John Travolta recently showed up at a big event in California with his oldest child. Like before, people were talking about which parent she looks like more.
On October 19, 2024, John Travolta caught the attention of many when he attended The Fourth Annual Academy Museum Gala with his daughter, Ella Bleu Travolta. Photos of the pair had people debating whether Ella looks more like her late mother, Kelly Preston, or her father.
John Travolta recently attended a big event in Los Angeles with his oldest child. The two posed together for red carpet photos, with Ella linking her arm through her father’s as they smiled for the cameras.
After their photos were shared on social media, many people commented on how much Ella looked like her father. One person wrote, “She is his twin! His beautiful daughter .” Another commenter noted, “All I see is her dad, lol. Like his mini-me.”
Some agreed with the comparisons, saying, “She’s beautiful! She has her dad’s eyes!” Others thought Ella resembled her late mother, Kelly Preston. One comment said, “I see her mom in her. Blessings to them. He seems to be a great father.”
Another user added, “The older she gets, the more she looks like Kelly Preston. What a beautiful young woman. You’ve done well, John. You must be so proud of her.” Someone else observed, “Ella’s resemblance to her mom Kelly is striking; she’s gorgeous!”
For those who had a different opinion, one person remarked, “She is the spitting image of her mom!” Another noted, “I think she is a perfect mix of them both. She is stunning.”
One netizen shifted the focus back to John, saying, “He is such a good man and a good father
When John and Ella appeared at the 2024 Paris Olympics on August 3, fans again noticed their resemblance. They attended to support the USA’s gymnasts, and many commented on how alike they looked.
One observer said, “She looks just like him,” while another remarked, “Look at his beautiful daughter, who is his doppelganger.” A third fan added, “She took his whole face!”
Others praised Ella, with one fan saying, “Wow she is beautiful .” Longtime fans of John, who remembered his role in the 1978 classic “Grease,” noted similarities between him and Ella. One fan said, “She’s John in Grease ,” and another added, “She is his twin from his younger days. Just watched Grease; never realized how handsome he was.”
Some fans also saw a resemblance to Uma Thurman’s character from “Pulp Fiction,” where John co-starred. One observer suggested, “She looks like she can star in Pulp Fiction.”
At the Academy Museum Gala, both wore matching black outfits. John wore a dark blazer, a matching T-shirt, blue jeans, sunglasses, and black shoes. Ella’s outfit featured a sleeveless black cropped top and high-waisted pants, which she paired with a black beret and strappy heels.
The pair sat in the VIP section with other celebrities, cheering for US gymnast Simone Biles during the finals.
In April 2024, Ella debuted her new bob haircut on Instagram, showing off her dark brown locks styled to frame her face. She playfully captioned the photo, “Fresh cut grass.”
The fascinating and tragic story of Mary Ann Bevan
I am pleased with the strides our civilization has made in 2022, recognizing that progress comes in various forms. While acknowledging that certain aspects of the past were better, it’s crucial to highlight that some elements of bygone eras belong precisely where they are, in the past.
In the 19th century, “freak shows” were a popular attraction, considered a regular part of American society. These mobile circuses showcased individuals deemed “odd”, such as bearded women and Siamese twins. Mary Ann Bevan, labeled the “Ugliest Woman in the World”, emerged as one of these attractions, and her poignant life story emphasizes the need to remember and learn from such historical missteps.
While human curiosity about individuals with different ethnicities or physical abilities has existed throughout history, exploiting them for profit is ethically wrong, regardless of the time period. In the 19th century, audiences flocked to witness people with deformities in “freak shows”, an unsettling trend that persisted from the 1840s to the 1940s without widespread moral objection.
Mary Ann Bevan’s story unfolded in this challenging period. Born as Mary Ann Webster on December 20, 1874, in Plaistow, East London, she grew up in a working-class household, one of eight children. Unlike her brothers, who found employment when they reached adulthood, Mary Ann pursued education, graduating from medical school and beginning her career as a nurse in 1894.
Her life took a positive turn when she married Thomas Bevan in 1902, and together, they experienced the joys of raising four children. However, tragedy struck after 14 years of marriage when Thomas suffered a stroke and passed away. Left alone with her children, Mary Ann faced additional challenges as she grappled with a rare condition known as acromegaly, which affected her physical appearance.
Acromegaly, characterized by the overproduction of growth hormone, leads to enlarged body tissues and bones. Mary Ann exhibited symptoms around the age of 32, and with limited knowledge about the condition at the time, she struggled to find help. Unlike the typical manifestation of acromegaly after puberty, Mary Ann’s ailment affected her face, altering her features.
Despite her hardships, Mary Ann initially found solace in her family and received support from her husband. However, after Thomas’s death, the disease’s impact worsened, rendering her unemployable due to her changed appearance. Desperate to provide for her children, Mary Ann responded to a newspaper advertisement seeking the “Ugliest woman” for a circus.
Claude Bartram, an agent for Barnum and Bailey, selected Mary Ann based on her photograph and offered her a contract that included a weekly salary, travel expenses, and proceeds from picture postcard sales. Mary Ann’s journey to America in 1920 marked the beginning of her fame as “The Ugliest Woman on Earth”, with appearances at the Coney Island Circus.
Despite objections to the morality of using individuals with physical differences for entertainment, Mary Ann became a sensation, earning significant income. The financial success allowed her to provide her children with education in England, fulfilling her commitment as a devoted mother. Mary Ann’s resilience and sacrifice epitomize true beauty and maternal love.
Returning to France in 1925 for an exhibition, Mary Ann spent the remainder of her life in New York, working at the Coney Island Dreamland Show. She passed away in 1933 from natural causes at the age of 59, fulfilling her dying wish to be buried in her native country, laid to rest at South London’s Ladywell and Brockley Cemetery.
Mary Ann Bevan’s story is a testament to her unwavering determination to support her family. In a time without modern benefits, she worked tirelessly, embodying the selflessness of a mother who prioritizes her children above all. May Mary Ann rest in peace, a deserving tribute to a woman whose life exemplified sacrifice and maternal love.
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