The world first fell in love with the endearing Mara Wilson in the early 1990s. She was a child actor best remembered for her roles as the bright young girl in beloved family films like Miracle on 34th Street and Mrs. Doubtfire.
The rising actress, who turned 37 on July 24, looked like she was ready for big things, but as she got older, she lost her “cute” factor and vanished from the big screen.
She continues, “If you’re not cute anymore, if you’re not beautiful, then you are worthless. Hollywood was burned out on me.”
To find out what happened to Wilson, continue reading!
When five-year-old Mara Wilson played Robin Williams’ youngest kid in Mrs. Doubtfire in 1993, she won over millions of fans’ hearts.
When the California native was invited to feature in one of the highest-grossing comedies in Hollywood history, she had already made appearances in advertisements.
“My parents grounded me even though they were proud of me.” My mother would always tell me that I’m just an actor if I ever stated something like, “I’m the greatest!” Wilson, who is now 37, remarked, “You’re just a kid.”
Following her big screen premiere, she was cast in 1994’s Miracle on 34th Street as Susan Walker, the same character Natalie Wood had performed in 1947.
Wilson describes her audition as follows: “I read my lines for the production team and told them I didn’t believe in Santa Claus” in an essay for the Guardian. “But I did believe in the tooth fairy and had named mine after Sally Field,” she writes, referring to the Oscar-winning performer who portrayed her mother in Mrs. Doubtfire.
“Very unhappy”
Next, Wilson starred with Danny DeVito and his real-life wife Rhea Perlman in the 1996 film Matilda as the magical girl.
Additionally, Suzie, her mother, lost her fight against breast cancer in that same year.
“I wasn’t really sure of my identity.I was two different people before and after that. Regarding her profound grief following her mother’s passing, Wilson explains, “She was like this omnipresent thing in my life.””I found it kind of overwhelming,” she continues. I mostly just wanted to be a typical child, especially in the wake of my mother’s passing.
The young girl claims that she was “the most unhappy” and that she was fatigued when she became “very famous.”
She reluctantly took on her final significant role in the 2000 fantasy adventure movie Thomas and the Magic Railroad at the age of 11. “The characters had too little age. I reacted viscerally to [the] writing at 11 years old.I thought, ugh. I love it, she says to the Guardian.
“Destroyed”
Her decision to leave Hollywood wasn’t the only one, though.
Wilson was going through puberty and growing out of the “cute” position as a young teenager, so the roles weren’t coming in for him.
“Just another weird, nerdy, loud girl with bad hair and teeth, whose bra strap was always showing,” was how she was described.
“When I was thirteen, no one had complimented me on my appearance or called me cute—at least not in a flattering way.”
Wilson had to cope with the demands of celebrity and the difficulties of becoming an adult in the public glare. It had a great influence on her, her shifting image.
“I had this Hollywood notion that you are worthless if you are not attractive or cute anymore. Because I connected that directly to my career’s downfall. Rejection still hurts, even if I was kind of burned out on it and Hollywood was burned out on me.
Mara in the role of author
Wilson wrote her first book, “Where Am I Now?,” before becoming a writer. “Ancidental Fame and True Tales of Childhood,” published in 2016.
The book explores “her journey from accidental fame to relative (but happy) obscurity, covering everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood.”
In addition, she penned the memoir “Good Girls Don’t,” which explores her experiences living up to expectations as a young performer.
In her Guardian column, she states, “Being cute just made me miserable.” It was always my expectation that I would give up acting, not the other way around.
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“More Handsome Than His Father!” Jason Momoa and Lisa Bonet’s Teen Son Sparks Frenzy
Jason Momoa shared a fun video with his 15-year-old son from Lisa Bonet. The post garnered many likes and comments. People unanimously admired the father and son, with some even suggesting that Nakoa-Wolf might end up being even more handsome than his father.
In the video, Momoa discusses some of the perks of the soap he’s using, while his son stands in the background. Without warning, Momoa pushes Nakoa-Wolf into the water, continuing to discuss the brand Humble as if nothing had happened. The video then shows the two laughing together and struggling to push each other into the water, with Nakoa-Wolf trying his hardest to get even with his dad to no avail.
The video racked up thousands of likes and comments, including a sweet message from Lenny Kravitz, Momoa’s close friend and Lisa Bonet’s ex-husband. “What up fam,” he commented, adding a heart and a fist emoji.
Many fans pointed out the same thing in the video — how Nakoa looks just like his mom. “He looks like his moma,” commented one. “Yes he does. First thing I noticed. Her whole face, just lighter and more masculine,” another agreed. “Is that Wolfy? The kid’s a man now!” “He’ll be more handsome than his father.”
Momoa shares two kids with Lisa Bonet: Nakoa-Wolf, 15, and Lola, 17. Momoa and Bonet concluded their divorce in July 2024, with both agreeing on joint custody of their kids. The couple was married for over seven years and had been together for 12 years.
Recently, Jason introduced his 16-year-old daughter. The father-daughter duo were all smiles as they attended The Bikeriders premiere in Los Angeles. Momoa was road-ready, sporting a black and white striped sweater over worn, grease-stained khaki pants, and a Red Rum Nomads biker vest. He arrived at the red carpet on a vintage motorcycle, with Lola riding along.
After his divorce, Jason Momoa has already started a new relationship. Here, you can find out more about his new girlfriend.
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