In a shocking turn of events, pop sensation Lizzo has been removed from consideration for the Super Bowl LVII Half time Show following a series of disturbing allegations made against her by former dancers.
The allegations include claims of sexuaI harassment and fat-shaming, which have cast a shadow over Lizzo’s self-proclaimed image as a body-positive activist. This unexpected development has sent shockwaves through both the entertainment industry and Lizzo’s fanbase, leaving her team scrambling to salvage her career and reputation.
Earlier this month, three of Lizzo’s former backup dancers, Crystal Williams, Noelle Rodriguez, and Arianna Davis, filed a lawsuit accusing the singer of fostering a hostile work environment.
The lawsuit sent ripples through the media, particularly due to Lizzo’s public advocacy for body positivity and self-acceptance. The controversy has brought her career into question, prompting the NFL to swiftly drop her from consideration for the coveted Super Bowl Halftime Show perfor mance, a spot she was rumored to be one of the front-runners for in 2024.
A source close to the NFL reveaIed that talks of Lizzo’s involvement in the Halftime Show or even performing the National Anthem have been quashed in the wake of these allegations.
Despite Lizzo’s vehement denial of the accusations, the potential damage to her image and career seems insurmountable at this point. The abrupt removaI from the Super Bowl consideration has sent shockwaves through her fanbase, industry insiders, and media outlets alike.
As Lizzo’s potential career-saving opportunities dwindle, her team faces an uphill battle to counteract the negative press and public sentiment.
A source revealed that her team is desperately trying to come up with a strategy to save her sinking ship. The source further discIosed that the situation is becoming increasingly challenging as more people come forward with similar accusations against the artist. The allegations are eroding her image as an icon of body positivity and empowerment, leaving many questioning her authenticity and integrity.
Despite the immense success and significant earnings Lizzo has enjoyed throughout her career, it appears that her moment in the spotlight is at risk of fading away.
The source asserted, No one knows if she will be able to recover from this. If she speaks out, her statements are shredded. If she stays quiet, she is called a coward. Either way, it does not appear at this moment that she can recover from this.
The impact of the allegations has been magnified by the fact that they are coming from indivi duals who were a part of Lizzo’s inner circle. In an interview with Good Morning America, Crystal Williams, Noelle Rodriguez, and Arianna Davis shared their experiences, revealing stories of alleged harassment and mistreatment.
The dancers claimed that Lizzo created an environment that was both se xuaIIy charged and hostile. These allegations directly contradict Lizzo’s image as a champion of body positivity and empowerment, raising concerns about the authenticity of her public persona.
Child star Mara Wilson, 37, left Hollywood after ‘Matilda’ as she was ‘not cute anymore’
The world first fell in love with the endearing Mara Wilson in the early 1990s. She was a child actor best remembered for her roles as the bright young girl in beloved family films like Miracle on 34th Street and Mrs. Doubtfire.
The rising actress, who turned 37 on July 24, looked like she was ready for big things, but as she got older, she lost her “cute” factor and vanished from the big screen.
She continues, “If you’re not cute anymore, if you’re not beautiful, then you are worthless. Hollywood was burned out on me.”
To find out what happened to Wilson, continue reading!
When five-year-old Mara Wilson played Robin Williams’ youngest kid in Mrs. Doubtfire in 1993, she won over millions of fans’ hearts.
When the California native was invited to feature in one of the highest-grossing comedies in Hollywood history, she had already made appearances in advertisements.
“My parents grounded me even though they were proud of me.” My mother would always tell me that I’m just an actor if I ever stated something like, “I’m the greatest!” Wilson, who is now 37, remarked, “You’re just a kid.”
Following her big screen premiere, she was cast in 1994’s Miracle on 34th Street as Susan Walker, the same character Natalie Wood had performed in 1947.
Wilson describes her audition as follows: “I read my lines for the production team and told them I didn’t believe in Santa Claus” in an essay for the Guardian. “But I did believe in the tooth fairy and had named mine after Sally Field,” she writes, referring to the Oscar-winning performer who portrayed her mother in Mrs. Doubtfire.
“Very unhappy”
Next, Wilson starred with Danny DeVito and his real-life wife Rhea Perlman in the 1996 film Matilda as the magical girl.
Additionally, Suzie, her mother, lost her fight against breast cancer in that same year.
“I wasn’t really sure of my identity.I was two different people before and after that. Regarding her profound grief following her mother’s passing, Wilson explains, “She was like this omnipresent thing in my life.””I found it kind of overwhelming,” she continues. I mostly just wanted to be a typical child, especially in the wake of my mother’s passing.
The young girl claims that she was “the most unhappy” and that she was fatigued when she became “very famous.”
She reluctantly took on her final significant role in the 2000 fantasy adventure movie Thomas and the Magic Railroad at the age of 11. “The characters had too little age. I reacted viscerally to [the] writing at 11 years old.I thought, ugh. I love it, she says to the Guardian.
“Destroyed”
Her decision to leave Hollywood wasn’t the only one, though.
Wilson was going through puberty and growing out of the “cute” position as a young teenager, so the roles weren’t coming in for him.
“Just another weird, nerdy, loud girl with bad hair and teeth, whose bra strap was always showing,” was how she was described.
“When I was thirteen, no one had complimented me on my appearance or called me cute—at least not in a flattering way.”
Wilson had to cope with the demands of celebrity and the difficulties of becoming an adult in the public glare. It had a great influence on her, her shifting image.
“I had this Hollywood notion that you are worthless if you are not attractive or cute anymore. Because I connected that directly to my career’s downfall. Rejection still hurts, even if I was kind of burned out on it and Hollywood was burned out on me.
Mara in the role of author
Wilson wrote her first book, “Where Am I Now?,” before becoming a writer. “Ancidental Fame and True Tales of Childhood,” published in 2016.
The book explores “her journey from accidental fame to relative (but happy) obscurity, covering everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood.”
In addition, she penned the memoir “Good Girls Don’t,” which explores her experiences living up to expectations as a young performer.
In her Guardian column, she states, “Being cute just made me miserable.” It was always my expectation that I would give up acting, not the other way around.
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