Have you ever experienced the grandeur of a ball?
While modern times see people socializing and dancing at pubs and nightclubs, attending balls was once a significant cultural affair. Men showcased their elegance in stylish tuxedos and lavish materials, while women adorned themselves in corsets and voluminous dresses.
Even in our futuristic present, the tradition of dancing in ballrooms wearing extravagant ball gowns hasn’t vanished. In fact, various organizations organize events dedicated to commemorating this historical era centered around ball dancing, and one such notable occasion is the Stanford Viennese Ball.
The Stanford Viennese Ball, as described on its website, stands as an exhilarating Stanford institution, featuring social dance, live music, performances, and lively contests. Originating in 1978, the ball was driven by students who had completed the Stanford-in-Austria program and were inspired by the grand balls in Vienna, Austria.
The inaugural event, held in Toyon Hall, witnessed the enthusiastic participation of 350 students, marking the beginning of a tradition that has since evolved into a formal affair eagerly anticipated by students. The excitement is palpable as attendees revel in the opportunity to don freshly ironed suits, dresses, and gloves.
A highlight of the event is the opening dance, meticulously curated by the Stanford Viennese Ball Opening Committee. The opening song captivates the audience with its impressive harmony and synchronicity. Men don black suits, while ladies grace the scene in white silk dresses and gloves, executing multiple lifts and quick spins that leave the audience in awe.
The opening committee’s performance is a spectacle that never has a dull moment, featuring a series of captivating maneuvers that seamlessly flow from one to the next. Witness the charm and entertainment of their act below!
Fleetwood Mac star Stevie Nicks finally reveals what life changing advice Prince gave to her
She spent the night working on a song that would end up becoming the lead single from Nicks’ 1983 solo album “The Wild Heart” and the single went to No. 5 in the U.S. Billboard Top 100.
After writing her song ‘Stand Back” she asked for a meeting with Prince and 20 minutes later they were introduced to each other for the first time in a studio in Los Angeles.
Nicks said Prince listened to her song, inspired by his “Little Red Corvette” classic and went straight over to the keyboard to start adding his own parts.
He then got up, gave her a hug and left.
“He spoiled me for every band I’ve ever had because nobody can exactly re-create — not even with two piano players —what Prince did all by his little self,” she said in the book “Rock Lives.”
Nicks said as much as she admired Prince, she avoided a romantic relationship with him because she appreciated their musical connection.
“He spoiled me for every band I’ve ever had because nobody can exactly re-create — not even with two piano players —what Prince did all by his little self,” she said in the book “Rock Lives.”
Nicks said as much as she admired Prince, she avoided a romantic relationship with him because she appreciated their musical connection.
“I really wanted a musical relationship, and I had smartened up, even then,” she explained. “You’ll break up and never speak again. But he wasn’t interested in just that.”
In turn, Prince’s “When Doves Cry” was inspired by Nicks’ song “Edge of Seventeen.”
The Fleetwood Mac star said that she was heavily into drugs when she collaborated with Prince.
“The eighties were pretty bad drug years for me,” Stevie Nicks told The New Yorker. “And Prince was not very into drugs. And the fact that he ended up being on a lot of pain medication just blows my mind, because he was so against it, and he gave me so many lectures about it.”
The “Gypsy” singer said Prince warned her about her drug use. “I’d talk to him every once in a while on the phone, and we’d talk for hours, and he’d go, ‘You gotta be careful, Stevie.’ And I’d go, ‘I know, I know.’”
Following his death Nicks said, “My sadness is that he did die of an accidental drug overdose. He’s up there looking down, saying to me, ‘Sweetie, I can’t believe it happened either.’”
It seems Prince was right to be worried at the time as Nicks ended up in rehab twice. The singer checked into the Betty Ford clinic in 1986 for her cocaine addiction, and then went to another hospital in 1993 for her addiction to Klonopin, which Nicks said she was over-prescribed.
But in 1986, Nicks spoke to a plastic surgeon about her nose. The doctor told her she had burned a coin-sized hole in her nose from her cocaine abuse.
“I said, ‘What do you think about my nose?’” the singer recalled. “And he said, ‘Well, I think the next time you do a hit of cocaine, you could drop dead.’”
Following her conversation with the doctor, Nicks decided to check into the Betty Ford clinic. The move helped turn her life around and arguably saved her career and her life.
Thank goodness she had a conversation that set her on the right path. It sounds like it came at just the right time.
It is, however, a tragedy that Prince couldn’t get off the harmful opioids that he was on. Nicks’ story just confirms the musical genius he really was and how generous he was with his talent.
He will always be a musical legend, missed by millions.
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