
Mary’s marriage to Ed came with a price: his mother Scarlett who never hid her disdain. From wedding-day insults to constant criticism, Scarlett seemed set on making Mary’s life difficult. Tensions grew with each visit… until something even more shocking unfolded.
Mary and her husband, Ed, drove in silence toward his mother Scarlett’s house. Though they hadn’t arrived yet, Mary was already looking forward to the ride back. Scarlett, after all, simply despised her.

For illustration purposes only. | Source: Midjourney
At their wedding, Scarlett had even shown up wearing a veil; Mary had been grateful she hadn’t arrived in a full wedding dress. Scarlett was one of those mothers who couldn’t let go of her “little boy,” no matter how grown-up he was.
As they pulled into the driveway, Mary reluctantly stepped out, trailing behind Ed. She took a deep breath, steeling herself for whatever latest insult Scarlett had in store.
Forcing a smile, she braced herself, hoping her expression would carry her through this visit. Scarlett opened the door with a wide grin and immediately wrapped her arms around Ed.

For illustration purposes only. | Source: Midjourney
“Oh, my baby! You’re finally here! I’ve missed you more than you know!” she exclaimed, holding him close.
“Mom, it’s only been a week,” Ed replied, easing himself out of her hug.
Scarlett gave Ed a brief look before turning her gaze to Mary, her expression shifting. “Well, Mary, I see you’ve gained a few pounds,” she said with a smirk.
Mary let out a quiet sigh, resisting the urge to respond. She forced a tight smile instead. “Good to see you too, Scarlett.”

For illustration purposes only. | Source: Midjourney
Dinner felt endless as Scarlett launched into her usual list of complaints. “Mary doesn’t know how to cook. She doesn’t work somewhere respectable. She doesn’t even know how to dress herself properly,” Scarlett declared, taking quick glances at Ed for support.
Mary gripped her fork tightly, biting her tongue. She knew any response would just add fuel to Scarlett’s fire. But then Scarlett said something that made Mary’s patience snap—words sharper than anything before.
Scarlett looked across the table, her eyes fixed on Mary. “Well,” she said slowly, “I think it’s high time you gave me a grandchild. Or maybe,” she added with a smirk, “Mary has… some issues?”

For illustration purposes only. | Source: Midjourney
Mary’s heart sank. They had been trying for a baby for six months with no success, and Scarlett’s words stung like salt in a wound. “How dare you!” Mary burst out. “Stop meddling in our lives! Maybe it’s your son who has the problem!”
Scarlett leaned back, eyes narrowing. “That’s absurd! My son is perfectly healthy, thank you very much. But you, Mary… who knows what you were up to before meeting Eddie?”
Mary’s face flushed with anger. “You’re a damn witch!” she shouted, her voice trembling. She turned to Ed, who hadn’t said a word. “Are you just going to sit there and let her say this?”

For illustration purposes only. | Source: Midjourney
Scarlett shot her son a pointed look. “Yes, Eddie, tell your crazy wife to show some respect,” she said, her tone mocking.
Ed shrugged, still scrolling through his phone. “Work it out yourselves.”
Scarlett leaned toward Mary, her voice low. “My neighbor mentioned herbal teas. She swears they help people like you.”
Mary opened her mouth to retort but felt a sudden wave of nausea. She clenched her stomach, forcing the words out. “Why don’t you… drink your own tea?”

For illustration purposes only. | Source: Midjourney
Unable to hold it back, Mary bolted to the bathroom. When she returned, still pale, she looked at Ed. “I want to go home.”
“Okay,” he said, barely glancing up.
Scarlett tilted her head, a fake look of concern crossing her face. “What’s wrong? Are you feeling sick?”
Mary’s eyes narrowed. “You probably poisoned me,” she muttered, too tired to argue further.

For illustration purposes only. | Source: Midjourney
On the way home, Mary’s mind raced. She had to know for sure. “Ed, can you stop at the pharmacy?” she asked quietly.
He sighed but pulled into the parking lot. She hurried inside, grabbed a pregnancy test, and paid quickly. Back at home, she went straight to the bathroom. She held her breath, waiting. Then, the results appeared—two lines. She gasped, feeling a rush of excitement and relief.
She rushed to show Ed, her face glowing. “Ed, we’re going to have a baby!”

For illustration purposes only. | Source: Midjourney
Ed glanced at the test, his expression unreadable. “Oh. That’s… good,” he mumbled, barely meeting her eyes.
Mary’s heart sank a little. She was overjoyed, but Ed’s reaction felt like a shadow over her happiness.
A few weeks had passed since Mary found out she was pregnant, and she was finally starting to adjust to the idea of becoming a mother. It was their first doctor’s appointment, and she was sitting on the bed, waiting for Ed to finish his shower so they could leave together.

For illustration purposes only. | Source: Midjourney
She hoped he’d show some excitement, but he seemed distant lately, preoccupied and withdrawn
As she waited, Ed’s phone buzzed beside her, lighting up with a message. Usually, she respected his privacy. But the way he’d been acting made her hesitate.
Without fully realizing it, she reached for his phone. She tried to unlock it and was surprised to find a passcode. She couldn’t remember him ever using one before. On a whim, she tried his birth date. The screen unlocked immediately.

For illustration purposes only. | Source: Midjourney
The message stared back at her: a picture of a half-dressed woman, smiling in a way that made her stomach twist. Below the picture, a message read, “Can’t wait to see you, baby.”
Her hands trembled as she scrolled through the conversation, each word feeling like a fresh betrayal. Ed had told this woman he was wealthy, a construction company owner—a far cry from his real job.
Heart pounding, she took screenshots, saving them on her phone as evidence of his lies and deceit.
When Ed came out of the bathroom, she was waiting, holding his phone. Her face was pale, her eyes filled with hurt and anger.

