It was like the ground had been ripped out from under me. I could barely speak, barely think. Chris, who had been listening in, immediately took the phone from me, his face a mask of shock and disbelief.
“Mrs. Johnson, there has to be another way,” he pleaded, trying to keep his voice steady. “We’ve put so much into this place. It’s our home.”
“I know, I know,” Mrs. Johnson replied, sounding genuinely sorry, “but Lisa’s family. She’s all I have left, and she’s in such a desperate situation… I can’t turn her away.”
What could we do? She’d made up her mind, and no amount of pleading was going to change that.
The next few weeks were a blur of packing boxes, canceled subscriptions, and trying not to break down every time I walked past a spot we’d lovingly restored.
The hardest part was leaving behind the memories we’d woven into every inch of that apartment—the late-night painting sessions, the laughter, the quiet moments of contentment.
Our new place was… well, it was a roof over our heads, and that was about all I could say for it.
It was smaller, darker, and lacked any of the charm that had made our old apartment so special. But Chris and I did what we always did—we made the best of it. We hung our pictures, arranged our furniture, and tried to pretend that everything was okay.
It wasn’t.
A few weeks after the move, I ran into Mrs. Patterson, one of our old neighbors, at the grocery store. We exchanged the usual pleasantries, but then she dropped a bombshell that left me reeling.
“Lisa’s been telling everyone how thrilled she is with the renovations in your old place. Said it was like moving into a brand-new apartment!”
My blood ran cold. Thrilled with the renovations? Wasn’t she supposed to be too distraught to care? Something didn’t add up, and I wasn’t about to let it slide.
That night, I couldn’t sleep. My mind was racing, replaying every conversation, every detail. There had to be more to this story, and I was determined to find out what it was.
Over the next few days, I started digging. I talked to a few other neighbors, asked some subtle questions, and pieced together a picture that made my blood boil.
Lisa hadn’t lost her job or her apartment. She’d manipulated Mrs. Johnson, using her sister’s kindness to get her hands on our beautifully renovated space. She hadn’t lifted a finger, but she’d swooped in and stolen the fruits of our hard work.
When I confronted Chris with what I’d found, he was furious—just as I’d expected.
We’d been used, betrayed by people we thought we could trust. Everything we’d built, everything we’d cherished, had been taken from us in the most underhanded way possible.
As we sat in our new, unremarkable living room, the weight of it all pressed down on us like a suffocating blanket. We were angry, yes, but more than that, we were heartbroken.
And it only got worse.
You ever hear something so downright ridiculous, that you just have to laugh? That was me and Chris when we first heard what Lisa had done to our old place.
I mean, you couldn’t make this stuff up if you tried. But there it was, delivered straight to us by the neighborhood’s most reliable source of gossip—Mrs. Thompson, who, bless her heart, couldn’t keep a secret if her life depended on it.
We were at the grocery store, of all places, when we ran into her.
“Judith! Chris!” she said, her voice tinged with that mix of excitement and pity that only someone like her could pull off. “You’ll never believe what Lisa’s done with your old apartment!”
My stomach dropped. I’d been trying so hard to move on, to not think about that place, but here she was, ready to spill the latest. I couldn’t stop myself from asking, though. It was like picking at a scab you know you should leave alone.
Chris, beside me, stiffened, his jaw tightening just the slightest bit. He knew whatever was coming wouldn’t be good.
Mrs. Thompson leaned in, her voice dropping to a conspiratorial whisper. “She’s turned your beautiful kitchen into a metal workshop! Welding and all sorts of things, can you believe it?”
For a second, I thought I hadn’t heard her right. A metal workshop? In our kitchen?
Chris let out a low, bitter laugh, shaking his head. He looked at me, his eyes dark with anger, but also something else—a strange, grim amusement. “Well, isn’t that just perfect?”
My mind was reeling, trying to picture the damage.
It was infuriating, but there was something almost… poetic about it, too. She wanted our place so badly, and now she was destroying it piece by piece.
Mrs. Thompson, bless her, was still talking. “Mrs. Johnson’s beside herself, poor thing. She tried to get Lisa to leave, but you know how family is. Lisa won’t budge.”
Later that night, Chris and I sat on the couch watching TV. We hadn’t said much since the grocery store, both of us lost in our thoughts. Finally, I broke the silence.
“Do you think she’s ruining it on purpose?” I asked, my voice barely more than a whisper.
Chris sighed, running a hand through his hair. “Who knows? Maybe she’s just that careless, or maybe she’s trying to wipe away any trace of us. Either way, it’s out of our hands now.”
I nodded, but it didn’t make it any easier to swallow.
