The crisp white of the wedding suit stared back at him from the full-length mirror, a stark contrast to the weathered lines etched on his face. Arnold, at 75, felt a flutter of nervous excitement, a sensation he hadn’t experienced in decades. He smoothed down the lapels, a wide grin spreading across his face. Helen, his Helen, had said yes.
He couldn’t wait to share the news with his daughter, Emily. He snapped a quick photo, a proud, beaming smile plastered across his face, and sent it to her with a simple message: “Guess who’s getting married!”
He waited, his heart pounding with anticipation. The phone buzzed, and he eagerly opened the message. But the words that appeared on the screen were like a slap in the face.
“Dad, you’re making a fool of yourself. You’re too old to play dress-up and pretend you’re a groom. At your age, it’s pathetic. And what ‘LOVE’ could you possibly have at 75?!”
The smile vanished from his face, replaced by a deep, aching sadness. He felt a wave of shame wash over him, a feeling he hadn’t experienced since he was a young boy. Had he really become a pathetic old man, clinging to a childish dream?
He sat down heavily on the edge of the bed, the wedding suit suddenly feeling like a heavy, suffocating weight. He remembered the first time he had met Helen, her warm smile, her gentle touch. They had met in the nursing home, two lonely souls finding solace in each other’s company.
Helen had brought a spark back into his life, a warmth he thought he had lost forever. She had listened to his stories, shared her own, and made him feel seen, truly seen, for the first time in years. He had fallen in love, a deep, abiding love that defied age and circumstance.
He looked at the photo of himself, the beaming smile now a ghostly reminder of his shattered joy. Was he really being ridiculous? Was he making a fool of himself?
He thought of Helen, her eyes filled with love and laughter, her hand warm in his. He thought of the joy they shared, the quiet moments of companionship, the feeling of being truly alive again.
He picked up the phone, his fingers trembling, and dialed Emily’s number.
“Emily,” he said, his voice quiet but firm, “I understand you’re concerned. But Helen makes me happy. She makes me feel alive again. And I’m not going to apologize for finding love at this stage of my life.”
“Dad, you don’t understand,” Emily pleaded. “People will talk. They’ll laugh at you.”
“Let them,” Arnold replied, his voice gaining strength. “I’m not living my life for them. I’m living it for myself, for Helen.”
“But Dad—”
“No, Emily,” Arnold interrupted. “This is my decision. I’m going to marry Helen. And I hope, one day, you’ll understand.”
He hung up the phone, a sense of resolve settling over him. He wouldn’t let anyone, not even his own daughter, steal his happiness.
He walked to the mirror, his gaze meeting his own. He looked at the lines on his face, the silver in his hair, and he saw not a pathetic old man, but a man who had found love, a man who had the courage to embrace it.
He smiled, a genuine, heartfelt smile. He would marry Helen. They would build a life together, filled with love and laughter, defying the expectations of others, proving that love, like life, has no age limit.
The wedding was small, intimate, filled with the warmth of genuine affection. Helen, radiant in her simple white dress, stood beside him, her hand clasped in his. They exchanged vows, their voices filled with love and promise.
As they walked down the aisle, hand in hand, Arnold felt a sense of peace he hadn’t felt in years. He had chosen love, chosen happiness, and he had chosen himself. And that, he knew, was the greatest gift of all.
Сlаudiа Саrdinаlе: Неrе’s whаt thе Itаliаn film iсоn lооks likе аt 85
Claudia Cardinale is Italy’s counterpart to France’s Brigitte Bardot. She quickly rose to stardom to almost just as quickly disappear from the scene later on. Now, Claudia Cardinale celebrates her 85th birthday.
The Italian star was originally discovered at a beauty contest held in 1957 by the Unitalia film company. The “most beautiful Italian woman of Tunis” subsequently won a trip to the Venice Film Festival that was to become a decisive turning point in her life. The sultry young woman was born on April 15, 1938, in Tunis, the capital of Tunisia. Her mother was French, and her father Italian.
In 1958, Cardinale, known as CC, played her first role in “Goha” opposite Omar Sharif before being trained as an actress at the Italian Film Academy in Rome. Her talents as an actress renowned for her dauntless rambunctiousness gained her fame, and her gaze into the camera became legendary.
Famous director Luchino Visconti gave her minor roles in “Rocco and his Brothers” (1960), as well as in the historical drama “The Leopard” (1962) with Alain Delon. As she later recounted in a biographical interview, she rebuffed all of her famous film partners, Jean-Paul Belmondo, Marcello Mastroianni, Alain Delon and Burt Lancaster.
