Tuesday marks the 91st birthday for Kim Novak, the star of Alfred Hitchcock’s 1958 film Vertigo, who walked away from Hollywood over five decades ago.
“She’s spending her birthday having a picnic on her property with friends and lots of fudge,” says her longtime manager and close friend Sue Cameron.
Life is sweet these days for Novak, who lives quietly on the Oregon coast, surrounded by her beloved horses.
In honor of her 91st birthday, read on for an interview from 2021 in which Novak shared why she left Hollywood and found her true self.
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Over 50 years ago, Kim Novak, the enigmatic star of Alfred Hitchcock’s Vertigo, walked away from Hollywood. The woman who had once been the No. 1 box office draw in the world put her belongings in a van and drove north, first to Carmel, California and then two decades later to Oregon, to live her life as an artist.
“I had to leave to survive,” she tells PEOPLE. “It was a survival issue.”
“I lost a sense of who I truly was and what I stood for,” says Novak in a rare interview to talk about her new book, Kim Novak : Her Art and Life. published by the Butler Museum of American Art.
“I fought all the time back in Hollywood to keep my identity so you do whatever you have to do to hold on to who you are and what you stand for,” she explains.
“I’ve never done one of those tell-all books that they wanted me to do for so long, and I thought this is the kind of book I’d like to do,” she says of her art book. “Actually, I had written my autobiography and it was almost complete but I had a house fire and the house burned down and I made no copies. I just couldn’t go through it again because I had spent so much time. But it was okay because it was a catharsis just to do it.”
After starring in Picnic (1955) with William Holden, The Man With the Golden Arm (1955) and Pal Joey (1957), opposite Frank Sinatra, and Vertigo, with Jimmy Stewart, Novak was at the height of her career but still under the control of the studio.
As she writes in her book’s introduction, “I was both dazzled and disturbed to see me being packaged as a Hollywood sex symbol. However, I did win my fight over identity. I wouldn’t allow [Columbia Pictures chief] Harry Cohn to take my bohemian roots away by denying me my family name. Novak. I stood my ground and won my first major battle.”
Cohn wanted her to change her name to Kit Marlowe, telling her that audiences would be turned off by her Eastern European roots. She refused. In the late ’50s, she defied him again when she began dating singer Sammy Davis Jr. against his wishes and she fought to live her life as an independent woman.
“There was constant pressure to be seen and not heard,” writes Novak, “especially if you had a pretty face.”
“In Hollywood a lot of people assume who you are, because of the character you play, but also just because of who they expect you to be, how they expect you to dress,” she says. “It influences you because if you’re in some gorgeous sequined gown, you can’t run along the ocean and run on the beaches.”
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“I kept feeling like I was going deeper and deeper, lost in almost like a quicksand, where it’s swallowing you up, your own personality, and I’d started to wonder who I am,” she explains. “I realized needed to save myself.”
She found peace living and painting in the Rogue River Valley of Oregon and notes, “I needed the Pacific Ocean to inspire me, the animals, the beauty.”
“I wanted to live a normal life and a life with animals,” says the actress, who had always loved drawing and painting as a young girl growing up in Chicago. She was awarded two scholarships to the Chicago Art Institute before she was spotted by a talent scout on a trip to L.A. and her life changed course.
Once she left Hollywood, Novak returned to her twin passions: art and animals. “My teachers were the animals, not just dogs and cats, but other animals, horses and llamas, whom you have to meet half way, because they’re not ready to accept humans. I had to learn to win them over,” she says. “They understand a person who’s genuine so I had to become more real and that made me rely on my inner self — and that also encouraged me to paint. Everything seemed to flow from that.”
“You learn how to count on, not how you look, which is a big thing as a movie star, especially if you were recognized because of how you look,” she adds. “That can be a difficult thing when you change — but looks had nothing to do with it.”
She met second husband, Robert Malloy, an equine veterinarian, in the late ’70s, when he paid her a house call to treat one of her Arabian horses. She called him her “soul mate.” He died last December.
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“I don’t feel 87,” says Novak. “I don’t keep tract of the time. If I did, I’d be an old lady and I’m not an old lady. I’m still riding my horse. I stay as healthy as I can.”
In 2012, Novak revealed she’d been living with bipolar disorder. “I don’t mind being open about who I am because these are all characteristics which make you who you are, especially as an artist,” she says. “Now, of course, I have medication for it but the best medicine of all is art.”
She’s proud of her favorite films, including Vertigo and Bell, Book and Candle (1958), and has fond memories, especially of her friend and costar Jimmy Stewart. Says Novak: “He didn’t let Hollywood change who he was.”
“People can remember me in movies but I want them to see me as an artist,” says Novak, whose paintings were exhibited at a 2019 retrospective at the Butler Museum in Youngstown, Ohio. “What’s great about painting is, you become the director too. No one’s telling you how to do it. You get to direct the whole thing.”
“I’ve been influenced a lot by Hitchcock in my work because he did mysteries and at first glance, I want my painting to be a mystery,” she says. “I love being the director, the producer, the actor in my paintings.”
“This is who I am. I want people to see I was not just a movie star.”
Looking back, Novak says, “I’m so glad I didn’t do the tell-all book, where you write all about your love life. That wasn’t who I was. This book tells who I am. I just needed to be free.”
Taylor Swift Gets Loudly Booed Off at The Ellen DeGeneres Show After Endorsement Backlash: “Get Outta Here!”