She made waves in Hollywood with her blond hair & blue eyes, but look at her now
Kathleen Turner rose to fame in the 1980s as a result of her strength and beauty; many consider her to be one of Hollywood’s most beautiful actors.
Over the years, the actress has faced numerous challenging and favorable situations, and her perseverance has carried her through them both.Kathleen Turner was raised in a home with four other children, despite her difficult past.
She and her siblings were raised in both Venezuela and London. When she was a little girl, she tragically witnessed her father’s sudden death when he was mowing the lawn of their Hampstead house.
A month following his passing, the foreign service ejected Kathleen and her family from the United Kingdom. In Springfield, Missouri, where everyone was still grieving for their father and their previous home, Turner relocated her family.
Finally, Tuner felt at peace after moving to New York to pursue an adult acting career. Her major break came when she was hired as the femme fatale in the 1981 film “Body Heat,” despite her success on stage.
Turner was offered the opportunity to co-star with Michael Douglas in the well-known “Romancing the Stone” three years after sharing the screen with William Hurt. During filming, Douglas was going through a difficult divorce from his wife Diandra, and he started to feel a connection with Turner.
We were intensely flirting and exchanging intense, yearning glances as we were falling in love. Kathleen remarked, “Then Diandra came down and reminded me he was still married.”
In the end, she wed Jay Weiss, the movie’s real estate developer, in 1984. Soon after, the couple welcomed their only daughter together. October 14, 1987, was Rachel Ann Weiss’s birthday.
Regretfully, when the couple started parenting their daughter, their relationship started to fall apart.
“I would demand extended weekends or additional passes from the film studios so that my spouse and daughter could visit me. However, I felt bad since there was a feeling in the marriage that all the work was on his end. It terminated for a few reasons, including that. I began to experience extreme oppression. Kathleen said, “I thought, ‘Hang on a minute, you’ve done very well out of being married to me also.’”
When Turner played Martha in the 2005 Broadway production of “Who’s Afraid of Virginia Woolf?” their marital problems came to a head. Turner became incredibly busy performing in eight shows a week, and it seemed Weiss didn’t want to spend any time with her at home.
During that time, Turner was nominated for a Tony Award for her portrayal of Martha, and the two got along well.
The actress was nominated for an Oscar in 1987 for her role in “Peggy Sue Got Married.” She went on to produce several films in the 1980s, including three blockbusters starring Michael Douglas.
But in the 1990s, Kathleen experienced a medical setback when her neck locked, making it impossible for her to turn her head. Additionally, the swelling in her hands prevented her from using them.
Kathleen stated, “It was crippling.” When something is gone, even for a little while, you stop taking it for granted. What I took for granted was my athleticism, my capacity for forceful movement, and my freedom to move however I pleased. I had a genuine identity crisis when I lost that: “Who am I if I can’t do this?”
She was diagnosed with rheumatoid arthritis, which is characterized by swelling of the lining of our joints, and this was the tragic reason for her circumstances. Managing chronic pain caused by this illness can be difficult.
Kathleen remarked, “When it was first diagnosed, I was terrified because they said I’d be in a wheelchair.” “I reasoned that I couldn’t act if I couldn’t move. Not everything I want to do is act. I was destined for this. It’s present throughout my entire life. The most terrifying aspect was the thought of not being able to accomplish it, together with the ongoing discomfort.
Kathleen took drugs and alcohol to ease her pain. Her habit of drinking vodka led her to faint during dress rehearsals for plays such as the 2002 stage version of “The Graduate,” even if they made her job simpler.
The actress really checked herself into rehab after the show concluded, and it was found that she was not an alcoholic. Instead, she was told to just remember to take more notes on when she took her medications and any unfavorable side effects.
The actress now does pilates and yoga to help her stay flexible and manage her discomfort.
The famous person began to focus more intently on her career in theater while also improving her pain management. As she grew older, she largely returned to her roots, even taking the lead in a stage production of “Cat on a Hot Tin Roof” in her forties, even though she still worked sometimes in film and television.
“It was a little foresight on my part of which I am justly proud, because I knew that the better roles as I got older would be in theatre, which is absolutely true,” Kathleen remarked.
By focusing on the theater, the actress has had more time to pursue her passions, which include working for Planned Parenthood of America and volunteering for Amnesty International.
For most of her life, Turner has been an ardent feminist who has devoted her life to helping other women. Gloria Feldt’s 2008 biography of the actress, Send Yourself Roses, captures her thoughts perfectly.
As women, we are the first generation to achieve financial independence. Women are returning to the workforce, stated Kathleen. They’re redefining who they are. I believed I could contribute to that, even more. It therefore contains a great deal of philosophy as well as my personal beliefs.
What are your thoughts on Kathleen Turner’s difficult yet fruitful journey? Tell us in the comments below!
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