stronger than before the storm.
But then, a pregnancy test came back positive. And three months later, our baby was still thriving in my womb.
So, when Mason came into our lives, it felt like our shattered dreams had finally pieced themselves back together. Mason became the one thing that we focused on unconditionally. Whenever our son needed us, we dropped everything.
“I don’t want a babysitter or a nanny taking care of our son,” Victor said one day when he was cooking us dinner.
“If you can handle the days, then the evening shifts are all mine,” I compromised.
But little did I know, it was during my absence that the fabric of our family began to unravel.
The day that changed everything was like any other. I took a cab from the airport and eagerly awaited to see my husband and son.
When I walked in, the house was oddly quiet, with shuffling upstairs.
Victor’s voice was hushed but urgent — the same urgency that Mason associated with bad behavior and bedtime.
“Buddy, you’ve got to promise me one thing, okay?” Victor said.
“Okay,” Mason muttered innocently. “What is it?”
“You’ve got to promise me that you won’t tell Mom what you saw.”
“But I don’t like secrets,” Mason said. “Why can’t I tell Mommy?”
“It’s not a secret, Mason,” he said. “But if we tell Mommy, it’s going to make her sad. Do you want Mommy to be sad, buddy?”
“No, I don’t,” he said.
I walked into Mason’s room and found Victor sitting on his bed, while our son sat on the floor surrounded by his toys.
“What’s going on?” I asked, Mason leaping into my arms.
“Nothing, honey,” Victor said, winking. “Just a boys’ chat. Welcome home.”
The week-long business trip that followed was torture. I loved my job, and I loved working on the new campaign we were running. But I hated being away from Mason for so long. Victor’s daily photos of Mason were my only solace until one of the photos brought about more questions than answers.
Victor had sent a series of photos to me — in each of them, my son was playing with a new toy. But in one of the photos, there was a pair of blue shoes in the background. They were not mine. And yet, there they were, in my living room.
I knew that the moment I entered my home, everything was going to change. Either, my husband would confess that there was someone else in his life — or that there was a nanny looking after our son.
A nanny with expensive shoes, I thought.
walked into my son’s room first. He was just waking up, rubbing the sleep from his eyes.
“Hi, baby,” I said, kissing his head. “Dad’s not downstairs?”
Mason looked at me for a moment too long.
“Mommy, don’t go in there. You’ll be sad,” he warned, his words echoing the secret pact I had overheard.
Fueled by a mix of dread and anger, I approached my bedroom. The muffled sounds from inside were enough confirmation. I braced myself and opened the door.
Victor swore.
The woman untangled herself from my husband and my bedding.
“Paige!” he exclaimed, sitting up in bed. “It’s not what you think!”
I laughed.
“Do I look that stupid?” I asked him before I felt the tears well in my eyes.
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The woman picked up her clothes and locked herself in our bathroom.
I felt sick to my stomach.
How many women had there been?
How much had Mason seen?
In the aftermath, as I recounted the ordeal to my family, their embrace was a sliver of comfort. My parents encouraged me to get Victor to move out.
“Let him leave,” my father said. “You and Mason need to stay comfortable.”
In the end, Victor moved his things out. But he still denied the affair — apparently I didn’t know what I had seen.
At least he didn’t contest the divorce.
“He’s trying to save whatever dignity he has left,” my mother said on the phone.
Reflecting on the secret conversation that had set everything in motion, I realized that the signs were always there. I had chosen to see only the best in Victor — constantly ignoring the whispers of doubt.
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