The Class of 2022 was in for a surprise when they celebrated their graduation at the Springdale School District. In addition to honoring the recent graduates, the event paid respect to four exceptional veterans who, had they not decided to serve in the military, would have graduated in 1956. Known by their endearing nickname, “super seniors,” Carl Stults, Bobby Burke, Charles Leroy Moon, and Bob Self were among the veterans who received honorary diplomas with the graduating seniors.
These four young guys were all seniors in high school in 1956, yet none of them graduated from Springdale High School. Carl Self revealed, “Springdale didn’t recognize the GED at the time, but I took a test when I joined the Air Force. I eventually graduated from Little Rock Central with a diploma. It wasn’t until they got together for lunch one day that the school district learned about their missing diplomas.
The Class of 2022 was delighted to learn that these “super seniors” will be participating in the graduation ceremony. It was a lesson in sacrifice and honor as much as a celebration of their accomplishment. Jared Cleveland, the superintendent of Springdale, delivered sentimental letters honoring the heroes’ bravery and devotion from U.S. Representative Steve Womack and Governor Asa Hutchinson during the ceremony.
They served both during and after the Korean War, according to Womack. They weren’t thinking about themselves or asking themselves, “What about me?” at the time. They performed their duty. Isn’t that the authentic essence of America? The instructors paused to recognize the outstanding accomplishments that each veteran has made since enlisting in the Air Force in 1956.
These four extraordinary guys finally earned their long-awaited diplomas from their alma mater, after 66 years. It was a just reward for all of their hard work. “Once a Bulldog, Always a Bulldog,” as the saying goes.
Greetings on your honorary diplomas, Bob Self, Charles Leroy Moon, Bobby Burke, and Carl Stults! Their devoted dedication to our nation is incredibly admirable. We are fortunate to live in the wonderful country we do today because of courageous people like them. By sharing this story and expressing our gratitude, let’s honor these men for their incredible achievements and selflessness.
Child star Mara Wilson, 37, left Hollywood after ‘Matilda’ as she was ‘not cute anymore’
In the early 1990s, the world fell in love with the adorable Mara Wilson, the child actor known for playing the precocious little girl in family classics like Mrs. Doubtfire and Miracle on 34th Street.
The young star, who turned 37 on July 24, seemed poised for success but as she grew older, she stopped being “cute” and disappeared from the big screen.
“Hollywood was burned out on me,” she says, adding that “if you’re not cute anymore, if you’re not beautiful, then you are worthless.
In 1993, five-year-old Mara Wilson stole the hearts of millions of fans when she starred as Robin Williams’ youngest child in Mrs. Doubtfire.
The California-born star had previously appeared in commercials when she received the invitation to star in one of the biggest-grossing comedies in Hollywood history.
“My parents were proud, but they kept me grounded. If I ever said something like, ‘I’m the greatest!’ my mother would remind me, ‘You’re just an actor. You’re just a kid,’” Wilson, now 37, said.
After her big screen debut, she won the role of Susan Walker – the same role played by Natalie Wood in 1947 – in 1994’s Miracle on 34th Street.
In an essay for the Guardian, Wilson writes of her audition, “I read my lines for the production team and told them I didn’t believe in Santa Claus.” Referencing the Oscar-winning actor who played her mom in Mrs. Doubtfire, she continues, “but I did believe in the tooth fairy and had named mine after Sally Field.”
‘Most unhappy’
Next, Wilson played the magical girl in 1996’s Matilda, starring alongside Danny DeVito and his real-life wife Rhea Perlman.
It was also the same year her mother, Suzie, lost her battle with breast cancer.
“I didn’t really know who I was…There was who I was before that, and who I was after that. She was like this omnipresent thing in my life,” Wilson says of the deep grief she experienced after losing her mother. She adds, “I found it kind of overwhelming. Most of the time, I just wanted to be a normal kid, especially after my mother died.”
The young girl was exhausted and when she was “very famous,” she says she “was the most unhappy.”
When she was 11, she begrudgingly played her last major role in the 2000 fantasy adventure film Thomas and the Magic Railroad. “The characters were too young. At 11, I had a visceral reaction to [the] script…Ugh, I thought. How cute,” she tells the Guardian.
‘Burned out’
But her exit from Hollywood wasn’t only her decision.
As a young teenager, the roles weren’t coming in for Wilson, who was going through puberty and outgrowing the “cute.”
She was “just another weird, nerdy, loud girl with bad teeth and bad hair, whose bra strap was always showing.”
“At 13, no one had called me cute or mentioned the way I looked in years, at least not in a positive way,” she says.
Wilson was forced to deal with the pressures of fame and the challenges of transitioning to adulthood in the public eye. Her changing image had a profound effect on her.
“I had this Hollywood idea that if you’re not cute anymore, if you’re not beautiful, then you are worthless. Because I directly tied that to the demise of my career. Even though I was sort of burned out on it, and Hollywood was burned out on me, it still doesn’t feel good to be rejected.”
Mara as the writer
Wilson, now a writer, authored her first book “Where Am I Now? True Stories of Girlhood and Accidental Fame,” in 2016.
The book discusses “everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood, these essays chart her journey from accidental fame to relative (but happy) obscurity.”
She also wrote “Good Girls Don’t” a memoir that examines her life as a child actor living up to expectations.
“Being cute just made me miserable,” she writes in her essay for the Guardian. “I had always thought it would be me giving up acting, not the other way around.”
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