Ali MacGraw became a Hollywood superstar overnight. But just as quickly as she rose to fame, she disappeared from show business altogether.
Today, the 84-year-old actress has settled down in a remote and tiny town, and she’s aging gracefully with her grey hair.
Ali MacGraw
Ali MacGraw – born Elizabeth Alice MacGraw – was born on April 1, 1939, in Pound Ridge, New York, USA. Her mother, Frances, was an artist and worked at a school in Paris, later settling in Greenwich Village. She married Richard MacGraw, who was also an artist. In 1939, Ali was born.
Ali’s father Richard supposedly had issues from his own childhood which made him a little bit different from others.
He had survived a terrible childhood in an orphanage, running away at the age of 16 to go to sea. He would later study at an art school in Munich, Germany.
“Daddy was frightened and really, really angry. He never forgave his real parents for giving him up,” Ali explained, saying said her father’s adult life was spent “suppressing the rage that covered all his hurt.”
Ali MacGraw – childhood
Money was short for their family, too. Frances and Richard, together with Ali and her brother, Richard Jr, had to move into a house on a Pound Ridge wilderness preserve which they shared with an elderly couple.
“There were no doors; we shared the kitchen and bathroom with them,” Ali said. “It was utter lack of privacy. It was horrible.”
Mom Francis worked with several commercial-art assignments and supported the family. At the same time, Richard had a hard time selling his paintings, and as a result became very frustrated. Ali’s brother Richard became a victim for his anger at home.
“On good days he was great, but on bad days he was horrendous,” she recalled. “Daddy would beat my brother up, badly. I was witness to it, and it was terrible.”
Ali was the daughter of artists, and she knew that she, too, wanted to go into a creative line of work as she got older. She earned a scholarship at the prep school Rosemary Hall, and in 1956, she moved to study at Wellesley College in Massachusetts.
By the age of 22, Ali MacGraw moved to New York and got her first job as an assistant editor at Harper’s Bazaar, working with photographers as an assistant.
Fashion work in New York
Fashion editor Diana Vreeland hired Ali as, what she recalls as, a “flunkie”. Ever seen the film The Devil Wears Prada? Well, it was pretty much that.
“It was ‘Girl! Get me a pencil!’,” MacGraw recalled.
The future Hollywood celebrity worked her job as an assistant for several months. Then, about six months in, fashion photographer Melvin Sokolsky noticed her beautiful looks, and Ali MacGraw was hired as a stylist,and given a better salary. She’d end up staying in that position for six years.
“I don’t know where she got this work ethic, but Ali would come in at eight a.m., and many times I’d come back at one in the morning and she would still be doing things for the next day,” Ruth Ansel, a former art director of Vanity Fair and Harper’s Bazaar recalls.
Ali was great as a stylist. But soon, she was asked to work in front of the cameras as a model. It didn’t take long before she was on magazine covers all over the world, even appearing in television commercials. For thing led to another, and Ali tumbled headfirst into the profession of acting.
She had been sketched nude by Salvador Dali a couple of years earlier. But when the surrealist artist started sucking her toes, MacGraw decided that she’d rather be an actress than a model.
Ali MacGraw – films
Ali went straight from an unknown stylist and into the world of cinema, and boy, did she do it with a bang.
She was untutored in the art of film, which gave her acting another dimension. Her natural beauty was stunning, and the audience loved her.
Following a small role in A Lovely Way to Die (1968), she was asked to star in the 1969 film Goodbye, Columbus. It turned out to be a great call, with MacGraw receiving a Golden Globe for Most Promising Newcomer – Female. The following year, she got her big international breakthrough with a role that would pretty much sum up her career.
Ali MacGraw had received a script from her agent. She’d read it and wept twice because of how much she loved it. She decided she really wanted a part in it, and got herself a meeting with the film’s producer Robert Evans – who at the time was Paramount Picture’s head of production – at the Beverly Hills Hotel’s Polo Lounge. Not only did Evans think she was perfect for the part in the movie Love Story, he absolutely fell in love with her.
