“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.
Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.
He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.
“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”
Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”
Heartbreak for King Charles
Captain Ian Farquhar, a close friend of the king, regrettably passed away at the age of 78.
Ian has been King Charles’s and Queen Camilla’s dear friend for a long time. He further enhanced his already illustrious name by acting as the Queen Mother’s rider.
Ian was a renowned hunter and a superb horseman who served with pride in the Queen’s Own Hussars.
The King, who is already coping with his own cancer diagnosis, is devastated by this loss. Lord Jacob Rothschild, who was 87 years old, passed away just last week.
When Prince William was on leave in 2000, he dated Rose Farquhar, Ian’s daughter. In the picturesque Gloucestershire countryside, the young couple relished romantic picnics.
Ian leased a farmhouse on the Gloucestershire estate of King’s Highgrove for a considerable amount of time.
Ian had been quite sick, according to Queen Camilla’s first husband, Stephen Parker Bowles, who made this revelation to the Daily Mail.
Andy revealed that Ian died at Highgrove early on Wednesday morning.
He spoke warmly about Ian, recalling that he was “always a lot of fun, but as wild as a hawk when he was young.”
Furthermore, Andy said that Ian would go down in history as “one of the great Master of Hounds.”
Ian was the esteemed Master of the Beaufort Hunt for 34 years.
On Instagram, the Beaufort Hunt honored their former mentor.
“Sending our love and condolences to the family and friends of our own Captain Ian Farquhar breaks our hearts,” they stated. He gave us 34 years of excellent leadership before passing away quietly this week.
“Many in the hunting community held him in high regard as ‘Captain.’” He was always welcoming, helpful, and prepared to offer anyone who asked for it excellent, progressive advise.
“Anyone who had the good fortune to spend time with Ian and hear about his extraordinary and adventurous life in the army and as a hunter will cherish those memories forever. Ian had a sharp sense of humor.”
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