The hit 1972 sitcom “M*A*S*H” introduced the world to a number of memorable and beloved characters, from the smart-mouthed yet compassionate Captain Benjamin Franklin “Hawkeye” Pierce to his endearing friend, Captain B.J. Hunnicutt. Almost every character had stuck in the minds of the fans.
One of the characters that often featured but was easily overlooked by his military counterparts due to his nervous nature was the 4077 MASH unit’s company clerk, Corporal Walter Eugene “Radar” O’Reilly. Although many of the staff on the base tended to take Radar’s effort for granted, the fans sure noticed him.
Radar was portrayed by the acclaimed actor Gary Burghoff from the start of the TV show in 1972 until the seventh season, which aired in 1979. Although fans clamored for more of the unassuming clerk, Burghoff revealed that he needed to step away from the show to rekindle his personal relationships and fight burnout.
“M*A*S*H’s” Influence and Burghoff’s Personal Identity
Although Burghoff enjoyed playing Radar, the role became increasingly demanding. The actor commented that it became difficult to separate himself from his character in the eyes of the public, which soon became tedious. He also noted that he despised being fawned over by the crowds:
“Aw, I know I’m cute. Cute, cute, CUTE! I was always cute because I was always the smallest kid on the block. I hate cute.”
Everyone saw Burghoff as an adorable, short, timid character as they’d known him on-screen and on the stage for many years. However, after years of being looked down upon, both metaphorically and physically speaking, Burghoff grew tired of the persona so easily attributed to him by scores of people he had never even met.
The actor lashed out against this view of him as a cute little fellow by defending his height. As he so rightly pointed out, 5 feet 6 inches isn’t irregularly short, and he would have seen the tops of Arte Johnson or Mickey Rooney’s heads had they ever met. Nonetheless, the persona stuck.
Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor.
Despite his misgivings about how others perceived him, Burghoff’s fellow cast members adored him. The director Charles Dubin recalled working with Burghoff before he left “M*A*S*H,” noting how caring and pleasant Burghoff was to everyone on set. However, Burghoff had another aspect of himself that drove down his self-esteem.
Burghoff had been born with a congenital disability called Brachydactyly, a form of Poland Syndrome. The condition left the actor with three fingers on his left hand that were noticeably smaller than the rest of his digits, and the abnormality had plagued him since he was a small child. The actor commented:
“Of course, this defect affected me while I was growing up. I suppose when I was very young, I knew my disability would set me apart and make me special.”
Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor. Yet, becoming a fan-favorite on one of the most iconic TV shows America had ever produced never managed to quell his insecurities about his stout fingers and stocky frame.
Throughout his run on “M*A*S*H,” Burghoff tried to hide his left hand from the camera. He would often position himself so that the camera could only see one side of his body and usually gestured with his right if the scene required it, although the actor would be obligated to use both hands now and again.
In one of the earliest episodes, viewers were introduced to Radar as he stood in an open area, wearing a greyish shirt and his trademark cap. As the actor turned around and looked at the sky — once again hearing approaching helicopters before everyone else — the camera briefly panned over both his hands holding a football.
When Colonel Sherman T. Potter first made his appearance on the show, taking over from the beloved Lieutenant Colonel Henry Blake, Radar and the new commander shared a scene where they first met. As Colonel Potter exited the room to find the latrines, the camera centered on Burghoff’s upper body as he opened a box with both hands.
Another infamous scene caught Burghoff with both hands on camera. During a regular morning salute, with the loathsome Major Frank Burns leading the ceremony, Radar does his usual morning salute with a bugle. In a hilarious twist, one of the men fires off the ceremonial canon at Burns’s behest.
Naturally, Radar gets the short end of the stick as the cannonball flies directly at him, knocking his instrument clean out of his hands. In the next few seconds, Burghoff turns toward the camera in a pantomime of rage, balling his fists and stomping in outrage. Here, both his hands can be seen for a brief second.
In one of the later episodes, the writers showed off Radar’s softer side when he cuddled his pet guinea pig, Babette. Naturally, Radar stood with his left hand beneath his right, but just as he started to sing, Father John Mulcahy called for him. Burghoff’s hands were visible again as he put the Babette away.
One of the scenes where Burghoff openly showed his left hand came as part of another gag the show pulled. At the start of the scene, Radar could be seen walking across a dirt road while two other military personnel walked away from the camera. The man on Radar’s right first lifted his hand in salute, followed shortly by one on the left.