MacGraw – playing the role of Jenny – acted alongside Ryan O’Neal in the movie Love Story. The American romantic drama film, in which Ali played a working-class college student, became a smash hit.
Love Story hit the cinemas in 1970, and wow did the audience cherish it. It became the No. 1 film in the United States, and at the time, it was the sixth highest grossing movie in history in the US and Canada.
Award-winning actress
MacGraw earned an Academy Award nomination for her role, and the film itself earned her another win and five Academy Award Nominations. She also won herself a second Golden Globe as Best Actress in a Motion Picture – Drama.
Film producer Robert Evans not only loved her on screen, he had fallen in love with her in real life, and that love was reciprocated. In 1969, the couple tied the knot, and two years later, they welcomed their son, Josh Evans.
Ali MacGraw was the hot new star of the 1970s, but her private life and marriage with Evans would soon come to an end. Steve McQueen had visited their home to ask her to star alongside him in The Getaway, and the two Hollywood stars clicked right away.
“I looked in those blue eyes, and my knees started knocking,” MacGraw recalled. “I became obsessed.”
MacGraw and McQueen had an affair, and she soon left Evans to live with the actor in Malibu, along with her son Josh.
“Steve was this very original, principled guy who didn’t seem to be part of the system, and I loved that,” she said.
Ali MacGraw – Steve McQueen
But after a while, Ali realized that Steve McQueen had his own problems. Following his father abandoning his mother, a then-14-year-old Steve was sent to a school for delinquent children. MacGraw said he never trusted women after that.
(Photo by Silver Screen Collection/Getty Images)
He didn’t like that she worked and had her own career. For a while, Ali stayed home to raise their sons. But her husband’s demands were something Ali simply couldn’t accept in the long run.
Not only that, but he’d explode if she even looked at another man. He also wanted her to sign a prenuptial agreement, promising not to ask for anything if they’d divorce. She abided by the agreement when they did divorce in 1978.
“I couldn’t even go to art class because Steve expected his ‘old lady’ to be there every night with dinner on the table,” she recalled.
“Steve’s idea of hot was not me. He liked blond bimbos, and they were always around.”
This was the start of a pretty dark time in MacGraw’s life. She arrived on set to shoot the 1978 film Convoy both drunk and high, which prompted her to quit drugs.
I Was Late to My Grandmom’s Funeral—When I Finally Got to Her Grave, There Was a Small Package with My Name on It
When Teresa’s grandmother passes away, she races across continents, desperate to say goodbye… but she arrives too late. Wracked with guilt, she visits the grave, only to discover a mysterious package left just for her. As Teresa navigates grief and love, she learns that some bonds transcend time, offering solace in the most unexpected ways.
When my uncle called that morning, I knew something was wrong before he said a word. His voice had this sharp, clipped edge, but I could still hear the strain in it.
A man talking on a phone | Source: Midjourney
“Grandma’s gone, Teresa,” he said. “She passed last night.”
For a moment, the world went silent. It was as if my mind refused to process the words.
“The funeral’s tomorrow,” he added. “If you’re not here, we’ll have to bury her without you.”
“What? Tomorrow?” My voice cracked. “I can’t… there’s no way I can get there that fast!”
A shocked woman talking on the phone | Source: Midjourney
“Then don’t bother,” he said curtly. “She’s gone, Teresa. We won’t wait for you… we can’t.”
I stood frozen, phone in hand, the sharp beep of the call ending pulling me out of my stupor. My uncle Craig, ever the practical and unyielding one, had spoken as if my grandmother’s passing was just another event on a packed calendar.
But she wasn’t just my grandmother. She was my everything.
A smiling old woman | Source: Midjourney
She’d raised me after my mom passed, back when I was too young to understand what death meant. Grandma became my world. She stepped into the role of mom, confidante, and teacher with ease.
