As a foreman, I’ve seen a lot in 20 years of construction, but never anyone quite like the mom who rolled into our no-parking zone like rules were for other people. When I politely asked her to move, she asked me to “deal with it.” I just smiled and karma handled the rest minutes later.
Have you ever had one of those days when someone else’s entitled attitude becomes your unexpected entertainment? Let me tell you about my morning. I’ve never seen karma work so fast… or hit so hard.
I’m Bob and I’m 40 years old. I’m a foreman for a construction crew bustin’ our backs building a house halfway up Mount Hellscape. Okay, not a real mountain, but 250 feet up a narrow footpath sure feels like one when you’re hauling plywood on your shoulder in the July heat.
A construction foreman at work | Source: Midjourney
A construction foreman at work | Source: Midjourney
We’ve been working this gig for weeks now. There’s no road to the build site. Just a footpath. That means every damn board, beam, pipe, and nail has to be lugged uphill by hand.
The only break we get? Two sacred parking spots at the bottom of the hill, marked clear as day: No Parking. Tow Away Zone.
Those two spots are our only shot at keeping deliveries running halfway smooth.
A ‘No Parking’ sign | Source: Pexels
A ‘No Parking’ sign | Source: Pexels
“Bob!” my buddy Mike called from the scaffolding. “Jerry’s on the phone. Says the lumber delivery’s coming early.”
I wiped the sweat from my brow and grabbed my cell. “Jerry? How far out are you, pal?”
“Three minutes tops, man. Got your roof trusses and everything else on the manifest.”
“I’ll clear the loading zone. See you in three.”
A construction foreman talking on the phone | Source: Midjourney
A construction foreman talking on the phone | Source: Midjourney
I pocketed my phone and started down the narrow dirt path that connected our hilltop site to civilization.
As the path curved, I caught sight of a gleaming white SUV parked squarely in one of our spots. Through the windshield, I could make out a woman texting on her phone, engine idling.
I felt the familiar twitch in my jaw. The elementary school half a block away meant we dealt with this at least twice daily. Usually, a polite request was enough. Usually. But not always.
Kids in an elementary school | Source: Pexels
Kids in an elementary school | Source: Pexels
“Excuse me, ma’am,” I called, approaching her driver’s side window with what I hoped was a friendly expression. “You’re parked in our construction loading zone. We’ve got a lumber delivery arriving any minute.”
She glanced up from her phone, window descending halfway.
“I’ll just be a few minutes,” she said, barely looking at me. “Your truck isn’t even here. Take a chill pill, dude.”
The window hummed back up and the conversation was over.
A furious woman sitting in her car | Source: Midjourney
A furious woman sitting in her car | Source: Midjourney
“Ma’am, please—” I started, but the rumble of a heavy engine cut me off.
Jerry’s massive delivery truck appeared around the corner, loaded with enough lumber to frame our entire roof. I waved him forward, pointing to our predicament seated in the car.
I knocked on the lady’s window again. After several taps, it lowered halfway.
“WHAT?” she snapped.
“The delivery truck is here,” I explained, keeping my voice calm, “You’re parked in a clearly marked no-parking zone. We really need you to move now.”
A lumber truck on the street | Source: Midjourney
A lumber truck on the street | Source: Midjourney
She looked past me at Jerry’s idling truck, then back to me with narrowed eyes.
“Can’t you guys just unload around me? Like, what’s the big deal? It’s not that hard.”
The window went up again and my customer service smile froze on my face.
“Fine,” I muttered, walking away. “We’ll work around you.”
“What’s the plan, Bob?” Jerry asked, leaning out his window, watching me approach.
A slow smile spread across my face. “She wants us to work around her. Let’s do exactly that.”
Jerry’s eyes lit up with understanding. “Say no more!”
A smiling truck driver | Source: Midjourney
A smiling truck driver | Source: Midjourney
“Pull in as close to her driver’s side as you legally can,” I instructed. “Let’s see how she likes being boxed in between you and the porta-potty.”
Jerry nodded, expertly maneuvering his truck to block the SUV’s driver’s side door with barely an inch to spare. With the porta-potty on one end and a legally parked car on the other, our entitled mom was now completely boxed in.
“Perfect,” I said, unable to suppress my grin.
“She looks mad,” Jerry chuckled, glancing in his side mirror.
