My eyes locked onto my mother-in-law, whose face looked as if she had just seen a ghost. In her trembling hand, a small envelope shook, and her eyes were frozen in an expression of pure panic. The loud music in the grand banquet hall of the old mansion drowned out all other sounds, making our conversation completely private.
That sunny May morning was supposed to be perfect. My fiancé Sergei’s family mansion was impeccably prepared to welcome the guests. Waiters meticulously arranged crystal glasses, and the air was filled with the scent of fresh roses and fine champagne. The luxurious portraits framed in gold seemed to silently observe everything happening in the room.
— “Anastasia, have you noticed that Sergei is acting strangely today?” my mother-in-law whispered, glancing around anxiously.
I frowned. Indeed, Sergei had been tense all day. Now, he stood at the far end of the room, pressing his phone to his ear, his face rigid, as if he were hiding something.
— “Just pre-wedding nerves,” I tried to brush it off, adjusting my veil.
— “Look at this. Right now,” she murmured, slipping an envelope into my hands before quickly disappearing into the crowd, regaining her poised demeanor and polished social smile.
Curious and unsettled, I found a discreet corner and hastily unfolded the note. My heart stopped.
“Sergei and his family plan to get rid of you after the wedding. You are part of their scheme. They know about your family’s inheritance. Run if you want to live.”
My first instinct was to laugh. This had to be some kind of cruel joke from my mother-in-law. But then I recalled Sergei’s suspicious conversations, which he always cut short whenever I appeared. His sudden coldness, the secretive glances…
My eyes met his across the room. Sergei had ended his call and was now watching me. There was something different about his gaze—it wasn’t the man I had fallen in love with, but a stranger, a predator.
— “Nastya!” my bridesmaid called excitedly. — “It’s time!”
— “Coming! I just need to use the restroom!”
I ran out into the street through the service corridor, taking off my shoes.
I caught a taxi outside the gate and asked the driver to take me to the station. An hour later, I was already on a train to another city, dressed in purchases from the station store.
I wonder what story Sergei will come up with? Will he pretend to be a sad groom or will he show his true face?
I closed my eyes and tried to sleep. A new life awaited me ahead.
Changing yourself for the sake of safety – that’s what fifteen years of practicing perfect coffee means.
“Your favorite cappuccino is ready,” I put the cup in front of a regular guest of a modest cafe on the outskirts of Kaliningrad. “And a blueberry muffin, as always?”
“You are too kind to me, Vera Andreyevna,” smiled the elderly professor, one of those who regularly warmed up our small coffee shop.
Now I was Vera. Anastasia dissolved in the past along with a white dress and broken hopes. I had to pay a lot for new documents, but the price turned out to be Fully worth it.
“What’s interesting in the world?” I nodded at his tablet, where he was scrolling through the latest news.
“Another businessman caught in fraud. Sergei Valerievich Romanov”
My hand trembled, and the cup slightly clinked on the saucer. A face appeared on the screen – painfully familiar.
“The head of the holding company ‘RomanovGroup’ is suspected of major financial fraud.” And below, in small print: “Conversations continue around the strange disappearance of his fiancée 15 years ago.”
“Lena, do you understand what you’re saying? I can’t just go back!”
I was rushing around the rented apartment, holding the phone to my ear. Lena, the only one I trusted with the truth, spoke quickly and forcefully:
“Anastasia, listen! His company is under close scrutiny, he’s never been so vulnerable. This is your chance to get your life back!”
“What life? The one where I was a frivolous girl who almost became a victim of a murderer?”
“No, the one where you are Anastasia Vitalievna Sokolova, and not some Vera from the coffee shop!”
I froze in front of the mirror. The woman looking at me had become older and more cautious. The first silver threads had appeared in her hair, and a steel glint had appeared in her eyes.
“Lena, his mother saved my life back then. How is she now?”
“Vera Nikolaevna is in a nursing home. Sergei had long ago removed her from the company’s affairs. They say she asked too many questions.”
The Golden Autumn Nursing Home was located in a picturesque place outside the city. Introducing myself as a social worker (and the necessary papers were easily accessible thanks to my savings), I was easily led to Vera Nikolaevna.
She was sitting by the window in a chair – so fragile and aged that it took my breath away. But her eyes – those same, penetrating and tenacious – recognized me instantly.
