In the song “Trying Too Hard”, Katy Perry dons a completely see-through dress, igniting a heated debate

Katy Perry stole the spotlight at the 2024 iHeartRadio Music Awards with a grand entrance that left attendees and viewers alike in awe. The acclaimed pop star flaunted a fashion-forward ensemble that defined daring elegance.

Her outfit was a fusion of audacious elements: a sleek black bralette paired with matching bottoms, all accentuated by a daring fishnet overlay. The ensemble was further embellished with a vibrant red ribbon that ran along the sides, injecting a bold splash of color into her look. Katy complemented this with oversized sunglasses, adding a final touch of chic flair to her ensemble.

Stepping onto the stage to present the prestigious Song of the Year award, Katy Perry opted for a striking combination: sleek black underwear coupled with attention-demanding thigh-high leather boots that featured towering heels.

The judge of ‘American Idol’ styled her hair in soft, flowing waves, perfectly complemented by muted, matte lipstick and impeccably applied dark, smoky eyeliner. The result was an effortlessly elegant appearance that captivated the audience and photographers alike.

While Katy Perry received praise from many for her fearless fashion choices, not everyone was in agreement. One observer remarked: “Seems like she’s trying too hard…” Another critiqued: “There’s a way to exude sex appeal while maintaining class, but this misses the mark”.

Throughout the year, Katy has consistently pushed boundaries with her fashion statements, and her latest red carpet appearance has undeniably sparked widespread online conversation. Her ability to command attention and set trends continues to solidify her status as a style icon in the music industry.

Abandoned strawberry house

Built in the late 1920s, this house was originally the residence of banker Dimitar Ivanov and his wife Nadezhda Stankovic. The interior features a striking red marble fireplace in the reception room, as well as a stage for musical performances and crystal-adorned interior doors.

The house has several bedrooms, elegant terraces, a spacious study and various utility rooms. Although the original furnishings have been lost, historical records indicate that the elite Sofia residents of the time preferred Central and Western European furniture.

The exterior of the property features a large front garden bordered by an ornate wrought iron fence. A large triple staircase leads to the main entrance, and the property is also characterized by carriage portals that flank the courtyard.

These portals are reminiscent of a bygone era where one can imagine a horse-drawn carriage driving into the courtyard, while the horses and carriage wait in a specially designated area behind the house until the end of the reception.

The Ivanov family enjoyed their residence until 1944, after which the estate was nationalized. At first it served as the Romanian embassy, ​​later as the USSR’s trade mission in Bulgaria and as the headquarters of various communist organizations with unclear functions.

In the 1990s the house was returned to Ivanov’s heirs. In 2004 it was taken over by Valentin Zlatev, director of Lukoil. Despite this change of ownership, the property, which had fallen into disrepair for decades, remains neglected and abandoned, with no apparent connection to its cultural heritage.

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