A white car trapped between a truck and a porta-potty | Source: Midjourney
A white car trapped between a truck and a porta-potty | Source: Midjourney
“Let’s start unloading. I’ll make a call.”
“Who ya calling?” Jerry asked, already lowering the truck gate.
“Parking enforcement. Just to cover our bases.”
“Bob!” someone shouted from up the hill. I turned to see my crew arriving to help with the unloading.
“Let’s move, guys! We’ve got a roof to build!”
As my crew began the backbreaking process of hauling the lumber up the hill, I noticed movement in the SUV. Our entitled mom just realized her predicament. I could see her gesturing wildly on her phone, occasionally shooting daggers at me with her eyes.
An annoyed woman talking on the phone while seated in her car | Source: Midjourney
An annoyed woman talking on the phone while seated in her car | Source: Midjourney
“The parking officer said she’ll be here in about 30 minutes,” I told Jerry as we supervised the unloading.
“That long?” Jerry sighed, then brightened. “Well, we’ll still be here. This is at least an hour’s job.”
Twenty minutes into our unloading, a small boy in a blue backpack approached the SUV, tapping on the passenger window.
Entitled mom had finally realized she couldn’t exit through her driver’s side door. We watched as she awkwardly climbed across the center console, tumbling out the passenger side in a less-than-graceful heap.
A boy with a backpack | Source: Pexels
A boy with a backpack | Source: Pexels
“Mommy, why are you coming out that way?” the boy asked loudly enough for us to hear.
“Because these IDIOTS blocked me in,” she hissed, straightening her designer blouse while glaring in our direction. She ushered her son into the back seat, then stormed over to where Jerry and I stood checking off inventory items.
“I need to leave NOW!” she demanded, arms crossed tightly. “Move. Your. Truck.”
I opened my mouth to respond, but Jerry beat me to it.
“Ma’am, in order to unload the lumber, we had to unstrap it,” he explained with exaggerated patience. “Company policy strictly prohibits moving the truck with an unsecured load. Safety regulations. I’m sure you understand.”
Her face flushed crimson. “Trash your policy! I have somewhere to be!”
A furious woman yelling | Source: Midjourney
A furious woman yelling | Source: Midjourney
“We asked you nicely to move earlier,” I reminded her. “You told us to work around you. That’s exactly what we’re doing.”
“This is ridiculous! I’m going to report both of you!”
At that moment, a parking enforcement vehicle pulled up behind Jerry’s truck. Officer Martinez stepped out, clipboard in hand.
The entitled mom hadn’t noticed the new arrival yet. She was too busy jabbing her finger in my direction.
A female police officer | Source: Pexels
A female police officer | Source: Pexels
“I swear to God, if you don’t move this truck right now—”
I couldn’t resist. “Can’t you just pull out around it? It’s not that hard.”
Her eyes widened as she recognized her own words thrown back at her. The look on her face was worth every second of this confrontation.
“Screw you!” she spat, spinning on her heel and marching back to her SUV.
Officer Martinez approached us, eyebrows raised. “Morning, Bob. Got your call about the parking situation.”
Before I could explain further, the roar of an engine drew our attention. The entitled mom had climbed back into her SUV through the passenger door and thrown it into reverse.
“Oh no!” Jerry murmured.
An angry woman sitting in her car | Source: Midjourney
An angry woman sitting in her car | Source: Midjourney
The SUV jumped backward like a spooked goat on roller skates and plowed straight into our poor porta-potty.The thing tumbled, farted out a splash of blue goo, and lay there like it needed a minute.
“Holy cow!” I breathed.
The entitled mom shifted to drive and accelerated toward the curb, apparently attempting to mount the sidewalk to escape. The SUV made it halfway up before getting stuck, wheels spinning uselessly and the engine screaming.
Officer Martinez was already running toward the vehicle. “TURN OFF YOUR ENGINE! NOW!”
The woman froze, finally noticing the uniformed officer. The color drained from her face as she realized what she’d done… and who had witnessed it.
A lady cop talking to someone | Source: Pexels
A lady cop talking to someone | Source: Pexels
“Step out of the vehicle, ma’am,” Officer Martinez ordered, hand on her radio.
“I… these men trapped me,” she stammered, reluctantly emerging from the passenger side.
“Hands where I can see them.”
“My son is in the car.”