Life with her was a steady rhythm of love and laughter, her warmth filling the void my mother’s death left behind.
The thought of not being there for her, of not saying goodbye, tore at me.
An upset woman looking out of a window | Source: Midjourney
I booked the first flight out, throwing clothes into a suitcase without even checking if they matched. I wasn’t even sure if I had suitable funeral clothing, either. Every second felt like a betrayal.
I couldn’t bear the thought of her being lowered into the ground while I was thousands of miles away, stuck in some airport terminal.
The plane ride was unbearable. I was unable to eat, my food tray just sitting there, the food getting cold and congealing. I couldn’t sleep. I couldn’t watch any of the movies or listen to music.
A tray of airplane food | Source: Midjourney
I was numb.
Memories of my grandmother flooded my mind. Her stories, her hugs, her quiet wisdom… I kept telling myself I’d make it in time, but when I finally landed and called my uncle, the funeral was already over.
“We couldn’t wait, Teresa. Don’t act shocked. I told you this already,” he said flatly.
A woman standing in an airport | Source: Midjourney
By the time I arrived at her house, it was empty, stripped of the life it once held. My cousins had cleared out, leaving behind traces of their rushed goodbyes. There was a half-empty water bottle on the counter, a crumpled tissue on the sofa, someone’s forgotten lipstick on the floor.
I stood in the doorway, letting the silence engulf me.
Grandma’s favorite chair was still by the window, the blanket she’d always kept on her lap folded neatly over the back. On the side table, an unfinished knitted sock lay abandoned, the lavender yarn still threaded through the needles.
A ball of yarn and knitting needles | Source: Midjourney
I reached out, brushing my fingers against the soft fabric, and the tears came in a flood.
She had been working on this. Just days ago, she’d sat here, humming softly as she knitted, probably thinking about some old family recipes.
I sank into the chair, clutching the sock like it was a lifeline. Memories of her voice, her laughter, her love, rushed over me. The ache in my chest was unbearable, but I didn’t want it to stop.
This pain was all I had left of her.
An upset woman sitting on a couch | Source: Midjourney
When the sunlight began streaming through the window, I wiped my face and stood. There was one thing I still had to do.
I stopped at a florist and bought a bouquet of daisies, her favorite. The drive to the cemetery was a blur, my mind racing with all the things I wished I’d said, the moments I wished I could relive.
The grave was easy to find.
A bucket of daisies at a florist | Source: Midjourney
The fresh mound of dirt stood out starkly against the older, weathered headstones. My breath hitched as I approached, the reality of it hitting me all over again.
This was it. Her final resting place.
But something caught my eye. At the base of the grave, nestled in the dirt, was a small package. My name, Teresa, was scrawled on the paper in her unmistakable handwriting.
A package in a cemetery | Source: Midjourney
My hands shook as I picked it up, my heart pounding.
The package felt almost warm, as if her love had left a mark on it. I tore at the wrapping, revealing a folded note inside.
My dear Teresa, it began.
I know your uncle probably won’t let us see each other one last time. I don’t know where I went wrong with him… but he’s always been jealous of the bond we share. I need you to know this: Teresa, you are my love, my joy, and the light in the darkest of days.
I asked Rina to leave this package on my grave after I’m gone. This is so you’ll never be late again.
A woman reading a note in a cemetery | Source: Midjourney
I gasped.
Grandma had planned this? Had she known exactly how things would unfold?
And it made sense to me. Craig probably thought that Grandma was going to leave a whole lot of money to me, her house even. Not that I wanted any of it…
“Oh, Gran,” I muttered.
An old woman writing a letter | Source: Midjourney
Tears blurred my vision as I opened the smaller package inside. A gold wristwatch glinted in the sunlight, its face encircled by tiny diamonds. I turned it over, and there, engraved on the back, were the words:
Grandma and Teresa. Always and Forever.
