Miley could listen to Ian’s music for hours. However, as she finds herself falling in love with the young pianist, she learns about Nora, a woman for whom he has been reserving a ticket at every performance. When the ticket is finally claimed, Ian is forced to confront his past.
Ian sat alone at the grand piano, the faint echoes of his notes filling the empty concert hall.
His fingers danced over the keys with precision, yet his movements carried a natural fluidity, as if the music were flowing straight from his soul.
Each note lingered in the air, a delicate thread weaving through the silence. His eyes, nearly closed, gave him the appearance of being lost in a dream.
At the entrance, Miley stood quietly, her breath catching each time Ian struck a particularly moving chord.
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She felt a warmth in her chest, an admiration that made her heart beat just a little faster.
The way he poured his heart into the music mesmerized her. She didn’t dare move, not wanting to interrupt the magic.
A soft shuffle of footsteps broke the silence. Rosa, the kind-hearted older woman who had worked at the theater for decades, approached Miley with a knowing smile.
“He’s good, isn’t he?” Rosa whispered, her voice barely audible, as if speaking louder would break the spell.
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Miley nodded quickly, then stumbled over her words.
“He’s very good… I mean, he plays very well. That’s what I meant.”
Rosa chuckled softly, her eyes twinkling.
“Don’t be shy, sweetheart. You’re young—this is the time for such feelings.”
Miley’s cheeks flushed a deep pink.
“You’ve got it all wrong. I just like how he plays, that’s all.”
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“Sure, sure,” Rosa teased, her smile widening.
As Ian’s final note faded into the air, he exhaled deeply, turning to look around the hall.
Spotting Rosa and Miley, he broke into a wide smile and waved, jogging over to them.
“Great performance, Ian, as always,” Rosa praised warmly.
“Thank you, Rosa,” Ian replied. Then, almost as an afterthought, he added, “Did you remember to set aside the ticket?”
“As always, Ian—one ticket for Nora,” Rosa said with a reassuring nod.
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Ian’s face softened, a look of quiet gratitude flickering across his features. “Thank you,” he said sincerely before heading out of the building.
Curiosity burned in Miley’s chest.
“What’s this ticket about?” she asked Rosa.
Rosa leaned closer, her voice lowering as if sharing a secret. “As long as I’ve known Ian, he always sets aside one ticket before every performance. It’s always for Nora.”
Miley frowned slightly.
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“Who is she? His mom? Sister? Girlfriend?” Her voice wavered with unease.
Rosa shrugged.
“I don’t know. She’s never come to any of his performances. But Ian keeps leaving a ticket for her, never explaining who she is.”
“That’s so sad,” Miley murmured, her heart aching for Ian.
“Yes, it is,” Rosa agreed. Then, with a small smile, she added, “But maybe it’s for the best—keeps a bit of mystery in his performances.”
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Miley nodded, but her thoughts lingered on the name: Nora. Who was she, and why did she hold such a place in Ian’s heart?
Miley stood frozen in front of Ian’s dressing room door, her palms damp with nervous sweat.
She wrung her hands together, muttering under her breath, rehearsing the words that refused to come out smoothly.
“Just say it. ‘Ian, do you want to go for a walk?’ It’s not that hard,” she whispered, but her voice trembled even in the quiet.
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Taking a shaky breath, she straightened her shoulders and stepped forward, her hand reaching for the door.
Before she could knock, it swung open. Ian stood there, his hand still on the doorknob, his surprised eyes meeting hers.
“Miley… Hi,” he said, his voice warm but puzzled.
“Hi, Ian,” she replied, her throat suddenly dry. She swallowed hard, her mind scrambling for the words she had practiced.
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“Is something wrong?” Ian asked, concern flickering across his face. “Did you need something?”
“No… I mean, yes. Yes, I did.” Miley’s voice was unsteady, and she hated how unsure she sounded.
“Listen, Ian, I’ve been wanting to ask you something for a long time.”
Ian tilted his head, curious. “Ask me what?”
She hesitated, then blurted out, “Would you like to… I mean, do you want to, after your performance…”
“Do I want to what?” he prompted gently.
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“Go to the park with me,” she said quickly, her cheeks flushing. “For a walk. With me.”
Ian stared at her for a moment, and she felt her heart thudding loudly in her chest.
