It’s not easy to be a parent of a haughty, disrespectful adolescent, and parents use numerous strategies to discipline their kids.
A mother named Heidi Johnson shared a handwritten letter she penned to her son Aaron on Facebook. She had no idea the post would become very popular. She had no intention of making the post public at all. Although it was only intended for her friends to see, she is not sorry that she posted it online.
Johnson chastised her 13-year-old son for treating her like a “roommate” in a letter to him. She continued by giving him an itemized bill totaling more than $700 for food, rent, and other expenses. She would treat him like a roommate if he was going to treat her like that rather than his mother.
Johnson wrote, “Love Mom,” on the note, and she genuinely does adore her son. She wrote a second post in response, giving some more information on the circumstances. “I am not going to put my 13-year-old on the street if he can’t pay his half of the rent,” she promised parents who were condemning her. I don’t want him to make any payment. I want him to value the blessings and gifts we have, and to take pride in his house and surroundings.
She went on to say that she never meant for Aaron to cover the cost. Rather, she desired that him “acquire an understanding of what things cost.” Johnson wanted her kid to know “what life would look like if I was not his ‘parent,’ but rather a ‘roommate,’” so she penned the note. It was from the start a lesson in appreciation and decency.
Johnson added that her son had lied to her before she wrote the note about finishing his homework, and that he had said, “Well, I am making money now,” in response to her warning that she would be limiting his internet access. She clarified that the money he was talking about was a small amount of money he was earning from his YouTube channel, not nearly enough to cover his rent and food expenses.
Johnson’s relationship with her son has not been harmed by the public statement. “He and I still talk as openly as ever,” she clarified. He has expressed regret several times.
Since she sent the note to her kid, Johnson has also been asked for guidance by parents. As she puts it, “People feel comfortable coming to me and asking for advice, venting, or even just having someone bear witness to their experience by listening, opening up, and sharing a piece of myself in return. It seems like my post has opened a door.”
Australia’s adopted popstar son Leo Sayer reflects on his career
“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.
Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.
He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.
“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”
Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”
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