I thought I knew everything about my mother until I found a birth bracelet in the attic. Not mine. The name on it revealed a secret that shattered my reality and sent me searching for the truth.
After my father’s death, the bond between my mother and me had frayed. With her Alzheimer’s erasing pieces of her every day, it felt as if I were navigating a maze of memories that weren’t entirely mine. The decision to place her in a care facility weighed on me like a lead blanket.
“It’s what’s best,” I whispered to myself, though the words felt hollow.
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I wasn’t equipped to give her the care she needed, but the guilt gnawed at me all the same.
Packing up her belongings was part of the process, though it felt more like dismantling her life piece by piece. I climbed the narrow steps to the attic and knelt by the nearest box, brushing away cobwebs before opening.
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I expected the usual: old photo albums or yellowed papers she hadn’t used in years. Instead, my hand froze as I pulled out a small, yellowed hospital bracelet.
The text on it blurred as I reread the name over and over:
“Baby Boy Williams, 12-15-83, Claire W.”
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My fingers trembled as I reached back into the box. There was a delicate baby blanket with the initials “C.W.” stitched into one corner. Beneath it was a black-and-white photo of my mother holding a baby. She looked impossibly young, her face glowing with love.
The back read: “My Collin, Winter 1983.”
I stared at the photo.
Collin? Who are you? My brother? And where are you now?
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***
I brought the bracelet and photo downstairs, holding them so tightly my knuckles turned white. My mother was in her favorite armchair, her frail frame almost swallowed by the oversized cushions. She stared out the window, her expression serene. To anyone else, she might have looked calm, at peace even. But I knew better. That stillness masked the fog of Alzheimer’s, the disease that had stolen so much of her mind.
“Mom,” I said softly, walking over and kneeling beside her. “I need to ask you something.” I placed the bracelet and photo on her lap, watching her eyes flicker toward them. For a brief moment, I thought I saw recognition in her gaze, but it passed as quickly as it came.
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Her fingers brushed over the photo, and she muttered something under her breath. “Sunlight… warm… chocolate cake,” she said, her words drifting into nonsense. “The flowers were so pretty that day.”
I felt my chest tighten. “Mom, please,” I urged, trying to keep the frustration out of my voice. “Who is Collin? Why didn’t you ever tell me about him?”
She didn’t answer. Instead, she rambled about a cat we never owned and a picnic that may or may not have happened. My hope started to crumble.
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I sank onto the floor beside her, exhausted. The bracelet and photo were still on her lap, untouched. I closed my eyes for a moment, trying to steady myself. Then, she spoke again, her voice clear and soft, like a distant echo of the mother I used to know.
“It was a winter morning,” she began, her gaze fixed on something I couldn’t see. “The sun was shining through the window. I named him Collin.”
My breath caught. I stayed silent, afraid to break whatever fragile thread had surfaced in her memory.
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“He was beautiful,” she whispered. “But his father took him away. Said it was for the best.”
Her words hit me like a wave. “His father?” I whispered. “Who is he? Why did he take Collin?”
Before I could ask more, her clarity slipped away. Her eyes clouded, and she began repeating, “The Bread Basket… The Bread Basket…”
“What does that mean, Mom?” I pressed gently, but she only repeated it like a mantra.
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***
I couldn’t stop thinking about Collin. I decided to go to the hospital where I was born, the only one in the city. My mother’s memory was unreliable, but being in a familiar place could trigger something.
“We’re going to the hospital where Collin was born,” I told her as I helped her into the car.
She looked at me, her expression distant. “Hospital? Why?”
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“You mentioned Collin before, remember? I need to know more about him.”
Her hands fidgeted in her lap. “Collin… I don’t know if I remember.”
“It’s okay,” I said, trying to sound reassuring. “Maybe being there will help.”
The drive was quiet, apart from her occasional murmurs.
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“Sunlight… winter mornings,” she whispered, staring out the window. “He had the softest blanket…”
When we arrived, the hospital looked just as I remembered it from my childhood—small, with its faded brick exterior and slightly overgrown bushes by the entrance. I helped Mom out of the car, and her eyes scanned the building as though trying to place it.
Inside, I explained our visit to the receptionist, who directed us to Dr. Miller, the head doctor.
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“Dr. Miller,” I began, once we were seated in her office, “I found this bracelet and photo. My mother… She had a son, Collin, two years before me. I need to know what happened.”
Dr. Miller examined the bracelet and photo, her expression softening.
“I remember Claire,” she said, looking at my mother. “She was so young when she had Collin.”
My mother shifted uncomfortably in her chair but said nothing.
“What happened to him?” I asked, leaning forward.
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Dr. Miller sighed. “Collin’s father came back into the picture after he was born, much older than Clarie. He wasn’t her boyfriend at the time, but someone from her past. He wanted to raise the baby himself.”
