When my wife started pulling away from me and our daughter, I couldn’t understand why. My heartbreaking story is about how someone can love you so much that they try to protect you by all means. Read on to see how we traversed secrets, innocent lies, and heartache to unite as a family.
There’s something deeply unsettling about not knowing the whole story, especially when it involves the people you love the most. Okay, let me backtrack a bit, my name is Kevin, and Levine and I have been married for 15 lovely years.
We share one amazing child, Emily, who is still quite young and attending school. My wife and daughter mean the world to me, and I believe we have a great family. However, around six months ago, Levine started withdrawing and avoiding me and our daughter.
For months, I watched as my formerly loving and caring wife grew increasingly distant by the day. What started as small changes in her demeanor escalated into full-blown avoidance. Her smiles are fewer and her nights spent awake longer.
I even sometimes caught glimpses of her crying in the bathroom more than once. But every time I approached her about it, she brushed off my concerns with a shaky “I’m fine.” Yet, she wasn’t. And deep down, I knew it.
This unspoken “thing” hung over me and our daughter heavily, causing our family relationships to start cracking.
“Levine, please talk to me,” I pleaded one evening, finding her again at the window, staring into the backyard. Her back was to me, her shoulders tense.
“I just need some air, Kevin. That’s all,” she murmured, her voice hardly above a whisper.
I stepped closer, my concern deepening. “It’s been months of ‘just needing air.’ You’re scaring me, baby. You’re scaring Emily.”
She turned then, her eyes wet with unshed tears. “I can’t, not yet…” her voice trailed off as she turned back to the window, leaving me standing helplessly behind her.
I returned home yesterday from picking Emily up at school to find the house eerily silent. The morning Levine left was like any other, except she didn’t say goodbye. My stay-at-home wife wasn’t anywhere when we arrived.
However, on the kitchen table amidst the usual clutter of mail and Emily’s school books that she had come with, I found THIS DREADFUL ENVELOPE. My name scrawled across it in Levine’s familiar handwriting.
My heart sank to my stomach as I tore it open with trembling hands. Inside, her letter lay, written in the same shaky hand that had addressed the envelope. As I opened it, tears streamed down my face as I found out what she had been going through all along:
“My dearest husband,
If you’re reading this, then I am already gone. I couldn’t bear to tell you in person, for fear I would never be able to leave. I have been diagnosed with stage 3 cancer, and the doctors are not hopeful. It is my deepest fear to become a burden to you and our beautiful Emily.
I want to protect you both from the pain of watching me deteriorate. I love you both more than life itself, and it’s because I love you that I need to do this. Please understand that this is the hardest choice I’ve ever made, but it’s made out of love. I am at Clear Life Center, a quiet hospice two states away. Please forgive me.
With all my love, always,
Levine.”
Tears blurred my vision as I tried to compose myself. My lovely, beautiful wife had chosen solitude over the anguish she believed her illness would cause us. If I thought I loved her before, at that moment I realized I loved her MORE THAN EVER.
Without a second thought, I packed a bag. I told Emily, “My baby, mommy’s not feeling too well, and we are going on a little trip to see her, okay?” My brave little girl with a worried face asked, “Is she going to be okay, Daddy?”
Not wanting to lie to her, I replied, “She’s going to feel much better when she sees us, I promise.” We drove straight to the facility my wife mentioned, desperate to be with her, regardless of her wishes to shield us.
When we arrived and I found her, the reality of her condition hit hard. Levine was frail, a shadow of the vibrant woman I had fallen in love with. Yet, when she saw us, her eyes lit up with a mix of joy and sorrow, and she instantly looked better, than I had envisioned!
“Kevin, Emily,” she murmured, reaching out weakly.
“Mom, why didn’t you tell us? We could have helped…” Emily sobbed, clutching her mother’s hand. “I thought… I thought it would be easier this way,” Levine whispered, tears streaming down her face.
“We needed to be here, with you. No matter what,” I said, gripping her hand.
We spent those last weeks of her illness by her side, achieving her life goals before her death. Whenever she was strong enough, we went out for walks, well, she was in a wheelchair. She got to tell Emily all the things she wished her to know before her passing.
“I’ll always love you, my sweet baby girl. And I want you to know that I will be with you in spirit for all the days of your life,” Levine told Emily as they embraced, shedding more tears.
We talked, laughed, and sometimes sat in silence, savoring the precious moments we had left. Emily read her favorite books aloud, and I held her mother’s hand every night until she fell asleep.
My darling wife passed away holding my hand. Emily curled up beside her, a peaceful expression on her face. Her last days were not filled with the pain and suffering she had feared but with love and the warmth of her family.
In the wake of her passing, I’ve come to realize the profound strength it took for her to make the decision she did. Levine’s act, initially so incomprehensible to me, was one of selfless love. The kind that sees beyond immediate pain to the eventual peace it can bring to those left behind.
Now, as Emily and I adjust to a world without Levine, we do so with a deep understanding of her last gift to us. Not just the envelope that explained her absence, but the enduring presence of her love.
A love that, like the subtle fragrance of her favorite flowers, lingers around us, invisible yet palpable. It remained a gentle reminder that even in their absence, love remains.
