I looked around. The house was eerily quiet. It wasn’t the cozy place I was used to, filled with the smell of fresh coffee or Sharon’s humming in the kitchen. I pulled out my phone and texted Frank, just to check.
“Hey, I’m here at the house. Where are you guys?”
But today, the key was in the lock.
His response came back almost immediately. “Out with the guys. Sharon’s resting. You can head home if you want.”
Resting? That didn’t sit right with me. Sharon was always the one who jumped up to greet us, even if we’d been there the day before. And resting in the middle of the day? It wasn’t like her at all.
A weird feeling crept into my stomach. I slowly made my way through the house, my voice echoing as I called her name.
“Sharon? Are you okay?”
Still nothing. That’s when I heard a faint tapping sound.
I froze. It was coming from upstairs, somewhere near the attic. My heart started to race as I climbed the stairs. The tapping continued, steady and strange. When I reached the attic door, I stopped cold.
It was always locked. Frank had made it clear — nobody went into the attic. Not even Sharon. It was his space, some kind of personal workshop or storage room, I guessed.
But today, the key was in the lock.
I swallowed hard, my hand hovering over the doorknob. Something about this felt wrong. “Sharon?” I called again, this time my voice barely above a whisper.
No answer, but the tapping stopped.
I hesitated for a moment before turning the key and pushing the door open. And there she was. Sharon, sitting in an old wooden chair in the dim light, looking as though she hadn’t moved in hours. Her usually bright face seemed worn, her smile weak.
“Ruth,” she whispered, startled by my appearance, her voice trembling. “You’re here.”
I rushed over, setting the cookies aside and helping her up. “Sharon, what’s going on? Why are you up here?” My heart was pounding, every instinct telling me that something wasn’t right.
Her eyes darted toward the door, and she opened her mouth to speak, but the words that followed made my blood run cold.
“I uhhh… Frank… locked me in here,” she uttered, her voice barely above a whisper.
I blinked, shaking my head. “What?” I couldn’t believe what I was hearing. “Why would he do that?”
She sighed, rubbing her forehead. “I reorganized his man cave while he was out. It was getting messy, and I thought I’d surprise him. You know how he gets about his space, but I didn’t think it would upset him this much.”
Sharon let out a weak, forced laugh, but there was no real humor behind it. “When he came home, he lost it. He said if I loved ‘messing with his stuff’ so much, I could spend time up here too. Then he locked the door and told me to ‘think about what I’d done.’”
I was dumbfounded. This wasn’t just Frank getting upset over a room. He locked her up like she was a child being punished. I couldn’t wrap my head around it.
“Sharon, that’s insane,” I finally said, my voice shaky from the anger building inside me. “You’re his wife, not some kid who broke a rule. He can’t just lock you up because you reorganized his stuff!”
Sharon looked away, her hands twisting nervously in her lap. “He didn’t mean it like that,” she whispered. “He was just angry. You know how he gets.”
I was floored. She said it so calmly, with such resignation, as if this were completely normal. My throat tightened with frustration. I knew Frank could be controlling, but this? This was abuse.
“We’re leaving,” I said, standing up, my voice firm. “You’re not staying here, not with him acting like this.”
Sharon glanced toward the attic door, clearly nervous. “Ruth, maybe I should just go downstairs and apologize. It’s my fault for touching his things. I—”
“Apologize?!” I cut her off, shaking my head. “You did nothing wrong. You don’t deserve to be locked up like this! You’re coming with me, Sharon, and we’ll figure out what to do from there.”
She hesitated, her hands trembling slightly. “But what if he gets angrier? I don’t want to make things worse.”
“He doesn’t get to decide how you live your life, Sharon,” I said, my voice softening. “This isn’t about him anymore. It’s about you. You don’t have to keep tiptoeing around him like this.”
She looked at me for a long moment, her eyes filled with a mixture of fear and uncertainty. But then, slowly, she nodded. “Okay,” she whispered. “Let’s go.”
We didn’t waste any time. I helped Sharon pack a small bag with a few of her things. She was nervous the whole time, glancing at the door like Frank might burst in any second. But as soon as we stepped outside, I could see her shoulders relax a little like she was finally starting to breathe again.
As we drove back to my house, I kept glancing over at her. She looked exhausted, like she’d been carrying this emotional baggage for years, and was only just now setting it down.
“Are you okay?” I asked, breaking the silence.
She gave me a small smile, though it didn’t quite reach her eyes. “I think so. I don’t really know what’s next.”
“Whatever it is,” I said, “you don’t have to face it alone.”