Radar, the pleasant character he was, lifted his right hand in response to the first salute, as military etiquette dictates. Caught off guard by the quick second salute, Radar lifted his left hand as well, essentially performing a double salute. Feeling sheepish, he frowned and lowered his hands slowly in one of Burghoff’s classic displays of confusion.
“You Won’t Believe How This Actor Scared Women Off-Screen!
Vincent D’Onofrio is best known for his memorable role as the clumsy Marine recruit in Stanley Kubrick’s movie Full Metal Jacket. However, his popularity decreased after that.
The ruggedly handsome actor, who turned 64 on June 30, 2023, had to change his appearance drastically for the role. This change made women, who once loved his curly dark hair and athletic build, less interested in him.
D’Onofrio has a long and varied career. He always gives his best to every role, transforming completely into his characters, making people forget who he really is.
Born in Brooklyn, D’Onofrio started in stage productions, both off-Broadway and on. He had many side jobs to support his acting dreams, including working as a bodyguard for Yul Brynner and Robert Plant.
In his early days, he worked as a nightclub bouncer, delivered flowers, hung drapes, and drove a cab to make ends meet.
After acting in a few low-budget films, his friend Matthew Modine suggested he send an audition tape to Stanley Kubrick, who was casting for his next big movie.
The 6-foot-3 D’Onofrio, who was very fit at the time, won the role of Leonard, a fat, dim-witted character, but had to meet some tough conditions.
Working with Kubrick was a life-changing experience for D’Onofrio, allowing him to fully dive into his character and push his acting limits in a challenging environment.
At 24, D’Onofrio had to shave his head and gain 70 to 80 pounds for the role, the most weight any actor has gained for a role.
Kubrick initially asked if he was okay with gaining weight, and after D’Onofrio gained 30 pounds, Kubrick felt he still looked too strong. So, D’Onofrio ended up gaining about 80 pounds, going from 200 to 280 pounds.
Gaining weight for the role was tough for D’Onofrio, especially when he had to perform the intense boot-camp scenes in the movie. Normally, obstacle courses would have been easy for him with his athletic build, but they were very challenging at 280 pounds.
D’Onofrio’s incredible performance as the chubby, dim-witted, and mentally disturbed Leonard earned him a lot of praise from critics. However, some fans started confusing him with his character.
“People treat you differently when you’re that size,” D’Onofrio said. “My head was shaved, so I looked completely different from my usual long, lanky self. I turned into this big, burly guy with a bald head. It was a very strange life change.”
He added, “It changed my life. Women didn’t look at me anymore; I mostly saw their backs as they ran away. People even talked to me slowly, thinking I was stupid.”
A year after filming Full Metal Jacket, Vincent D’Onofrio had a full head of hair again and his body returned to its original size.
Today, the New York-born director, producer, screenwriter, and actor, who wrote the 2023 book “Pigs Can’t Look Up,” credits his long career to Stanley Kubrick.
“Stanley made my career, there’s no question about that. I’ve done over 50 films because of him and that part,” D’Onofrio said. He has had many roles in both film and TV, including Law & Order: Criminal Intent (2001-2011) and Marvel’s Daredevil (2015-2018). His movies include Dying Young, The Break-Up, and Jurassic World.
D’Onofrio’s life was greatly impacted by his parents’ divorce when he was a child. His mother remarried George Meyer, a well-known American producer and writer, and the family moved to Hialeah, Florida. As a child, D’Onofrio was quiet and often spent time alone in his room, deep in thought.
While living in Florida, he became interested in magic and learned sleight of hand from Cuban performers who ran a small magic store.
In the early 1990s, Vincent D’Onofrio was romantically involved with actress Greta Scacchi. They appeared together in several films, including The Player and Fires Within. They have a daughter named Leila George, born around 1991 or 1992, who has also become an actress.
In 1997, Vincent D’Onofrio married Carin van der Donk, a Dutch model. They had their first son in 1999. However, their relationship had problems in the early 2000s, leading to a separation. They later got back together and had a second son in 2008.
In June 2023, D’Onofrio filed for divorce in Manhattan Supreme Court, ending his 26-year marriage with Carin van der Donk.
D’Onofrio appeared with Sandra Bullock in the 2021 film The Unforgivable and will be in the upcoming comedy Dumb Money.
Vincent D’Onofrio was fantastic in Full Metal Jacket and his mental decline as Leonard is incredibly believable!
He looks totally different now, as to be expected many decades later, but we still enjoy his performances!
What do you think about his portrayal of the dumb, fat Leonard?
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