He opened his mouth, then closed it, looking thoughtful. Finally, he sighed, and his expression turned somber.
“I’m sorry, Miley. I’d really like to, but I can’t.”
Her brow furrowed. “I don’t understand… Why not?”
“I can’t say,” he said softly, avoiding her gaze.
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“Is it because of Nora?” she asked, the name slipping out before she could stop it.
Ian flinched slightly, his jaw tightening.
“You don’t understand… I’m sorry, the performance is starting soon. I need to prepare.”
Before she could say anything else, Ian brushed past her, walking briskly down the hall.
Miley stood there, her heart sinking, tears threatening to spill as his words echoed in her mind.
She sat on the cold bench near the cloakroom, her face buried in her hands. Quiet sobs shook her shoulders as she tried to make sense of everything.
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Her tears blurred the familiar surroundings, but she barely noticed. All she could think about was Ian—his music, his distant smile, and his refusal.
From across the room, Rosa noticed the young woman and hurried over. Her soft footsteps were comforting in the otherwise silent space.
“Miley, dear, what happened?” Rosa asked gently, sitting beside her. Her warm hand rested lightly on Miley’s shoulder.
“I’m such a fool. A complete fool,” Miley blurted out between sobs. “Why did I ever think I deserved this?”
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Rosa frowned, her kind eyes filled with concern.
“Don’t say that! You’re a smart and beautiful young woman. Tell me what happened.”
Miley sniffled, wiping her face with her sleeve.
“I talked to Ian,” she began, her voice shaking. “I wanted to ask him out.”
“And what did he say?” Rosa asked carefully.
“He said he’d like to but couldn’t,” Miley said, her voice breaking.
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“He didn’t explain anything. He just walked away! It’s all because of that Nora! But she doesn’t even care about him! She doesn’t even come to his performances! And I do! I appreciate him!”
“Oh, sweetie,” Rosa said, her voice soothing. “Don’t be upset. It’s not the end of the world. You’ll find your true love.”
Miley shook her head, her tears slowing but her resolve hardening. “No!” she said firmly. “I’m going to fight for him.”
Before Rosa could respond, Miley stood, wiped her face, and marched toward Ian’s dressing room.
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Determination burned in her eyes as she reached the door. She knocked softly. No answer. Carefully, she turned the knob and stepped inside.
The room was neat, almost too neat, as though Ian had been trying to keep everything in perfect order to hide the chaos within.
Miley scanned the desk, her gaze landing on a leather-bound journal. Her hands trembled as she picked it up.
“This isn’t right,” she whispered to herself, but the thought of understanding Ian pushed her forward.
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She opened the journal and flipped through the pages, searching for the name that had haunted her thoughts: Nora.
Her breath hitched when she found it. The words leaped off the page:
“I’ve been invited to audition at the theater. They want to hear me play and evaluate my skills. I didn’t want to go—I didn’t see the point in embarrassing myself again—but Nora thought differently. She convinced me to go. I don’t know what I’d do without her…”
Miley’s eyes widened as she read. She turned another page:
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“I got the part! I don’t know how it happened, but they want me to play there. An agent even took my number and promised to set up performances for me. I can’t believe it—it’s all thanks to Nora!”
She kept flipping until she reached the final page. Her heart stopped when she saw the yellowed newspaper clipping glued to it.
The headline read: “After a tragic fire, 26-year-old Nora Gates has passed away…”
Miley’s hands fell to her sides as tears streamed down her cheeks. Now she understood.
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Nora wasn’t some distant, uncaring figure—she was Ian’s late girlfriend, the woman who had believed in him when he didn’t believe in himself.
Miley gently placed the journal back on the desk and left the room, her heart heavy with the weight of her discovery.
The theater buzzed with quiet anticipation as the lights dimmed and Ian prepared to take his place at the piano.
His heart raced, not from stage fright, but from Rosa’s words just moments earlier.
“Ian, someone finally took your ticket,” she had whispered.
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“What!? That can’t be!” he had exclaimed, his voice sharp with disbelief.
Rosa had only shrugged, her expression a mix of curiosity and amusement, before walking away.
The melody filled the room, soft yet powerful, like waves crashing and retreating.
Still, his eyes darted toward the reserved seat every few minutes. At first, it was empty, just as it always had been.