“I’m aware. That’s going to be an additional concern.” Officer Martinez spoke into her radio, requesting backup.
A startled woman in her car | Source: Midjourney
A startled woman in her car | Source: Midjourney
Within minutes, our entitled mom was sitting on the curb in handcuffs, her indignation replaced by panic. Her son watched wide-eyed from the back seat as a second police car arrived.
“She told us to work around her,” Jerry explained to the second officer, a tall man named Rodriguez. “So we did.”
“Then she decided to take matters into her own hands,” I added, gesturing to the destroyed porta-potty and the SUV still perched awkwardly on the curb.
“I never refused to move!” she shouted from her curb seat. “They never asked me!”
Officer Martinez shook her head. “Ma’am, they called parking enforcement when you first refused to move. That’s why I’m here.”
A police officer handing a violation ticket | Source: Pexels
A police officer handing a violation ticket | Source: Pexels
“This is all a misunderstanding. I was just picking up my son.”
“In a clearly marked no-parking zone,” Officer Rodriguez noted, writing in his notepad. “And then she operated that vehicle recklessly with a child inside.”
The woman’s shoulders slumped.
“Home telephone number?” Officer Rodriguez asked the boy. “We need to call someone to pick you up.”
As Jerry signed off on his delivery and prepared to leave, the tow truck arrived to remove the SUV from the curb. The entitled mom was being helped into the back of Officer Rodriguez’s patrol car, all fight gone from her posture.
An officer watching a person being escorted toward a cruiser | Source: Pexels
An officer watching a person being escorted toward a cruiser | Source: Pexels
“Driving on a suspended license too,” Officer Martinez informed me as she finished her report. “Plus child endangerment, destruction of property, and reckless driving. She’ll be spending more than a few minutes dealing with this.”
I watched as an older woman, presumably the boy’s Grandma, arrived to collect him, her face tight with worry and resignation, as if this wasn’t the first time she’d been called to clean up her daughter’s mess.
That evening, as the sun set over our hilltop construction site, I sat on a stack of newly delivered lumber, nursing a cold coke with my crew.
“You should’ve seen her face when you threw her own words back at her,” Jerry laughed, cracking open another can.
A man laughing while holding a can of beverage | Source: Midjourney
A man laughing while holding a can of beverage | Source: Midjourney
“I almost felt bad,” I admitted. “Almost.”
“Don’t, buddy. Some people need to learn the hard way.”
“What was the damage on the porta-potty?” someone asked.
“Company’s sending a replacement tomorrow,” I replied. “Thankfully it was due for service anyway.”
The crew laughed, and we raised our cans in a toast.
“To entitled parents everywhere,” Jerry proclaimed. “May the parking spots they steal always come with a side of instant karma.”
“And may they learn that in construction, as in life,” I added, “sometimes the harder you push, the more you get stuck.”
A chuckling foreman holding a beverage can | Source: Midjourney
A chuckling foreman holding a beverage can | Source: Midjourney
As twilight settled over our half-built house, I couldn’t help but smile. Tomorrow would bring new challenges, more materials to haul, and more problems to solve. But at least our parking spots would be clear.
And somewhere across the town, one mom learned a very expensive lesson about patience, respect, and the high cost of entitlement. Maybe next time she’d take the chill pill instead!
A no parking zone | Source: Pexels
A no parking zone | Source: Pexels
Here’s another story: In a crowded airport, a teenager mocked a janitor, thinking it was funny. What he didn’t realize was that his father was watching silently… from behind.
This work is inspired by real events and people, but it has been fictionalized for creative purposes. Names, characters, and details have been changed to protect privacy and enhance the narrative. Any resemblance to actual persons, living or dead, or actual events is purely coincidental and not intended by the author.
The author and publisher make no claims to the accuracy of events or the portrayal of characters and are not liable for any misinterpretation. This story is provided “as is,” and any opinions expressed are those of the characters and do not reflect the views of the author or publisher.
Catherine Deneuve: The 60s Icon Who Still Stuns the World With Her Timeless Beauty
It’s been nearly sixty years since 24-year-old Catherine Deneuve and her older sister Françoise Dorléac starred as twins in *The Young Girls of Rochefort*.
The movie, which also featured a young Gene Kelly, was the last film the sisters made together. Deneuve went on to become internationally famous, while Françoise’s life and career were tragically cut short.