Later that evening, after I helped Sharon settle into the guest room, my phone started buzzing on the table. Frank’s name flashed on the screen.
I nodded and ignored the call. A few minutes later, the messages started coming in.
“Where’s Sharon? Bring her back now! She’s my wife, and she belongs here with me.”
I rolled my eyes and put the phone down, trying to keep my anger in check. But it was getting harder by the second. When Bryce came home from work, I pulled him aside, trying to explain everything as calmly as I could.
“She was locked in the attic, Bryce,” I said quietly, my voice shaking despite my best efforts to stay composed. “Frank… he just left her there.”
Bryce’s face darkened. “What the hell?” he muttered, his fists clenching. “Are you serious?”
I nodded, watching as his anger grew. “She’s in the guest room now, but Frank keeps calling, demanding I send her back.”
Bryce didn’t waste any time. He grabbed his phone and dialed his father’s number, pacing back and forth in the living room as it rang.
I could hear Frank’s voice through the speaker as soon as he picked up.
“Where’s your mother? She needs to come back home. I’m not done teaching her—”
“Teaching her what, Dad?” Bryce cut him off, his voice shaking with anger. “What lesson are you trying to teach by locking her in the attic like a prisoner? You’re out of your mind!”
Frank’s voice dropped, trying to explain, trying to justify. “It wasn’t like that, son. She messed with my things. She needed to—”
“I don’t care if she moved every single thing you own!” Bryce shouted, his face red with fury. “You don’t lock her up. That’s not how you treat someone, especially your wife!”
Frank tried to talk over him, but Bryce wasn’t having it. “You’re lucky I’m not coming over there right now because if I did, I don’t think it’d end well for you.”
He hung up the phone and let out a frustrated sigh, running his hands through his hair. “I can’t believe he did this,” he muttered. “I never thought he’d go this far.”
I reached out and put my hand on his arm. “You did the right thing, standing up to him.”
Bryce shook his head. “It shouldn’t have to be like this, Ruth. I shouldn’t have to stand up to my own father.”
The next morning, while Bryce was at work, Frank showed up at our door. His face was red, and he was fuming. “Where is she?” he demanded. “She needs to come back. She has responsibilities, and I’m not done teaching her a lesson.”
I crossed my arms, standing firm. “She’s not coming back, Frank. What you did was wrong, and you know it. You locked her in the attic like she was a child. That’s not okay.”
Behind me, Sharon appeared in the hallway, her voice soft but steady. “I’m not coming back, Frank.”
He looked at her, his eyes narrowing. “What do you mean you’re not coming back? You don’t have a choice.”
“I do have a choice,” she said, stepping forward, her voice gaining strength. “I’m done being treated like a child, Frank. If my punishment for trying to help is being locked away, then maybe it’s time I make some changes.”
Frank tried to argue, but Sharon wasn’t backing down. “I’m not living like this anymore, Frank. I’m done.”
The look on Frank’s face was a mixture of disbelief and anger, but he knew it was over. He stormed off without another word, slamming the door behind him.
The relief I saw on Sharon’s face was indescribable. It felt as if a huge weight had been lifted off her shoulders. It was like she could finally breathe a little easier.
A few weeks later, Sharon decided to file for divorce. She moved into a small apartment near us and even started taking that painting class she’d always wanted to try. It was like she’d been given a second chance at life, and she wasn’t going to waste it.
Bryce stood by her every step of the way, offering support and encouragement. “You deserve better, Mom,” he told her. “You should’ve never had to put up with that.”
In the end, Frank lost more than just Sharon. He lost his son, too. But it was his own doing. He pushed too hard, and Bryce wasn’t willing to let it slide. Sharon, though — she was finally free. And that was worth everything.
What would you have done in my shoes? Let me know your thoughts!
See 1970s icon Faye Dunaway now at 83
Among the few living real legends is Faye Dunaway.
The legendary actress, well-known for portraying strong, resentful, and challenging women, is among the best in movie history.
And the eighty-three-year-old continues on…
Dunaway is best known for her twisted cry in the campy cult film Mommie Dearest, “No more wire hangers!” She also starred in Hurry Sundown with Michael Caine and Bonnie & Clyde, winning the main part over Jane Fonda and Natalie Wood.
The Florida native actress, who was also awarded three Golden Globes and an Emmy, was born in Bascom.
It’s difficult to discuss Faye Dunaway’s career without bringing up the film Mommies Dearest. Channeling Joan Crawford’s energy, Faye Dunaway shocked the Mommie Dearest crew when she initially appeared from the dressing room in the legendary role of the four-year-old actress.