A beauty queen turned into a film diva
Cardinale is Italy’s counterpart of Brigitte Bardot. But in contrast to Bardot, Cardinale never appeared nude in a film: “I always thought it was more erotic to leave some room to imagination, hinting at things rather than showing everything,” she told the German magazine Stern in 2014.
CC achieved her breakthrough with her performance in the highly popular Italo western “Once Upon a Time in the West” (1969). The classical western directed by Sergio Leone and starring Henry Fonda and Charles Bronson was shot in Rome’s Cinecittà studios and in Spain with some scenes set in Utah’s Monument Valley. The film that flopped in the US only acquired cult status in Europe.
CC’s career already saw a downswing in the 1970s. She then turned to television films, especially entertainment films where she showed some talent as a comedian. She got her last main role in a movie in 1971 when she starred opposite her main rival, Brigitte Bardot, in the Italo western comedy “Frenchie King.”
Spending time in a jungle with Werner Herzog
Ten years later, CC starred in German director Werner Herzog’s historical film “Fitzcarraldo” (1981). Although Claudia Cardinale had a difficult time enduring the bouts of anger of her eccentric film partner Klaus Kinski, she greatly enjoyed shooting and working with director Werner Herzog: “Being in the middle of the jungle with insects all around me and nothing to eat was one of my most wonderful adventures,” she later stated.
Claudia Cardinale and other heroines of European film
Claudia Cardinale is seen as Italy’s counterpart to France’s Brigitte Bardot. The actress who became a star in the 1950s and 60s now celebrates her 85th birthday.
Claudia Cardinale
She’s the youngest of Italy’s three major female stars. Claudia Cardinale worked with outstanding directors like Luchino Visconti and Federico Fellini. She fascinated audiences with her charming smile and acting skills in westerns, among them “Once Upon a Time in the West” and “The Professionals” (pictured).
Gina Lollobrigida
One of the most highly acclaimed European stars of the 1950s and 60s was Gina Lollobrigida who was born in the East of Rome in 1927. “Lollo” even made it to Hollywood where she was equally showered with praise. In the 1970s, however, she withdrew from showbiz.
Sophia Loren
Another Italian actress, Sophia Loren, who was a few years younger than Lollo, became her fiercest rival. The mutual hatred and jealousy of the two stars was a frequent topic in tabloids. In contrast to Lollobrigida, Sophia Loren continued to perform in movies even as an older woman.
Brigitte Bardot
During the same time, another sexpot rose to stardom in France with movies like “And God Created Woman” and “Love is my Profession.” Brigitte Bardot, the superstar of the Grande Nation, withdrew from film production in the 1970s to devote herself to animal rights causes.
Catherine Deneuve
A decade later, Bardot’s compatriot Catherine Deneuve broke onto the film scene. Deneuve differed much from both Loren and Lollo by playing roles as aloof and myterious women early in her career. Deneueve’s talent as an actress guaranteed her success throughout her life.
Romy Schneider
The two decades between 1960 and 1980 were also the golden era of German-French actress Romy Schneider. Born in Vienna, she made her breakthrough in the German-speaking world as “Sissi” before moving to France. In Paris, she became one of the most charismatic and impressive actresses of European film scene. But in her private life, she was anything but lucky. She died in 1982.
Penélope Cruz
One of the most famous Europen actresses in recent decades is Spanish actress Penélope Cruz. Cruz started her career in her home country before achieving fame in other European countries and, finally, Hollywood. Her performances received a lot of acclaim, especially in films by director Pedro Almodóvar, among them “Volver” (pictured).
Irene Papas
After 1945, actresses from smaller European nations were able to conquer the hearts of audiences across Europe. One of them was Irene Papas who is also renowned as a singer in her home country, Greece. She celebrated her biggest success in “Zorba the Greek” (1964) before also working in other European countries, and in Hollywood.
Tatjana Samoilova
While films from Italy, France, Germany and England dominated the film scene during the postwar era, it should not be forgotten that eastern Europe had much to offer too. One of the biggest female stars of Russian film was certainly Tatjana Samoilova who achieved world fame with the movie “The Cranes are Flying” (1957).
Krystyna Janda
Polish actress Krystyna Janda became known in the 1970s for her performances in films by Polish director Andrzej Wajda. She then performed in international co-productions with stars like Lino Ventura. In her home country, Krystyna Janda is also known as a singer and an an author.
In 1993, CC received a Golden Lion for lifetime achievement at the Venice Film Festival to be followed in 2002 by an “honorary bear” at the Berlinale. The spirited actress performed in more than 100 films.
In 2017, CC once again drew attention at an international film festival. A photo depicting her as a young actress embellished a placard in Cannes where she had often been invited as an honorary guest. On April 15, Claudia Cardinale will turn 80. Happy birthday!
This article was originally published April 15, 2018 and updated.
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