After her contentious support of Kamala Harris, pop icon Taylor Swift was reportedly heckled off The Ellen DeGeneres Show set in an unexpected development that rocked the entertainment industry. The infamously eccentric talk show host and singer of “Shake It Off” were set for a lighthearted discussion that quickly descended into chaos as viewers voiced their disapproval of Swift’s political views.
Swift’s latest entry into the political sphere has drawn criticism and raised suspicions among those who have watched her incredible ascent from rural darling to worldwide musical phenomenon. Swift, who was formerly renowned for holding her political cards close to the vest, has experienced a tremendous reaction following her endorsement of Kamala Harris in the 2024 presidential contest. On the Ellen set, this division was painfully visible as some of her admirers rallied behind the endorsement, while others felt left out.
The taping started off fairly innocently enough, with Taylor smiling broadly as she stepped onto Ellen’s famous white couch and the audience applauding. However, things rapidly changed when Ellen, in typical charming fashion, inquired about the Harris endorsement that had set up a social media controversy.
Ellen teased Swift with a smile, saying, “So, Taylor, let’s talk about that little tweet you posted about Kamala,” anticipating a lively exchange. But as soon as Swift spoke out to justify her decision, the tone in the studio changed from lighthearted to downright antagonistic.
The music sensation tried to defend her choice, but the first jeers came from the crowd before she could say more than “Kamala is my role model.” There were a few whispers at first, but in a matter of seconds, there was a roar of laughter and exclamations, “Get out of here!” that echoed throughout the studio.
Ever the professional, Ellen attempted to diffuse the tension by gesturing to the crowd with her hands. Guys, this is a nice show—come on! She begged, “Let’s listen to her out,” but it was ineffective. The audience wasn’t about to absolve Swift of her responsibilities because they had already made up their minds.
Ellen tried her hardest, but the jeers just got louder, bouncing off the walls and stifling any real conversation. Clearly shaken and taken aback by the animosity, Swift attempted to brush it off with a joke. But her smile turned to an unpleasant frown as the jeers got louder.
Swift said into the microphone, “I didn’t think this would happen,” as she looked across to Ellen, who was hopelessly shrugging while displaying a mix of shame and laughter on her face. This was unlike anything the talk show presenter, who was well-known for her laid-back chats, had ever seen.
With the clamor of criticism building to a crescendo, Swift rose to his feet and nodded pitifully at Ellen. She waved awkwardly at the audience and said, “I think I should go,” before the production crew escorted her off stage.
The increasing backlash from Swift’s political endorsement continues with this incident. In addition to splintering her following base, her outspoken support for Harris has significantly reduced ticket sales for her current Eras Tour.
Many critics contend that Swift made a mistake by entering politics, arguing that she would have been better off sticking to her strengths of creating music and avoiding contentious political matters. A disappointed former admirer said, “I loved her music, but I didn’t sign up for this political drama,” on the former Twitter platform, X. Taylor should refrain from meddling in elections and stick to entertaining.
Some critics were not so courteous. As they were leaving the taping, one audience member was heard to remark, “I used to think she was cool, but now she’s just another out-of-touch celebrity trying to tell us how to vote.” “I didn’t come here to hear Taylor preach politics; I came here to enjoy a fun Ellen show.”
Many observers weren’t blind to the irony of the scenario. Ultimately, The Ellen DeGeneres Show is renowned for being a secure, upbeat venue where visitors come to showcase their most recent endeavors and exchange humorous anecdotes. The fact that Swift was jeered off of an intimate stage like Ellen’s says a lot about the intensity of the criticism she is receiving.
Ellen, who is accustomed to controversy herself, appeared surprised at the ferocity of the audience’s response. A production team member for Ellen later stated that the part will not be aired in its entirety, leading some to speculate that the interview would not even be shown on the show. The source declared, “We’ve never seen anything like this before.” “Normally, Taylor’s fans are really encouraging, but today was really something else. It quickly became ugly.
Swift has not spoken anything on social media since the Ellen incident, leaving many to worry whether or how she will handle the situation. Swift’s staff, on the other side, has quickly distorted the facts, highlighting the value of free speech and her freedom to express her political opinions in a statement. The statement said, “Taylor believes in using her platform to advocate for the causes and leaders she believes in.” “Those who disagree with her or boo her will not silence her.”
Insiders, nevertheless, speculate that the singer may have been more shaken by the incident than her representatives are letting on. One person close to Swift claims that she was “devastated” by the jeers and sobbed as she exited the stage. The source claimed, “She wasn’t anticipating that kind of reaction at all.” “She expected to be able to share her perspective, but the crowd wouldn’t even allow her to speak.”
The backlash that followed Taylor Swift’s support of Kamala Harris serves as a sobering reminder of the dangers that celebrities who enter politics confront. Swift’s experience highlights how turbulent and polarizing the contemporary political atmosphere can be, despite the fact that many celebrities have effectively used their platforms to support causes and candidates.
Swift’s entry into politics has empowered some fans, who see it as evidence that their favorite musician is making positive use of her platform. However, for some, it has been a deal-breaker, making them wonder if they can still support an artist whose opinions they disagree with.
One thing is certain: Swift has a difficult road ahead of her as she struggles with the criticism. It remains to be seen if she can get past the backlash and mend her relationship with her admirers. But for the time being, she probably still hears “Get out of here!” a lot.
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