Ali MacGraw became a Hollywood superstar overnight. But just as quickly as she rose to fame, she disappeared from show business altogether.
Today, the 84-year-old actress has settled down in a remote and tiny town, and she’s aging gracefully with her grey hair.

Ali MacGraw
Ali MacGraw – born Elizabeth Alice MacGraw – was born on April 1, 1939, in Pound Ridge, New York, USA. Her mother, Frances, was an artist and worked at a school in Paris, later settling in Greenwich Village. She married Richard MacGraw, who was also an artist. In 1939, Ali was born.
Ali’s father Richard supposedly had issues from his own childhood which made him a little bit different from others.
He had survived a terrible childhood in an orphanage, running away at the age of 16 to go to sea. He would later study at an art school in Munich, Germany.
“Daddy was frightened and really, really angry. He never forgave his real parents for giving him up,” Ali explained, saying said her father’s adult life was spent “suppressing the rage that covered all his hurt.”
Ali MacGraw – childhood
Money was short for their family, too. Frances and Richard, together with Ali and her brother, Richard Jr, had to move into a house on a Pound Ridge wilderness preserve which they shared with an elderly couple.
“There were no doors; we shared the kitchen and bathroom with them,” Ali said. “It was utter lack of privacy. It was horrible.”
Mom Francis worked with several commercial-art assignments and supported the family. At the same time, Richard had a hard time selling his paintings, and as a result became very frustrated. Ali’s brother Richard became a victim for his anger at home.
“On good days he was great, but on bad days he was horrendous,” she recalled. “Daddy would beat my brother up, badly. I was witness to it, and it was terrible.”
Ali was the daughter of artists, and she knew that she, too, wanted to go into a creative line of work as she got older. She earned a scholarship at the prep school Rosemary Hall, and in 1956, she moved to study at Wellesley College in Massachusetts.
By the age of 22, Ali MacGraw moved to New York and got her first job as an assistant editor at Harper’s Bazaar, working with photographers as an assistant.
Fashion work in New York
Fashion editor Diana Vreeland hired Ali as, what she recalls as, a “flunkie”. Ever seen the film The Devil Wears Prada? Well, it was pretty much that.
“It was ‘Girl! Get me a pencil!’,” MacGraw recalled.
The future Hollywood celebrity worked her job as an assistant for several months. Then, about six months in, fashion photographer Melvin Sokolsky noticed her beautiful looks, and Ali MacGraw was hired as a stylist,and given a better salary. She’d end up staying in that position for six years.
“I don’t know where she got this work ethic, but Ali would come in at eight a.m., and many times I’d come back at one in the morning and she would still be doing things for the next day,” Ruth Ansel, a former art director of Vanity Fair and Harper’s Bazaar recalls.
Ali was great as a stylist. But soon, she was asked to work in front of the cameras as a model. It didn’t take long before she was on magazine covers all over the world, even appearing in television commercials. For thing led to another, and Ali tumbled headfirst into the profession of acting.

She had been sketched nude by Salvador Dali a couple of years earlier. But when the surrealist artist started sucking her toes, MacGraw decided that she’d rather be an actress than a model.
Ali MacGraw – films
Ali went straight from an unknown stylist and into the world of cinema, and boy, did she do it with a bang.
She was untutored in the art of film, which gave her acting another dimension. Her natural beauty was stunning, and the audience loved her.
Following a small role in A Lovely Way to Die (1968), she was asked to star in the 1969 film Goodbye, Columbus. It turned out to be a great call, with MacGraw receiving a Golden Globe for Most Promising Newcomer – Female. The following year, she got her big international breakthrough with a role that would pretty much sum up her career.
Ali MacGraw had received a script from her agent. She’d read it and wept twice because of how much she loved it. She decided she really wanted a part in it, and got herself a meeting with the film’s producer Robert Evans – who at the time was Paramount Picture’s head of production – at the Beverly Hills Hotel’s Polo Lounge. Not only did Evans think she was perfect for the part in the movie Love Story, he absolutely fell in love with her.
MacGraw – playing the role of Jenny – acted alongside Ryan O’Neal in the movie Love Story. The American romantic drama film, in which Ali played a working-class college student, became a smash hit.

Love Story hit the cinemas in 1970, and wow did the audience cherish it. It became the No. 1 film in the United States, and at the time, it was the sixth highest grossing movie in history in the US and Canada.
Award-winning actress
MacGraw earned an Academy Award nomination for her role, and the film itself earned her another win and five Academy Award Nominations. She also won herself a second Golden Globe as Best Actress in a Motion Picture – Drama.
Film producer Robert Evans not only loved her on screen, he had fallen in love with her in real life, and that love was reciprocated. In 1969, the couple tied the knot, and two years later, they welcomed their son, Josh Evans.
Ali MacGraw was the hot new star of the 1970s, but her private life and marriage with Evans would soon come to an end. Steve McQueen had visited their home to ask her to star alongside him in The Getaway, and the two Hollywood stars clicked right away.
“I looked in those blue eyes, and my knees started knocking,” MacGraw recalled. “I became obsessed.”