My mother’s head turned slightly, her eyes narrowing as if trying to follow the conversation.
“Claire was devastated,” Dr. Miller continued. “She loved Collin, but the boy’s father took Collin when he was just a few months old. He wrote to me for a while, asking for advice on caring for Collin. Then the letters stopped. But I do remember him mentioning he planned to move to another town.”
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“What town?” I asked quickly.
Dr. Miller jotted it down on a piece of paper and handed it to me. “Here. It’s about five hours from here.”
“Thank you,” I said, standing up. “This means so much to me.”
As we left, I couldn’t stop thinking about driving to that town. My brother Collin existed and I was determined to find him.
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***
The journey felt like an eternity, not just because of the five-hour drive but because every minute required my full attention. My Mom lost in her fragmented world, needed constant reminders and gentle guidance.
“Is it time to eat?” she asked, even after finishing a sandwich minutes earlier.
I patiently offered her small snacks, unwrapping them as though presenting a gift.
At one point, she handed me a yogurt with a puzzled expression. “How do you open this?”
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I smiled, peeling back the foil lid. “Like this, Mom. Just like you showed me when I was little.”
As I handed it back, a wave of emotion hit me. I remembered her delicate hands guiding mine as a child, showing me how to hold a spoon, tie my shoes, and even fold paper into makeshift airplanes. Back then, her patience seemed infinite.
Somewhere along the way, that connection had slipped away. But at that moment, it was as though the roles were reversed.
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We finally arrived in the quiet, sleepy town. It was like stepping into a picture from decades ago—small storefronts, weathered buildings, and not a soul on the streets.
I stepped out and stretched, glancing around with uncertainty.
“Where is everyone?” I muttered, more to myself than to my mother.
A passing man overheard and pointed down the road. “Town fair. Everyone’s there. You should check it out.”
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The fair seemed like the best place to start. If Collin lived in that town, he might be among the crowds. I helped my mother out of the car, her grip firm on my arm as we walked toward the colorful booths.
The scent of caramelized sugar and fried food filled the air, blending with the lively hum of laughter.
But as we moved deeper into the fairgrounds, my mother began to grow restless. Her voice, usually so soft, rose with urgency.
“The Bread Basket… The Bread Basket…” she repeated almost pleading.
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I stopped, kneeling slightly to face her. “What is it, Mom?”
Before she could answer, a vendor overheard and chimed in with a smile.
“Oh, The Bread Basket? That’s the bakery just down the street. Great choice!”
My heart skipped. That was it. With renewed energy, I guided my mother down the street to a quaint shop with a hand-painted sign that read “The Bread Basket.” The scent of freshly baked bread, cinnamon, and butter wrapped around us as we entered.
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At the counter, I asked cautiously, “Do you know anyone named Collin?”
The worker smiled knowingly. “Collin? He’s the owner. Let me get him for you.”
A moment later, a man emerged, wiping his hands on an apron. He was taller than I’d imagined, with a sturdy build and quiet confidence. But it was his eyes. Deep and familiar—they were my mother’s eyes.
For a moment, none of us spoke. Collin studied me with curiosity, and I felt the weight of the years and secrets between us.
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“My name is Mia, and this is my mother, Claire. I found a birth bracelet with your name on it among her things.”
Collin stared at me, his brow furrowing. “My name? From her?”
I nodded, feeling his confusion. My mother stirred beside me.
“David… The Bread Basket… He always said there’s nothing better than a basket of bread,” she murmured. “He promised me he’d name his bakery that one day.”
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Collin froze. “My God. David is my father.”
We moved to a small corner table, where I explained everything—the birth bracelet, the fragments of the story my mother had shared, and the path that had led me here.
Collin listened intently, his gaze flickering between me and our mother.
“It was his dream,” Collin finally said. “The Bread Basket… it was everything to him. And now, it’s mine too.”
The pieces began to align in my mind. The bakery was a connection that had survived decades of silence.
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We visited David the next day. Though frail, his eyes lit up the moment he saw my mother, a glow of warmth and shared memories filling the room. He took her hand gently, their bond needing no words.
“I thought it was best for everyone,” he said softly, his voice heavy with regret.
As the days passed, I watched them reconnect. I decided to stay, moving close to Collin’s bakery to help him and care for my mother.
For the first time, our family felt whole. Love had found its way back, stronger than ever.
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See 1970s icon Faye Dunaway now at 83
Among the few living real legends is Faye Dunaway.
The legendary actress, well-known for portraying strong, resentful, and challenging women, is among the best in movie history.
And the eighty-three-year-old continues on…
Dunaway is best known for her twisted cry in the campy cult film Mommie Dearest, “No more wire hangers!” She also starred in Hurry Sundown with Michael Caine and Bonnie & Clyde, winning the main part over Jane Fonda and Natalie Wood.