For illustration purposes only. | Source: Midjourney
“What is this?!” she shouted, thrusting the phone toward him.
His expression turned hard, and he grabbed the phone from her hand. “None of your business,” he snapped.
Mary’s voice rose, filled with pain. “None of my business? You’re cheating on me! And I’m pregnant, Ed—your pregnant wife!”
His eyes narrowed. “Maybe you’re the one cheating on me,” he shot back, a sneer forming on his face. “How do I even know this baby’s mine?”

For illustration purposes only. | Source: Midjourney
Mary felt her whole world spin. “Are you serious? We’ve been trying for six months. Now you’re saying this?” Her voice broke.
Ed crossed his arms. “Six months, no luck, and now all of a sudden it just happens? Convenient.”
“You’ve been seeing this woman for more than six months, Ed. I saw everything. You’ve lied to her, too! Told her you’re rich, that you own a company!” Mary’s voice trembled.
Ed shrugged, coldly unmoved. “Doesn’t matter. I’m filing for divorce. This marriage is over.”

For illustration purposes only. | Source: Midjourney
“You really think that woman will stick around when she learns the truth about you?” Mary shot back.
“Trust me, she won’t find out. And when this is over, I’ll take this house and everything else you have. Plus, my mom’s money.” He smirked.
Mary’s voice rose in protest. “This house was bought by my father!”
“Yeah? It’s in both our names,” Ed replied with a smug smile.

For illustration purposes only. | Source: Midjourney
Mary’s voice softened as she asked, “What about the baby?”
Ed just shrugged. “You can’t prove it’s mine until it’s born. By then, it’ll be too late.” And with that, he threw her out, leaving her in tears.
Desperate and hurt, Mary made a choice—to go to Scarlett and show her everything. Scarlett had to know the truth about her son.
She sat across from Scarlett, her heart pounding as she told her everything—Ed’s lies, his cheating, his threats to take the house. She held her breath, waiting for Scarlett to dismiss her. But to her surprise, she listened, her face growing pale.

For illustration purposes only. | Source: Midjourney
Scarlett looked down, tears welling in her eyes. “He’s been taking money from me too,” she said softly. “Every penny his father left me, everything I’ve saved. He said he needed it for doctor visits because you couldn’t get pregnant.”
Mary shook her head, feeling both anger and sadness. “He never even went to a doctor. Every time I brought it up, he refused. I checked our account, Scarlett. He’s been taking out huge amounts.”
Scarlett clenched her fists. “I can’t believe my son would do this,” she said, her voice shaking. “He lied to both of us.”

For illustration purposes only. | Source: Midjourney
Mary’s voice broke as she spoke. “I don’t know what to do. I’m pregnant, and he says he’ll take everything. He doesn’t even believe the baby is his.”
Scarlett’s eyes hardened. “I won’t let anyone hurt my future grandchild,” she said firmly. “We’ll make him pay. You have those messages saved, right?”
Mary nodded. “Yes, I took screenshots.”
Scarlett thought for a moment, then said, “I have one of his toothbrushes here. We can get a DNA test when the baby is born.”

For illustration purposes only. | Source: Midjourney
Mary looked at Scarlett, surprised. “You’ve never been on my side before. What changed?”
Scarlett sighed. “I was a mother trying to protect her son. But now I see I need to protect others from him. His father was the same—a cheater. I endured it, hoping Ed would be better. But he isn’t. And I don’t want anyone else to suffer like I did.”
Mary and Scarlett moved forward with their plan. Mary confronted Ed directly, and she showed him the screenshots of his messages.
“I have all your messages,” she said, her voice steady as she held up her phone. “And I’ve already shown them to Scarlett. So you have no more room to manipulate anyone.”

For illustration purposes only. | Source: Midjourney
Ed looked shaken, but Mary continued, not backing down. “Here’s the deal,” she told him firmly. “Give up your claim to the house, sign these divorce papers, and agree to pay child support. Do this, and I’ll stay quiet. Otherwise, I’ll make sure your lover knows the truth.”
Backed into a corner, Ed reluctantly agreed and signed the papers without a word. He had no idea that Scarlett had the final piece of the plan.
Scarlett went to Ed’s lover herself, revealing everything—his lies, his fake claims of wealth, and his deception. She left nothing hidden, ensuring her son’s lies would come crashing down.

For illustration purposes only. | Source: Midjourney
When Ed found out, Scarlett was sitting with Mary, enjoying tea at her house. Suddenly, loud banging echoed from the front door, followed by Ed’s furious shouting.
“You promised you wouldn’t tell if I did everything you asked!” he yelled through the door, his voice sharp with anger.
Mary looked at the door calmly and replied, “I didn’t tell her anything, Ed.”

For illustration purposes only. | Source: Midjourney
Scarlett raised her voice so Ed could hear. “I did,” she called out firmly. “I taught you that lying is wrong, but you clearly didn’t learn.”
“You’re both insane!” Ed shouted, his voice shaking with rage. “You’ll regret this! I’ll make you pay!”
Just then, the police arrived, alerted by a neighbor’s call. They restrained Ed, leading him away as he continued yelling threats, while Mary and Scarlett stayed inside, unshaken while finishing their tea.

For illustration purposes only. | Source: Midjourney
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10 Little-Known Mistakes in Pretty Woman That Will Blow Your Mind
Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.

But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.

However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.

How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.

Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.

Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
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