The sensationalized movie Mommie Dearest (1981) is based on Christina Crawford’s memoir of the same name, which describes her troubled connection with the late actress Joan Crawford, who was her adopted mother.
Dunaway managed to create a combination of charm and terror.
In her unsettling portrayal of Crawford, Dunaway blurred the boundaries between reality and resurrecting Joan, both on and off the set. She was so desperate that she declared, “I want to climb inside her skin,” to a Hollywood biographer.
Dunaway either developed her method acting skills to a high degree or her spirit took over. In her memoir, Looking for Gatsby, she writes. “I was told by one that it felt like Joan herself had risen from the dead.”
In reality, the media began to believe that Crawford was haunting Dunaway.”(Dunaway) appears to have borrowed it for 12 weeks from the ghost of Joan Crawford,” the Los Angeles Times remarked about her voice.
In a part that will live in legend, Dunaway expresses remorse. She told Entertainment Tonight, “I think it turned my career in a direction where people would irretrievably have the wrong impression of me—and that’s an awful hard thing to beat.” “I should have known better, but sometimes you don’t know what you’re getting into and you’re vulnerable.”
Working with some of the sexiest men in Hollywood, like Paul Newman, Robert Redford, Kirk Douglas, and Johnny Depp, Dunaway showed extreme self-control and maintained a platonic connection with her co-stars.
A few individuals were drawn to particular things; perhaps Jack (Nicholson) and Warren (Beatty), but not many. Though Steve McQueen was contentedly devoted to someone at the time, Warren was at that point in his bachelorhood. “I wouldn’t mess around with something like that even if it were offered, but it wasn’t,” Warren said.
“You simply don’t,” she remarked in a Harper’s Bazaar interview. “You don’t do that because you know it will ruin the performance and the movie. That’s my rule.
The dapper, Italian award-winning actor Marcello Mastroianni, broke the rules for the timeless beauty with her delicate high cheekbones because he was too much of a temptation.
Life imitates art in her connection with the Italian celebrity. starring in the 1968 film A Place for Lovers, which Roger Ebert of the Chicago Sun-Times referred to as the “most godawful piece of pseudo-romantic slop I’ve ever seen!”-Dunaway portrays a fashion designer who is having an extramarital romance with Mastroianni, a race car driver. She had a brief but intense three-year romance with the actor in real life, which she ended when he refused to leave his wife.
Dunaway stated, “I was deeply in love with him,” in a People interview. I had never encountered a man like him before, and I felt incredibly safe with him.
She wed musician Peter Wolf, the lead vocalist of The J. Geils Band, in 1974; they separated after five years.
According to a Marie Claire article from 2017, Dunaway began an affair with renowned British photographer Terry O’Neill because she was dissatisfied in her marriage to Wolf. With her Oscar from the movie The Network on the table next to her, O’Neill captured a picture of her lounging by the pool at The Beverly Hills Hotel.
After being married in 1983, Dunaway misled the public for many years, claiming that her son Liam, who was born in 1980, was actually her biological child. In 1987, Dunaway and O’Neill were divorced.
Dunaway is alleged to be a manipulative diva who is very difficult and unpredictable for co-stars, production personnel, and even hotel employees.
She was fired from her role as Audrey Hepburn in the off-Broadway production of Tea at Five in 2019 for creating a “dangerous” and “hostile” environment, and she was fired by Andrew Lloyd Weber from his Sunset Boulevard production in Los Angeles, California, in 1994.
She was dubbed the “gossamer grenade” by one of her leading men, Jack Nicholson, and when Johnny Carson questioned her in 1988, “Who’s one of the worst people you know in Hollywood?” “Faye Dunaway and everybody you can put in this chair would tell you exactly the same thing,” was the swift response from the feisty and unrepentant Bette Davis. “I don’t think we have the time to go into all the reasons—she’s just uncooperative,” the woman said. For Miss Dunaway, Miss Dunaway is Miss.
Dunaway is still a very talented performer despite her challenging, frequently harsh, and nasty demeanor.
She was awarded a star on the Hollywood Walk of Fame in 1996, and in 1997, People magazine listed her as one of the 50 Most Beautiful People.
Regarding her romantic status, she is now single.
She stated in a 2016 People interview that she was still open to dating. She says, “I’m very much a loner.” “I always think that if I could find the right person, I would like to have a partner in life, and I would.”
Her most recent credit dates back to 2022, when she costarred in the Italian film L’uomo che disegnò Dio with Kevin Spacey.
Leave a Reply