The Florida native actress, who was also awarded three Golden Globes and an Emmy, was born in Bascom.
It’s difficult to discuss Faye Dunaway’s career without bringing up the film Mommies Dearest. Channeling Joan Crawford’s energy, Faye Dunaway shocked the Mommie Dearest crew when she initially appeared from the dressing room in the legendary role of the four-year-old actress.
The sensationalized movie Mommie Dearest (1981) is based on Christina Crawford’s memoir of the same name, which describes her troubled connection with the late actress Joan Crawford, who was her adopted mother.
Dunaway managed to create a combination of charm and terror.
In her unsettling portrayal of Crawford, Dunaway blurred the boundaries between reality and resurrecting Joan, both on and off the set. She was so desperate that she declared, “I want to climb inside her skin,” to a Hollywood biographer.
Dunaway either developed her method acting skills to a high degree or her spirit took over. In her memoir, Looking for Gatsby, she writes. “I was told by one that it felt like Joan herself had risen from the dead.”
In reality, the media began to believe that Crawford was haunting Dunaway.”(Dunaway) appears to have borrowed it for 12 weeks from the ghost of Joan Crawford,” the Los Angeles Times remarked about her voice.
In a part that will live in legend, Dunaway expresses remorse. She told Entertainment Tonight, “I think it turned my career in a direction where people would irretrievably have the wrong impression of me—and that’s an awful hard thing to beat.” “I should have known better, but sometimes you don’t know what you’re getting into and you’re vulnerable.”
Working with some of the sexiest men in Hollywood, like Paul Newman, Robert Redford, Kirk Douglas, and Johnny Depp, Dunaway showed extreme self-control and maintained a platonic connection with her co-stars.
A few individuals were drawn to particular things; perhaps Jack (Nicholson) and Warren (Beatty), but not many. Though Steve McQueen was contentedly devoted to someone at the time, Warren was at that point in his bachelorhood. “I wouldn’t mess around with something like that even if it were offered, but it wasn’t,” Warren said.
“You simply don’t,” she remarked in a Harper’s Bazaar interview. “You don’t do that because you know it will ruin the performance and the movie. That’s my rule.”
The dapper, Italian award-winning actor Marcello Mastroianni, broke the rules for the timeless beauty with her delicate high cheekbones because he was too much of a temptation.
Life imitates art in her connection with the Italian celebrity. starring in the 1968 film A Place for Lovers, which Roger Ebert of the Chicago Sun-Times referred to as the “most godawful piece of pseudo-romantic slop I’ve ever seen!”-Dunaway portrays a fashion designer who is having an extramarital romance with Mastroianni, a race car driver. She had a brief but intense three-year romance with the actor in real life, which she ended when he refused to leave his wife.
Dunaway stated, “I was deeply in love with him,” in a People interview. I had never encountered a man like him before, and I felt incredibly safe with him.
She wed musician Peter Wolf, the lead vocalist of The J. Geils Band, in 1974; they separated after five years.
According to a Marie Claire article from 2017, Dunaway began an affair with renowned British photographer Terry O’Neill because she was dissatisfied in her marriage to Wolf. With her Oscar from the movie The Network on the table next to her, O’Neill captured a picture of her lounging by the pool at The Beverly Hills Hotel.
After being married in 1983, Dunaway misled the public for many years, claiming that her son Liam, who was born in 1980, was actually her biological child. In 1987, Dunaway and O’Neill were divorced.
Dunaway is alleged to be a manipulative diva who is very difficult and unpredictable for co-stars, production personnel, and even hotel employees.
She was fired from her role as Audrey Hepburn in the off-Broadway production of Tea at Five in 2019 for creating a “dangerous” and “hostile” environment, and she was fired by Andrew Lloyd Weber from his Sunset Boulevard production in Los Angeles, California, in 1994.
She was dubbed the “gossamer grenade” by one of her leading men, Jack Nicholson, and when Johnny Carson questioned her in 1988, “Who’s one of the worst people you know in Hollywood?” “Faye Dunaway and everybody you can put in this chair would tell you exactly the same thing,” was the swift response from the feisty and unrepentant Bette Davis. “I don’t think we have the time to go into all the reasons—she’s just uncooperative,” the woman said. For Miss Dunaway, Miss Dunaway is Miss.
Dunaway is still a very talented performer despite her challenging, frequently harsh, and nasty demeanor.
She was awarded a star on the Hollywood Walk of Fame in 1996, and in 1997, People magazine listed her as one of the 50 Most Beautiful People.
Regarding her romantic status, she is now single.
She stated in a 2016 People interview that she was still open to dating. She says, “I’m very much a loner.” “I always think that if I could find the right person, I would like to have a partner in life, and I would.”
Her most recent credit dates back to 2022, when she costarred in the Italian film L’uomo che disegnò Dio with Kevin Spacey.
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