Brenda Lee’s name may not be as recognizable as some of the other music stars from the 1960s but when you think of Christmas, you’ll know her song, and start humming her catchy tune, “Rockin’ Around the Christmas Tree.”
When Lee, now 78, first hit the stage, she wasn’t old enough to drive but her powerful vocals steered her “unprecedented international popularity” as the most successful female artist of the 1960s.
Lee, whose voice defied her diminutive stature at only 4 foot 9, became a fan favorite when she was only 12.
Brenda May Tarpley, born in 1944, got her start in the late 1940s, became huge in the 1950s, and over her career–that started before she left elementary school–she topped the charts 55 times, earning the title as the most successful female recording artist of the 1960s.
When Lee was only eight (according to Rolling Stone), her father, a construction worker, was killed at work and little Brenda–who then changed her last name to Lee–became the family’s primary provider.
Taking care of her younger brother, big sister, and mother–a cotton mill worker–was not a duty, but something she wanted to do. She said that she was thrilled when she made her first $20, so she could help her family: “Even at that young age, I saw that helped our life,” Lee said, adding “It put some food on the table. It helped, and I loved it.”
The Atlanta-born chanteuse, called a “pioneer of early rock and roll,” by the Georgia Encyclopedia, achieved “unprecedented international popularity in the 1960s.”
But, an incredibly humble human, Lee credits those who helped her achieve her dreams. When Christianity Today asked what she thinks about being a legend, Lee said “I don’t think of myself that way!” She continued, “I’m just a girl who’s been blessed to be doing what I’m doing, and there’s a lot of people who’ve sweated a lot of tears and put a lot of life’s work into me to be able to have my dream. So, if I’m a legend, then they’re legends, too.”
In 1956, the young girl joined country star Red Foley for a show at the Bell Auditorium near her home in Augusta, and she belted out “Jambalaya,” by Hank Williams.
She was then signed to appear on Foley’s Ozark Jubilee, a country music show, where millions of viewers fell in love with the sassy 12-year-old whose talent was developed well beyond her age.
In the same year, Lee signed with Decca Records, and the next year, she moved to Nashville, Tennessee, and fusing country with rhythm and blues–highlighted by her hiccupping vocals–she recorded early rockabilly classics like “BIGELOW 6-200,” “Little Jonah,” and “Let’s Jump the Broomstick.”
When asked if–when as a young girl–she was nervous performing in front of large crowds, she answered: “No, not really. Nobody ever told me to be nervous. The stage always felt like a hometown to me because I had been in front of people ever since I was 3 years old, singing to people. So it was a very comfortable spot for me.”
In 1957, Lee earned the nickname “Little Miss Dynamite” for her pint-sized powerhouse recording of the song “Dynamite,” and in 1958, fans heard “Rockin’ around the Christmas Tree,” a genre and generation-crossing holiday standard, released when she was only 13.
“I knew it was magical,” she told Rolling Stone.
Over the next couple of years, she charted with hits like “Sweet Nuthin’s,” “All Alone Am I,” and “Fool #1.”
Most of her songs, however, contradicted her experience as a young girl. Her mother didn’t let her date and she graduated high school not understanding the heartbreak of young love.
She was only 16 when she said “Love could be so cruel” in the song “I’m Sorry” and only 16 when she said “I want his lips to kiss me” in the song “I Want to be Wanted,” both back-to-back hits when she was still in school.
And when she turned 18, she met Ronnie Shacklett, whom she’s now been happily married to for 60 years.
Life on the road for Lee as a youngster had its difficulties. She celebrated her 12th birthday in Las Vegas and speaking with the Las Vegas Journal, Lee explained her loneliness.
“Of course, I wasn’t even allowed to walk through a casino, I was so young. So I didn’t even know what a casino looked like. They took me into the kitchen, then into the showroom. And then when my show was over, I was brought back out through the kitchen and back up to my room. Children weren’t allowed … in the casino area.” She continued, “There wasn’t anything to do in Vegas for a kid. The most fun I had was on the stage.”
Speaking on what she missed out on as a child, the award-winning Lee said, “Many times, I yearned to be with my friends rather than be out there on the road.”
Turns out she made new friends on the road, like with the music group that opened for her at a 1962 show in Germany. “I hung out with John,” she says effortlessly, speaking of John Lennon. “He was extremely intelligent, very acerbic with his jokes, just a gentle person. When I found out that they later said they were fans of my music, I was just floored.”
