Carrie Underwood often gets dressed up for red carpet events, so it wasn’t surprising to see her wearing a lot of makeup while fishing with her husband, Mike Fisher. In a September 13 Instagram post, Underwood shared several photos of them on a boat, happily showing off their catches. She wrote, “Had the BEST day today fly fishing in Montana! Thanks to our awesome guide, Jason, for the expertise! What a day!” In the pictures, the singer of “Before He Cheats” looked almost unrecognizable, and as someone who knows about makeup, I could tell why.
Carrie Underwood usually has a smoky eye look, but she often adds some light shimmer to soften it. In her fishing pictures, though, she seemed to have used a darker brown eyeshadow that made her eyes look smaller instead of wider. Her eyebrows also looked darker than usual, which changed her overall appearance. One fan commented, “I think she’s great, but honestly, I can’t recognize her. She has always been so naturally beautiful. Has she had a lot of surgery or new teeth?”
Underwood did talk about an accident in 2017 that left her with over 40 stitches on her face, which might have changed how she looks. However, her heavy makeup and fuller lips lately are fueling ongoing rumors about plastic surgery.
Carrie Underwood’s overly bronzed makeup was somethin’ bad
Carrie Underwood looked almost unrecognizable in an Instagram video she shared on September 21. Instead of her usual soft glam, her face had a very dark bronze color that resembled a spray tan that didn’t turn out well. It wasn’t the nice glow that Jennifer Lopez made popular in the early 2000s. It was more like Ross Geller from Friends when he used the spray tan machine incorrectly and ended up way too dark.
We’ve seen Carrie Underwood without makeup many times, and she looks stunning. While we totally support her love for makeup, this time the bronzer seemed too much and gave her face a muddy look. One fan commented, “I know she’s making a video, but seriously!” Another fan noticed, “Her lips are getting bigger.”
It’s true that you can make your lips look fuller with lip liner, different lipstick shades, and gloss. However, many fans believe Underwood might have used fillers to enhance her lips, and there’s no shame in that. When asked about the plastic surgery rumors, she told Redbook in 2018, “It’s a little sad because the truth is just as interesting. I wish I had gotten some great plastic surgery to improve this [scar], but I try not to worry too much about it.”
Child star Mara Wilson, 37, left Hollywood after ‘Matilda’ as she was ‘not cute anymore’
The world first fell in love with the endearing Mara Wilson in the early 1990s. She was a child actor best remembered for her roles as the bright young girl in beloved family films like Miracle on 34th Street and Mrs. Doubtfire.
The rising actress, who turned 37 on July 24, looked like she was ready for big things, but as she got older, she lost her “cute” factor and vanished from the big screen.
She continues, “If you’re not cute anymore, if you’re not beautiful, then you are worthless. Hollywood was burned out on me.”
To find out what happened to Wilson, continue reading!
When five-year-old Mara Wilson played Robin Williams’ youngest kid in Mrs. Doubtfire in 1993, she won over millions of fans’ hearts.
When the California native was invited to feature in one of the highest-grossing comedies in Hollywood history, she had already made appearances in advertisements.
“My parents grounded me even though they were proud of me.” My mother would always tell me that I’m just an actor if I ever stated something like, “I’m the greatest!” Wilson, who is now 37, remarked, “You’re just a kid.”
Following her big screen premiere, she was cast in 1994’s Miracle on 34th Street as Susan Walker, the same character Natalie Wood had performed in 1947.
Wilson describes her audition as follows: “I read my lines for the production team and told them I didn’t believe in Santa Claus” in an essay for the Guardian. “But I did believe in the tooth fairy and had named mine after Sally Field,” she writes, referring to the Oscar-winning performer who portrayed her mother in Mrs. Doubtfire.
“Very unhappy”
Next, Wilson starred with Danny DeVito and his real-life wife Rhea Perlman in the 1996 film Matilda as the magical girl.
Additionally, Suzie, her mother, lost her fight against breast cancer in that same year.
“I wasn’t really sure of my identity.I was two different people before and after that. Regarding her profound grief following her mother’s passing, Wilson explains, “She was like this omnipresent thing in my life.””I found it kind of overwhelming,” she continues. I mostly just wanted to be a typical child, especially in the wake of my mother’s passing.
The young girl claims that she was “the most unhappy” and that she was fatigued when she became “very famous.”
She reluctantly took on her final significant role in the 2000 fantasy adventure movie Thomas and the Magic Railroad at the age of 11. “The characters had too little age. I reacted viscerally to [the] writing at 11 years old.I thought, ugh. I love it, she says to the Guardian.
“Destroyed”
Her decision to leave Hollywood wasn’t the only one, though.
Wilson was going through puberty and growing out of the “cute” position as a young teenager, so the roles weren’t coming in for him.
“Just another weird, nerdy, loud girl with bad hair and teeth, whose bra strap was always showing,” was how she was described.
“When I was thirteen, no one had complimented me on my appearance or called me cute—at least not in a flattering way.”
Wilson had to cope with the demands of celebrity and the difficulties of becoming an adult in the public glare. It had a great influence on her, her shifting image.
“I had this Hollywood notion that you are worthless if you are not attractive or cute anymore. Because I connected that directly to my career’s downfall. Rejection still hurts, even if I was kind of burned out on it and Hollywood was burned out on me.
Mara in the role of author
Wilson wrote her first book, “Where Am I Now?,” before becoming a writer. “Ancidental Fame and True Tales of Childhood,” published in 2016.
The book explores “her journey from accidental fame to relative (but happy) obscurity, covering everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood.”
In addition, she penned the memoir “Good Girls Don’t,” which explores her experiences living up to expectations as a young performer.
In her Guardian column, she states, “Being cute just made me miserable.” It was always my expectation that I would give up acting, not the other way around.
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