I dropped to my knees, clutching the watch to my chest. The ache in my heart swelled to unbearable proportions. She had thought of me, even in her final days, leaving behind this symbol of her love for me.
A woman holding a watch in a box | Source: Midjourney
As I sat there, the pieces of her note lingered in my mind.
My uncle. His jealousy.
It all made sense now, the way he’d rushed the funeral, his brusque phone calls, the coldness in his voice. He’d never hidden his resentment, but to think that he’d taken it this far… refusing to wait even a few hours.
Still, as much as his actions stung, I couldn’t let them overshadow what I held in my hands. The watch wasn’t just an heirloom, it was a promise.
A man standing on a porch | Source: Midjourney
It was the promise of a connection to my grandmother that time could never erase.
The cemetery was quiet as I stood by her grave, sharing memories, apologizing for being late, and thanking her for everything she’d given me.
When I finally stood to leave, I slipped the watch onto my wrist. It felt like a piece of her was with me, tangible and eternal.
A woman standing in a cemetery | Source: Midjourney
The house was still empty when I returned, but it didn’t feel quite as suffocating anymore. I stood in the living room, looking at the remnants of her life, her unfinished sock, the framed photo of the two of us by the mantel.
Moments later, the door opened.
“Teresa,” he said. “What are you doing here? Why bother to come when everything is over?”
“How can you ask me such a question?” I gasped.
A grandmother’s living room | Source: Midjourney
“She was old, Teresa,” he said. “What did you expect? That the old woman would live forever?”
“When did you get so cruel, Uncle Craig?” I asked.
“When did you get so self-righteous?” he spat.
Before I knew it, two men from a moving company walked into the house.
Two men standing in a living room | Source: Midjourney
“I’m taking the furniture. And those expensive plates and vases. I’m going to sell them.”
“Gran will never forgive you for this,” I said simply, sitting down on the couch.
“Gran is long gone, Teresa. It’s time to move on. And don’t try to contest the will,” he said. “Gran would have given everything to me. I can’t wait to give Rose her watch. My mother would absolutely want her first-born granddaughter to have it.”
A cupboard with expensive crockery | Source: Midjourney
I pulled my sleeve down, hoping that Craig wouldn’t see the watch. I wasn’t going to hand it over. No way. But at the same time, I didn’t want to entertain Craig. He could take everything else.
A few months had passed since I left my grandmother’s house for the last time. Life had resumed its usual rhythm, or at least, that’s what it looked like from the outside.
The watch stayed on my wrist, its weight a constant reminder of her. Some days, I caught myself holding it, brushing my thumb over the inscription as if I could summon her voice.
A watch on a person’s wrist | Source: Midjourney
One evening, I made myself a cup of tea, Gran’s favorite chamomile blend, and curled up on the sofa with a blanket. The unfinished sock from her house now sat on my coffee table, neatly placed in a small knitting basket.
I picked up the knitting needles, my fingers still clumsy and awkward with the motions. She’d tried to teach me once, years ago, but I’d been too impatient to sit still.
A cup of tea on a coffee table | Source: Midjourney
“One day you’ll see,” she’d said with a knowing smile. “That knitting is like life. You just keep going, one stitch at a time.”
One stitch at a time.
A lavender sock and knitting needles | Source: Midjourney
Judy and her family get into the habit of saving money in a “family stash jar,” which is used for emergencies or family outings. But soon, she starts noticing that someone in the family has sticky fingers, helping themselves to the money. Judy has to figure out who it is and what is the reason for such dishonesty.
This work is inspired by real events and people, but it has been fictionalized for creative purposes. Names, characters, and details have been changed to protect privacy and enhance the narrative. Any resemblance to actual persons, living or dead, or actual events is purely coincidental and not intended by the author.
The author and publisher make no claims to the accuracy of events or the portrayal of characters and are not liable for any misinterpretation. This story is provided “as is,” and any opinions expressed are those of the characters and do not reflect the views of the author or publisher.
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