As Hollywood studios continue to see movie after movie fIop with audiences who want to be entertained by a compelling storyline rather than preached to by woke directors or shown CGI slop with no reaI plot, the Golden Globes this year were yet another humiliating disaster for the entertainment industry.
In fact, even sympathetic media outIets torched the Golden Globes, saying that they were mostly a disaster this year.
This year’s flop of a Golden Globes event was particularly bad for the industry given that, having been taken over from NBC by CBS, it was meant to be something of a reboot for the awards party and bring back a show generally known over the past few years for its declining ratings, if anything.
But rather than a revivaI, it was another flop for Hollywood, with even generally sympathetic media outlet Vanity Fair running a review of the event titled, The 2024 Golden Globes Were a Near-Total Disaster. Continuing, that review went on to describe host Jo Koy’s lengthy opening monologue as a horrid, sophomoric mishmash of lazy jokes” that didn’t elicit much laughter, a problem exacerbated by Koy being mostly unknown.
Similarly, the Iess sympathetic New York Post tore into the event as being a new low for an already troubled show, with a review article titled, Golden Globes 2024 were a new low for dying awards shows. Pulling no punches, the NYP article argued that it would have been better to cancel the event than run one so awful, saying:
Preparing for the 2024 Golden Globes, the awards show made a bunch of reforms to its ethically wobbIy voting body, got a new owner and moved to a different network. But none of those PR efforts matter much when the broadcast turns out as godawful as Sunday night’s did.
If only we’d 100% canceled the Globes when we had the chance.
Conservatives on X were simiIarly harsh. Washington Examiner personality Tim Young, for example, tore into the Golden Globes with a vengeance and said, “The Golden Globes had trash ratings… Perhaps people don’t want to tune in to woke, unfunny jokes about how white people are evil. Maybe their host should lecture at Harvard… I’m sure he’d be a hit there.”
Other posters noted that Jo Koy was a terrible host, saying things Iike “#GoldenGlobes Jo Koy is a terrible comedian, watching him tell jokes is so excruciating” and “i turned on the golden globes and had to turn it off bc the host is terrible.”
They received hate letters for being in love 50 years ago, but their interracial marriage is still going strong today.
Leslie Uggams is an actor who has a fascinating career in theater and movies.
The Harlem-born singer and actress has a remarkable seven-decade career, but her role in the Deadpool series has garnered the most attention.
However, her story might be the topic of a private film because her 1965 marriage to White Australian Grahame Pratt exceeded all expectations for an interracial couple.
Leslie, a gifted vocalist, recorded a song for MGM in 1953 at the age of ten. Soprano Eloise Uggams, her aunt, suggested that she enroll in the Professional Children’s School of New York and the esteemed Julliard School of Music in New York.
Though she had achieved success in music, her career was far from done; in 1969, she became the first Black person to anchor a network variety show since “The Nat King Cole Show,” when she hosted “The Leslie Uggams Show.”
But it was behind the scenes that she got to know and fell in love with actor Grahame Pratt. After meeting as pupils at Professional Children’s School in New York, the two met in Sydney on one of Leslie’s well-known tours in Australia.
Leslie knew the bad things that came with dating a white man because she had dated one in her childhood and her aunt had told her not to think about a future with him.
“I remember the shock I felt once when I was dating a white boy,” Leslie recalled to Ebony in 1967.
He e-mailed me a color photo of himself. It was shown to my aunt. He was a young, good-looking man with amazing hair. I thought he was really handsome. But my aunt just looked at me and began scolding. She said, “Well, I guess he’s alright, but only on dates, huh, honey?” You will marry a nice [Black] fella when you’re ready to settle down for good, won’t you?
Leslie stated that she continued to visit Grahame after their fortunate encounter.
“It was unexpected that I fell in love with him at the age of 21.”
After she left Australia, it would be a full year before she saw him again.
Despite her worries, Leslie and Grahame had fallen in love. Leslie was concerned about her family’s reaction and what would happen to them if Grahame had to travel to the US for work. Grahame visited her in New York after they had been engaged for five months.
“Knowing my family’s opinions on mixed marriages, I wanted to know if they would really accept Grahame and not just tolerate him,” the woman stated.
Leslie, on the other hand, didn’t have to worry because Grahame was Australian.
“He didn’t feel self-conscious about his circumstances, in contrast to many white Americans.” He fit in with my friends effortlessly since he liked them. And he was well-liked by both men and women.
Even though they didn’t face the same racial challenges as the rest of the country, Leslie claimed she got hate mail while living in New York as a result of their marriage.
Leslie stated about her marriage in an interview with PEOPLE, “It wasn’t as difficult as I anticipated.” “I believe it’s because Grahame wasn’t an American white man.” But of course, we received mail.
Leslie stated, “When I go on tour in the United States, I sometimes get anonymous letters about being married to a white man.” “I recall getting one in Detroit, of all places.” It was addressed to “The Little Negro Entertainer” when it arrived at the club. They are uncomfortable to read and are talked about in that manner a lot.
Grahame took up the role of manager for Leslie, and the couple had two daughters: Danielle in 1970 and Justice in 1976.
A year following the birth of their second child, in 1977, Leslie secured the main part in the miniseries “Roots.” She received an Emmy nomination for the series in which she played Kizzy.
Two years later, she played Lillian Rogers Parks in the miniseries “Backstairs at the White House,” for which she received an Emmy nomination in the Best Actress category.
Her hosting of the NBC game program “Fantasy” earned her a Daytime Emmy Award in 1983. She also as Rose Keefer on “All My Children” in 1996.
She has appeared in TV shows in her own right, including Magnum P.I., Hollywood Squares, The Muppet Show, Family Guy, and I Spy.
Leslie and Grahame are blissfully married after 55 years of marriage and have a granddaughter named Cassidy.
Leslie said of her happy marriage, “We have a lot of fun together, but it’s not always sunshine and roses.” When we’re together, we enjoy ourselves.
The love between these two has withstood the test of time and beyond all expectations. Because they have always supported one another and are loyal to one another, they encourage one another.
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