Just men things
Ever wondered why the sound coming from the toilet varies depending on where men aim? It might seem like a trivial topic, but trust me, there’s an unspoken science behind it. The image above humorously captures a common yet rarely discussed phenomenon—how men instinctively adjust their bathroom technique to control the acoustics of their, well… business.
The Mystery of the Bathroom Sound Effects
Every man, whether consciously or subconsciously, knows the two sound modes of peeing:
- Loud Mode (High Volume) – When hitting the water directly.
- Silent Mode (Mute) – When aiming for the side of the toilet bowl.
The difference? It’s all about impact and surface area.
- When urine splashes directly into the water, it creates a distinct, loud sound—a signal to the world that a man is proudly relieving himself.
- When he strategically aims for the bowl’s side, the liquid flows smoothly down, reducing the noise.
And yes, most men instinctively switch between these modes depending on where they are, who’s around, or even their mood.
Why Do Men Care About Toilet Acoustics?
You might be thinking, “Why does this even matter?” Well, here’s why men unconsciously choose their “volume setting” while using the toilet.
1. The Stealth Mode: Keeping It Quiet
Ever found yourself in a quiet house in the middle of the night? Maybe you’ve woken up at 3 AM, needing to pee but not wanting to wake up the entire family. This is where silent mode comes into play.
- Aiming at the side of the bowl keeps things discreet.
- No awkward moments when someone hears you blasting a waterfall at ungodly hours.
- A smoother experience overall, especially in public or shared restrooms.
2. The Power Move: Making a Statement
On the flip side, sometimes men go full volume mode, making sure everyone within a 10-foot radius knows they’re handling business. Why?
- It’s a dominance thing—a way of asserting presence in the restroom.
- Some men simply don’t care and go for maximum efficiency.
- Others do it unknowingly, not realizing they could mute the performance.
The Psychology Behind Toilet Targeting
Believe it or not, the habit of adjusting aim isn’t just random—it’s psychological.
- Hitting the Water (Loud Mode): Feels direct, fast, and confident. Some even say it’s satisfying to hear the sound and know they’re “on target.”
- Aiming for the Sides (Silent Mode): Feels discreet, respectful, and considerate—especially in shared spaces.
Most men naturally alternate between both, depending on the situation.
How Environment Affects Aim Choices
Different settings influence whether men go full volume or whisper mode. Here’s a breakdown:
At Home: The Gentle Approach
- Most men reduce noise at home, especially if they live with family or a partner.
- Late-night bathroom trips? Silent mode to avoid waking anyone.
- Some may even sit down to pee to prevent unnecessary noise altogether.
At Work: The Public Restroom Strategy
- Office bathrooms mean one thing: tactical precision.
- Nobody wants their coworkers knowing their exact bathroom habits.
- Men tend to aim for the bowl sides to maintain professional bathroom etiquette.
In a Public Restroom: The Alpha Move
- If the restroom is busy, most men don’t hold back—it’s all about speed and efficiency.
- Loud mode is often default since no one really cares.
- But if someone’s in the next stall, there’s a slight urge to be more discreet.
At a Friend’s House: The Ultimate Dilemma
- The pressure is real—too loud, and you might get judged.
- Most guys will opt for silent mode to avoid embarrassment.
- Exception: If it’s a guys-only gathering, there’s a good chance nobody cares.
The Ultimate Hack: Controlling the Sound Like a Pro
For men who want absolute control over their bathroom acoustics, here’s a pro tip:
Start with the side of the bowl to reduce noise, then transition to the water midstream if needed. This method allows for both stealth and satisfaction.
Bonus tip: Standing too close increases splash-back; standing too far creates more noise. Finding the perfect middle ground is key.
Why This Is a Universal Male Experience
If you’re a guy, this probably resonates with you on a deep level—even if you’ve never thought about it before. It’s one of those unspoken “man things” that just exist.
And if you’re not a guy? Well, consider this an insight into the mind of men when it comes to something as simple as peeing.
Final Thoughts: The Humor in Everyday Habits
This topic might seem ridiculous at first, but it’s a real part of male behavior that no one talks about. Whether it’s controlling the noise level, adjusting aim based on the setting, or even treating it like an unofficial game of precision, men instinctively think about this every time they step into a restroom.
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