MacGraw and McQueen had an affair, and she soon left Evans to live with the actor in Malibu, along with her son Josh.
“Steve was this very original, principled guy who didn’t seem to be part of the system, and I loved that,” she said.
Ali MacGraw – Steve McQueen
But after a while, Ali realized that Steve McQueen had his own problems. Following his father abandoning his mother, a then-14-year-old Steve was sent to a school for delinquent children. MacGraw said he never trusted women after that.

(Photo by Silver Screen Collection/Getty Images)
He didn’t like that she worked and had her own career. For a while, Ali stayed home to raise their sons. But her husband’s demands were something Ali simply couldn’t accept in the long run.
Not only that, but he’d explode if she even looked at another man. He also wanted her to sign a prenuptial agreement, promising not to ask for anything if they’d divorce. She abided by the agreement when they did divorce in 1978.
“I couldn’t even go to art class because Steve expected his ‘old lady’ to be there every night with dinner on the table,” she recalled.
“Steve’s idea of hot was not me. He liked blond bimbos, and they were always around.”

This was the start of a pretty dark time in MacGraw’s life. She arrived on set to shoot the 1978 film Convoy both drunk and high, which prompted her to quit drugs.
He is a legendary musician, and we have all sung his songs, but he is currently ill and in suffering.

The renowned Genesis lead singer and drummer Phil Collins has enjoyed enormous success in the music business over his illustrious career.
Joining Michael Jackson and Paul McCartney as the only performers with over 100 million records sold through both solo and collaborative projects, he is one of three. Collins was exposed to music at a young age. He was born on January 30, 1951, in London, England, to parents who were artists.
The move that would define his sound came when he was five years old and received a homemade drum kit from his uncle. It included tambourines, triangles, cymbals, and miniature drums.

Key bands like The Shadows led the way as the English beat genre started to take shape. In addition to leading this movement, Collins would frequently perform at get-togethers thrown by his parents’ sailing club.
Collins was first exposed to rock and roll at the age of fourteen, when The Beatles motivated him to buy a record player and Please Please Me. He would put his drums in front of a mirror and turn up the record player’s volume so he wouldn’t have to look at what he was doing.
To learn how to read drum music, which was necessary if one wished to work in an orchestra pit or dance band, he decided to take drum lessons from a teacher. But Collins soon discovered that reading sheet music was not nearly as good as playing spontaneously.
In the 1970s, Collin’s life took an unexpected turn after he came upon an advertisement for Genesis’ drummer. Collins got in touch with them, and they were happy to have him on board, which launched his incredible musical career.
Many of the songs from The Beatles’ five albums went on to become timeless classics that we still love to this day. Due to a dearth of worthy contenders, Collins assumed the role of lead vocalist for the band quite quickly.

He took a while to get used to being a drummer as well as a voice, but he persisted and became one of the greatest musicians of our time.
As a solo artist and a member of the legendary band Genesis, Collins enjoyed enormous success in the music industry. Hits like “I Don’t Care Anymore,” “In The Air Tonight,” and “You Can’t Hurry Love” propelled him to the top of the music business.
After 25 years with Genesis, Collins made the decision to change directions in his career, concentrating on jazz ventures, movie soundtracks, and his solo endeavors. He said he hoped his old comrades would have a successful career, but when 2017 came around, he decided to go back on the road with them for their Last Domino tour.

Sadly, the pandemic forced a postponement of this tour, and shortly before it started, Phil spoke with BBC Breakfast, raising some concerns regarding his health. With Phil on vocals and Nicholas Collins on drums, the band plans to play live again despite this setback.
Nic is a fantastic drummer, but according to Tony Banks, he could add even more intensity to the already strong early Phil Collins tunes.
Speaking on his retirement from drumming, Phil remarked, “I’d like to, but I can scarcely grip a stick with this hand.” Despite the challenges that come with being physically limited, Phil has not allowed them to deter him from pursuing his love of music.

The storyteller, a man our age, spoke with a palpable sense of loss as he outlined his physical struggles. He bemoaned not being able to travel with his kid and hear about his travels.
He wasn’t sure if he wanted to carry on traveling because of his health. His remarks gave off a dejected vibe, as though he had accepted that he could no longer engage in some activities and that they were off-limits to him.

He felt pressured and faced with a difficult decision: stick on his current course or stop his travels. It dawned on him that either way, a physical constraint or a deliberate choice would force him to give up something he valued. He was troubled by this and felt as though he might miss out on a lot of opportunities in life as a result of this sudden change in his circumstances.
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