A pang of relief—or was it disappointment?—settled in his chest.
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Then, partway through a piece, he caught sight of someone sitting there. It was Miley.
His breath hitched as he stared, stunned.
Miley’s face, partially hidden behind the bouquet of flowers she held, looked at him with both fear and determination. Ian’s heart ached in a way he hadn’t felt in years.
Tears blurred his vision, but he kept playing, pouring every ounce of emotion into the music. By the time the final note rang out, the audience erupted into applause.
Miley waited for the crowd to settle before approaching him. She handed him the flowers, her voice trembling.
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“Ian, it was wonderful. Thank you for the performance.”
“You took the ticket,” he said, his voice low and uncertain.
“Yes… I’m sorry. It was for Nora, right?.”
Ian nodded slowly, his expression unreadable. “Yes.”
“But Nora is no longer here, Ian,” Miley said gently. “I know what she did for you, and I know how much you loved her.”
“You don’t understand,” he said, his voice cracking.
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“I do,” Miley replied, her eyes glistening. “I’m sorry, but I read a few pages of your journal. She wanted you to live, Ian. To follow your dreams. To be happy.”
Ian lowered his gaze, the weight of her words sinking in.
“But she’s gone…”
Miley stepped closer.
“But you’re still here. Do you think she would want your life to stop with hers?”
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For a long moment, Ian said nothing, the silence between them thick with unspoken pain. Finally, Miley placed the flowers in his hands.
“You’re a wonderful person, Ian. Please, allow yourself to be happy.”
She turned to leave, but his voice stopped her. “Wait!”
Miley spun around, her eyes wide.
“I want to take a walk with you in the park,” Ian said, his voice quiet but sure.
A small, hopeful smile spread across Miley’s face as she nodded.
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If you enjoyed this story, read this one: Teenage boy Charlie struggles to understand why his peers receive expensive presents while he’s left listening to his mother’s excuses. Then he discovers that his mother had prepared 15 gifts for his future birthdays. But after learning the reason behind it, he finally realizes what he truly wants.
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Joan Collins Turns 91: Photos of Her Transforming Appearance through the Years
Her childhood was unconventional as she grew up during the Blitz period. Years later, Joan thought it would be great to do a film about growing up with her sister during this era but her dream hasn’t come to fruition.
Even so, the actress said that as the war continued, she was just a child, unaware of the bombings. She would collect fragments of debris from the streets and store them in her cigar box each evening.
She narrated, “We would draw silly pictures of Hitler. We were evacuated 10 or 12 times. We would be in the tube stations, and people would be playing their harmonicas and singing.”
Despite the chaos, Joan Collins, who deeply loved her Anglican Briton mother, realized that she did not want to live the same life her mom lived. “Mummy was the 1950s housewife, very sweet and very docile,” she explained.
The actress had previously said that her mom, who died at the age of 52, died very young because she never spoke back to her husband.
oan also shared that “My father never held back. I saw him as a figure to look up to more than my mother. I loved her to death but I considered her to be weak and I hated all the clothes she wore.”
The actress’s mother consistently wore girdles, suspenders, stockings, tight bras, underpinnings, and corsets, which Joan disliked.
Joan, who took great care in her appearance, was voted the most beautiful girl in England by a photographers’ association when she was 18. The newspapers asked her dad what he thought about her daughter’s position, he replied, “I’m amazed. She’s a nice-enough-looking girl. Nothing special.”
At this point, Joan had departed from the Royal Academy of Dramatic Art (RADA), developed a passion for French existentialism, admired the singer Juliette Gréco, and dreamed of becoming a celebrated stage actress.
The focus on her appearance was even more as her film career progressed. Joan disclosed that in Hollywood, she faced daily verbal abuse.
She recounted how the makeup department gave her cruel nicknames, such as “Moonface” due to her baby fat and “Scrawny Legs” because of her thin legs. She remembered the department as a large group of women who were particularly harsh and unkind to her.
In 1955, when Joan was 22, she was cast in the biopic about Evelyn Nesbit “The Girl in the Red Velvet Swing.” Evelyn was considered the most beautiful girl in New York and Joan was to play her.
