SARAH JESSICA PARKER
The Carrie Bradshaw of “Sex and the City,” famous actress Sarah Jessica Parker was criticised for her makeup-free and with gray haired look, while having a dinner with Andy Cohen.
Many people caleld her old, because she has silver hair, but no one called Andy Cohen anything, who had more grays than Parker, and those comments were labeled as “misogynistic.”
58-year-old Parker had questioned people, that why they were questions about people who doesn’t care about being aged, in an interview.
“It almost feels as if people don’t want us to be perfectly OK with where we are, as if they almost enjoy us being pained by who we are today, whether we choose to age naturally and not look perfect, or whether you do something if that makes you feel better.”
“I know what I look like… What am I going to do about it? Stop aging? Disappear?” Parker added. “I like to be graceful with myself. I’m not delusional. I know that age adds up…” 58-year-old actress said.
DIANE KEATON
The 78-year-old famous Diane Keaton had faced with criticism in 2014, when she appeared with her silver hair at the Golden Globes. Many people from social media had criticised Keaton over her age.
Keaton had talked about aging gracefully, and stated that the grays in her head were her “battle scars,” and that a person shouldn’t be afraid to show them.
“I don’t see anything wrong with face-lifts or Botox or fillers. They just erase the hidden battle scars. I intend to wear mine, sort of,” Keaton said.
JENNIFER ANISTON
In 2023, the famous actress Jennifer Aniston had shared her gray hair from social media, and she received her share from the criticism towards aging.
“Anyone would think going gray was an anamomaly for tv/movie stars seriously!! We better give Jennifer a plack/award for it she’s soooo brave it’s never heard of [sic],” a person wrote.
Other comments were, “Well done for allowing gray to come through – refreshing,” “Aside from some bad lip work, she looks amazing.”
“I am sure she entered the gray hair stage a while back – she’s just starting to embrace it,” Nah. Dye it. I know, it’s empowering and all that nonsense. Do yourself a favor and make it blonde.” “Gray hair doesn’t suit you yet. Save it for later plz.”
The 55-year-old star actress shared that her Greek genes are the reason for her beauty, and that people should stay hydrated, and sleep for good hours. “Don’t overproduct, that’s the other thing. Getting proper sleep is always important,” Aniston said.
Child star Mara Wilson, 37, left Hollywood after ‘Matilda’ as she was ‘not cute anymore’
The world first fell in love with the endearing Mara Wilson in the early 1990s. She was a child actor best remembered for her roles as the bright young girl in beloved family films like Miracle on 34th Street and Mrs. Doubtfire.
The rising actress, who turned 37 on July 24, looked like she was ready for big things, but as she got older, she lost her “cute” factor and vanished from the big screen.
She continues, “If you’re not cute anymore, if you’re not beautiful, then you are worthless. Hollywood was burned out on me.”
To find out what happened to Wilson, continue reading!
When five-year-old Mara Wilson played Robin Williams’ youngest kid in Mrs. Doubtfire in 1993, she won over millions of fans’ hearts.
When the California native was invited to feature in one of the highest-grossing comedies in Hollywood history, she had already made appearances in advertisements.
“My parents grounded me even though they were proud of me.” My mother would always tell me that I’m just an actor if I ever stated something like, “I’m the greatest!” Wilson, who is now 37, remarked, “You’re just a kid.”
Following her big screen premiere, she was cast in 1994’s Miracle on 34th Street as Susan Walker, the same character Natalie Wood had performed in 1947.
Wilson describes her audition as follows: “I read my lines for the production team and told them I didn’t believe in Santa Claus” in an essay for the Guardian. “But I did believe in the tooth fairy and had named mine after Sally Field,” she writes, referring to the Oscar-winning performer who portrayed her mother in Mrs. Doubtfire.
“Very unhappy”
Next, Wilson starred with Danny DeVito and his real-life wife Rhea Perlman in the 1996 film Matilda as the magical girl.
Additionally, Suzie, her mother, lost her fight against breast cancer in that same year.
“I wasn’t really sure of my identity.I was two different people before and after that. Regarding her profound grief following her mother’s passing, Wilson explains, “She was like this omnipresent thing in my life.””I found it kind of overwhelming,” she continues. I mostly just wanted to be a typical child, especially in the wake of my mother’s passing.
The young girl claims that she was “the most unhappy” and that she was fatigued when she became “very famous.”
She reluctantly took on her final significant role in the 2000 fantasy adventure movie Thomas and the Magic Railroad at the age of 11. “The characters had too little age. I reacted viscerally to [the] writing at 11 years old.I thought, ugh. I love it, she says to the Guardian.
“Destroyed”
Her decision to leave Hollywood wasn’t the only one, though.
Wilson was going through puberty and growing out of the “cute” position as a young teenager, so the roles weren’t coming in for him.
“Just another weird, nerdy, loud girl with bad hair and teeth, whose bra strap was always showing,” was how she was described.
“When I was thirteen, no one had complimented me on my appearance or called me cute—at least not in a flattering way.”
Wilson had to cope with the demands of celebrity and the difficulties of becoming an adult in the public glare. It had a great influence on her, her shifting image.
“I had this Hollywood notion that you are worthless if you are not attractive or cute anymore. Because I connected that directly to my career’s downfall. Rejection still hurts, even if I was kind of burned out on it and Hollywood was burned out on me.
Mara in the role of author
Wilson wrote her first book, “Where Am I Now?,” before becoming a writer. “Ancidental Fame and True Tales of Childhood,” published in 2016.
The book explores “her journey from accidental fame to relative (but happy) obscurity, covering everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood.”
In addition, she penned the memoir “Good Girls Don’t,” which explores her experiences living up to expectations as a young performer.
In her Guardian column, she states, “Being cute just made me miserable.” It was always my expectation that I would give up acting, not the other way around.
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