“I knew you would come,” she said simply. – “Sit down, tell me how you lived these years.”
I told her about my new life – about cafes, quiet evenings with books, about how I learned to start over.
She listened, nodding occasionally, and then said:
“He planned to stage an accident during his honeymoon on a yacht. Everything was prepared in advance.” Her voice trembled:
“And now he sent me here to live out my days because I began to dig up his affairs. Do you know how many of these ‘accidents’ have happened to his partners over the years?”
“Vera Nikolaevna,” I took her hand carefully. “Do you have evidence?”
She grinned:
“Darling, I have a whole safe of evidence. Do you think I’ve been silent all these years in vain? I was waiting. Waiting for you to come back.” The same steel spark that I saw every morning in the mirror lit up her gaze. “Well, dear” she squeezed my hand, “maybe we should give my son a belated wedding surprise?”
“Are you sure you’re one of the auditors?” the secretary looked at my documents with distrust.
“Exactly. The emergency audit is related to recent publications.”
The office allocated to me within the walls of “RomanovGroup” was located two floors below Sergei’s office. Every morning I watched his black Maybach arrive at the main entrance. Sergey had hardly changed – the same impeccable posture, elegant suit, the familiar look of a man who submits to everyone. His lawyers have successfully hushed up the scandal so far, but it’s only a matter of time.
“Margarita Olegovna, do you have a minute?” I turned to the chief accountant passing by. “Did it seem that way, or are there certain… discrepancies in the 2023 financial statements?”
The chief accountant turned noticeably pale. As Vera Nikolaevna had assumed, this woman knew too much and was looking for a way to clear her conscience.
“Nastya, something’s wrong,” Lena’s voice trembled in the phone. “They’ve been following me for two days now.”
“Calm down,” I locked the office. “Is the flash drive in a safe place?”
“Yes, but Sergei’s people…”
“Be ready. And remember – tomorrow at ten, as agreed.”
I went to the window. Two strong guys in civilian clothes were looming at the entrance. The company’s security service began to worry. It was time to speed things up.
“Sergei Valerievich, you have a guest,” the secretary could barely contain the trembling in her voice.
“I gave clear instructions – don’t let anyone in!”
“She says… that you abandoned her at the altar fifteen years ago.”
A heavy silence hung in the office. I resolutely entered, without waiting for permission.
Sergei slowly raised his head from the documents. His face froze into a mask.
“You…”
“Hello, dear. Didn’t expect this?”
He abruptly pressed the button on the phone:
“Security to me!”
“No need,” I put the folder on the table. “The investigation already has your documents. Margarita Olegovna turned out to be surprisingly talkative. And your mother… she spent many years collecting dirt on you.”
His hand reached for the desk drawer.
“I don’t advise it,” I warned. “Shooting will cause unnecessary noise. And the prosecutor’s office is already waiting at the main entrance.”
For the first time, I saw fear appear on his face.
“What do you want?” he muttered.
“The truth. Tell me about the yacht. About the ‘accident’ that was planned.”
He leaned back in his chair and suddenly laughed:
“And you’ve grown up, Anastasia. Yes, I was going to eliminate you. Your inheritance was supposed to be an investment for the business. And then… I had to play the role of a saddened groom for many years, so that no one would ask unnecessary questions.”
“And how many lives have you taken over these years?”
“This is business, babe. There is no place for feelings here.”
The noise behind the door became louder – the investigators were approaching.
“You know what?” I leaned towards him. “Thank you to your mother. Not only did she save my life, but she also taught me patience: sometimes you need to wait a long time to strike the right blow.”
Three months later, I was sitting in my favorite coffee shop in Kaliningrad. The TV screen was broadcasting a court hearing – Sergei was sentenced to fifteen years in prison. That’s how long I spent wandering.
“Your cappuccino, professor,” I put the cup in front of a regular customer.
“Thank you, Vera… I mean Anastasia.” he smiled sheepishly. “Now will you return to your old life?”
“You know, professor… Maybe my old life wasn’t real? Maybe I’m just starting a full life now. I bought this coffee shop and am staying here.”
It was raining outside, filling the air with the freshness of freedom.
10 Little-Known Mistakes in Pretty Woman That Will Blow Your Mind
Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
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