Born into an acting family, Deneuve, now 79, made her first appearance in the 1957 French movie *The Twilight Girls*. Her big break came in 1960 when she starred in *The Umbrellas of Cherbourg*, a romantic musical that highlighted her French style and innocence, launching her into stardom. This was just the beginning of many films she would make with director Jacques Demy.
Her talent for dramatic roles caught the eye of legendary director Roman Polanski, who cast her in the psychological thriller *Repulsion*. Deneuve’s brilliant performance as Carol, a mentally troubled woman, earned her the nickname “ice maiden.” This image was solidified in her next film, *Belle de Jour*, where she played a housewife who secretly works as a prostitute—a role that won her awards and global fame.
In 1963, Deneuve became a mother, having a son with French screenwriter Roger Vadim. She later had the chance to star alongside her older sister, Françoise Dorléac, in the 1967 musical *The Young Girls of Rochefort*. The two sisters were very close, and with their similar looks, playing twins in the movie felt natural.
But just three months after *Rochefort* was released, tragedy struck. Françoise, at only 25, died in a car accident, a moment Deneuve describes as the most painful in her life.
“The day I lost my sister, I lost my joy of living… it is the most painful thing I have experienced,” she shared in an interview with *Paris Match*, a French weekly magazine.
The loss of her sister didn’t slow down Catherine Deneuve, who became the epitome of 1960s glamor, often seen as a femme fatale wrapped in Yves Saint Laurent.
Deneuve, known as the face of French cinema, has appeared in over 120 films throughout her 60-year career. Reflecting on how the industry has changed, Deneuve explained, “Human nature is vast. There are roles more suited to people of my generation. As you age, it’s the same in life—you gain experience and play characters you couldn’t when you were 30.” She added, “It’s hard to find the right path. You can age better in Europe than in America. But women today look younger than they did 50 years ago. Back then, a 50-year-old woman looked her age. Now, not so much.”
Despite her worldwide fame, Deneuve has mostly starred in French films, with only a few roles in English-language films.
Catherine Deneuve explained why she mostly supports French cinema, saying, “I feel very French, but I speak Italian and English, so I feel very European. However, I don’t feel close to English people. Even though England is not far, their sensibility and character are very different.” She added, “I feel closer to Spanish or Italian people because the Latin character is different from the Anglo-Saxon one. We have different educations and cultures.”
Some of her English-speaking roles include *The April Fools* with Jack Lemmon (1969), *Hustle* with Burt Reynolds (1973), *March or Die* with Gene Hackman (1977), and the 1983 cult classic *The Hunger*, where she played a lesbian vampire alongside David Bowie and Susan Sarandon.
In 1972, Deneuve divorced British photographer David Bailey, whom she married in 1965 after meeting at a Playboy shoot. Their wedding guests included Mick Jagger. From 1970 to 1974, she was in a relationship with Italian film icon Marcello Mastroianni, with whom she had a daughter in 1972.
In 1980, Catherine Deneuve delivered an award-nominated performance in *The Last Metro*, starring alongside another famous French actor, Gérard Depardieu. This marked the beginning of a successful collaboration, as they would appear in 15 films together.
Deneuve mentioned that she and Depardieu have similar work styles, saying, “We are both instinctive actors. We prefer to arrive on set and figure things out in the moment rather than rehearse ahead of time.”
In the 1990s, Deneuve received an Oscar nomination and a César Award (France’s national film award) for her role in the French period drama *Indochine*. The film, released in 1992, also won an Oscar for Best Foreign Language Film.
The 2000s introduced Catherine Deneuve to new roles, including the award-winning musical drama *Dancer in the Dark*, where she starred alongside the unique Icelandic singer Björk. In 2010, she reunited with Gérard Depardieu for the eighth time in the film *Potiche*.
After appearing in the 2019 film *The Truth* with Ethan Hawke and Juliette Binoche, Deneuve was filming the French movie *Peaceful* when she was hospitalized due to a stroke. Although her family described it as a “very limited” ischemic stroke, production on the film was delayed until July 2020, when the then 76-year-old actress was able to return. Deneuve, who had smoked since she was 16, finally quit after her month-long hospital stay.
Honored with a lifetime achievement award at the 2022 Venice Film Festival, the French icon, who celebrates her 80th birthday this year, continues to thrive, and we look forward to seeing her in many more films!
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