Vertigo Star Kim Novak Is Spending Her 91st Birthday with ‘Friends and Lots of Fudge’ (Exclusive)
Tuesday marks the 91st birthday for Kim Novak, the star of Alfred Hitchcock’s 1958 film Vertigo, who walked away from Hollywood over five decades ago.
“She’s spending her birthday having a picnic on her property with friends and lots of fudge,” says her longtime manager and close friend Sue Cameron.
Life is sweet these days for Novak, who lives quietly on the Oregon coast, surrounded by her beloved horses.
In honor of her 91st birthday, read on for an interview from 2021 in which Novak shared why she left Hollywood and found her true self.
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Over 50 years ago, Kim Novak, the enigmatic star of Alfred Hitchcock’s Vertigo, walked away from Hollywood. The woman who had once been the No. 1 box office draw in the world put her belongings in a van and drove north, first to Carmel, California and then two decades later to Oregon, to live her life as an artist.
“I had to leave to survive,” she tells PEOPLE. “It was a survival issue.”
“I lost a sense of who I truly was and what I stood for,” says Novak in a rare interview to talk about her new book, Kim Novak : Her Art and Life. published by the Butler Museum of American Art.
“I fought all the time back in Hollywood to keep my identity so you do whatever you have to do to hold on to who you are and what you stand for,” she explains.
“I’ve never done one of those tell-all books that they wanted me to do for so long, and I thought this is the kind of book I’d like to do,” she says of her art book. “Actually, I had written my autobiography and it was almost complete but I had a house fire and the house burned down and I made no copies. I just couldn’t go through it again because I had spent so much time. But it was okay because it was a catharsis just to do it.”
After starring in Picnic (1955) with William Holden, The Man With the Golden Arm (1955) and Pal Joey (1957), opposite Frank Sinatra, and Vertigo, with Jimmy Stewart, Novak was at the height of her career but still under the control of the studio.
As she writes in her book’s introduction, “I was both dazzled and disturbed to see me being packaged as a Hollywood sex symbol. However, I did win my fight over identity. I wouldn’t allow [Columbia Pictures chief] Harry Cohn to take my bohemian roots away by denying me my family name. Novak. I stood my ground and won my first major battle.”
Cohn wanted her to change her name to Kit Marlowe, telling her that audiences would be turned off by her Eastern European roots. She refused. In the late ’50s, she defied him again when she began dating singer Sammy Davis Jr. against his wishes and she fought to live her life as an independent woman.
“There was constant pressure to be seen and not heard,” writes Novak, “especially if you had a pretty face.”
“In Hollywood a lot of people assume who you are, because of the character you play, but also just because of who they expect you to be, how they expect you to dress,” she says. “It influences you because if you’re in some gorgeous sequined gown, you can’t run along the ocean and run on the beaches.”
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“I kept feeling like I was going deeper and deeper, lost in almost like a quicksand, where it’s swallowing you up, your own personality, and I’d started to wonder who I am,” she explains. “I realized needed to save myself.”
She found peace living and painting in the Rogue River Valley of Oregon and notes, “I needed the Pacific Ocean to inspire me, the animals, the beauty.”
“I wanted to live a normal life and a life with animals,” says the actress, who had always loved drawing and painting as a young girl growing up in Chicago. She was awarded two scholarships to the Chicago Art Institute before she was spotted by a talent scout on a trip to L.A. and her life changed course.
Once she left Hollywood, Novak returned to her twin passions: art and animals. “My teachers were the animals, not just dogs and cats, but other animals, horses and llamas, whom you have to meet half way, because they’re not ready to accept humans. I had to learn to win them over,” she says. “They understand a person who’s genuine so I had to become more real and that made me rely on my inner self — and that also encouraged me to paint. Everything seemed to flow from that.”
“You learn how to count on, not how you look, which is a big thing as a movie star, especially if you were recognized because of how you look,” she adds. “That can be a difficult thing when you change — but looks had nothing to do with it.”
She met second husband, Robert Malloy, an equine veterinarian, in the late ’70s, when he paid her a house call to treat one of her Arabian horses. She called him her “soul mate.” He died last December.
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“I don’t feel 87,” says Novak. “I don’t keep tract of the time. If I did, I’d be an old lady and I’m not an old lady. I’m still riding my horse. I stay as healthy as I can.”
In 2012, Novak revealed she’d been living with bipolar disorder. “I don’t mind being open about who I am because these are all characteristics which make you who you are, especially as an artist,” she says. “Now, of course, I have medication for it but the best medicine of all is art.”
She’s proud of her favorite films, including Vertigo and Bell, Book and Candle (1958), and has fond memories, especially of her friend and costar Jimmy Stewart. Says Novak: “He didn’t let Hollywood change who he was.”
“People can remember me in movies but I want them to see me as an artist,” says Novak, whose paintings were exhibited at a 2019 retrospective at the Butler Museum in Youngstown, Ohio. “What’s great about painting is, you become the director too. No one’s telling you how to do it. You get to direct the whole thing.”
“I’ve been influenced a lot by Hitchcock in my work because he did mysteries and at first glance, I want my painting to be a mystery,” she says. “I love being the director, the producer, the actor in my paintings.”
“This is who I am. I want people to see I was not just a movie star.”
Looking back, Novak says, “I’m so glad I didn’t do the tell-all book, where you write all about your love life. That wasn’t who I was. This book tells who I am. I just needed to be free.”
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