So, one day, Joan who was still in the Juliette Gréco character and thus had no makeup and was in jeans with scruffy hair, ran into her director Richard Fleischer. Richard told her, “Oh my God, I cannot look at you – you are so ugly. You cannot go around like that – put some makeup on, get your hair done, get a proper dress.”
Just like her career, Joan’s personal life also had its ups and downs. When she was 17, still a virgin, the actress went on a date with actor Maxwell Reed, aged 31. He spiked her rum and coke and raped her.
“I was 17, but I was the equivalent mentally of 12. We did not have sex education,” she noted. Shockingly, Maxwell became the actress’s first husband. When asked why she chose to marry her rapist, she answered, “Because I come from a generation where if you’re going to have sex, you get married.”
However, when Joan learned that Maxwell wanted to give her to older men for $12,710 a night as long as he could watch, she stood up for herself. After four years of marriage, the two divorced.
In her 20s, Joan lived with several men, including Sydney Chaplin and Arthur Loew Jr. She also had an affair with a married man who was eight years her senior. As much as the man was handsome, witty, and fascinating, Joan said the affair was utter hell and she never engaged in one again.
Hollywood men, including directors, also went after Joan. In her autobiography, “Behind the Shoulder Pads,” the actress revealed that she was offered the role of Cleopatra in Joseph L. Mankiewicz’s film on the condition that she got along well with Buddy Adler, the head of Fox, and the chairman of the board.
Joan, who was disgusted by how directors and producers, who were old men, took advantage of young actresses said no as she never wanted to be a part of that. The Cleopatra role was given to Elizabeth Taylor.
In the memoir, Joan also wrote about having an abortion when she got pregnant at 26 with her fiancé, Beatty, a 23-year-old aspiring actor. Beatty convinced Joan to abort the baby because it would derail their career. Years later, she agreed with him, noting that if he had a baby, she would have had to say goodbye to her acting career.
Joan went on to have three kids. She had her first two, Tara and Alexander with her second husband, Anthony Newley. Her last child, Katyana, is with her second husband Ron Kass.
The actress’s third husband was Peter Holm and she is now married to Percy Gibson. Joan announced that she was engaged to Percy in December 2001 and then the pair got married in 2002 at Claridge’s Hotel in London, in front of 175 guests.
The lovebirds, who have been together for over two decades, met when Joan was featured in a touring production of the play “Love Letters” in the US. The Peruvian-born theatre manager also helped Joan edit her novel “Star Quality.”
Many people talked when Joan and Percy Gibson got married because he is 32 years younger than her. Joan was asked to comment on their age difference and she said, “Well, if he dies, he dies.”
In 2023, Joan gushed about her marriage saying that she had found the right man in her current husband, “Oh yes, Percy and I have been married for 21 years and it’s just marvelous.”
Now, Joan is in her 90s but she still has the youthful charm and grace in her presence. When asked if she has had cosmetic procedures done, the actress simply said with a shrug, “If people want to think I’ve had surgery, then…”
Joan added, “You can tell [I haven’t] because I have lines and jowls. When I see women around my age I think: ‘Oh, really? My gosh, I look quite a bit…’ I think I look pretty good!”
The movie star is also needle-phobic and just couldn’t bring herself to have cosmetic work done on her. She attributes her good look, perfect complexion, and youthfulness to staying out of the sun.
She added that her mom taught her to moisturize her skin and use night cream, something she also taught her daughters. Joan’s lovely appearance still amazes her fans.
In April 2024, Joan enjoyed a fun photoshoot for the New York Times Fashion and Style section. She looked radiant in a white cardigan paired with an off-white cap and black trousers.
A fan, amazed by her look, said, “You are simply iconic, dear one, and stunning ♥️♥️.” Another admirer commented, “You always look so beautiful♥️.”
When she turned 90 in 2023, a fan shared a picture of Joan taken on the streets. The actress was in a modest flower dress styled with a white coat, a sun hat, and sunglasses. The fan captioned the post, “Happiest of birthdays to Dame Joan Collins, who turns 90 but easily looks at least 20 years younger.”
At 91, Joan Collins is content with both her personal and professional life. Retirement isn’t on her agenda, as she plans to continue working because of her passion for it.
She acknowledged that performing her one-woman show and staying in a different hotel each night was exhausting, but the enthusiastic audiences and her love for her work made it a rewarding experience.
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