Given that Goldie Hawn is not only ageless but also has a wonderful and endearing relationship with her spouse Kurt Russell and is arguably the most entertaining person in Hollywood, you can’t help but watch her.
She is a devoted mother and grandmother to her three biological children, one stepchild, and six grandchildren, and her social media accounts reflect this.
Hollywood romances don’t usually last very long. Celebrity relationships usually come and go. Goldie Hawn and Kurt Russell, though, are unquestionably an example of how to make it work even after a long marriage.
In 1983, Goldie began dating fellow Hollywood celebrity and the love of her life, Kurt Russell. More than three decades later, the pair is still deeply in love with and adores one another; they don’t even feel the need to be married.
“So as long as my emotional state is in a state of devotion, honesty, caring, and loving, then we’re fine. I like waking up every day and seeing that he is there and knowing that I have a choice. There is really no reason to marry,” Goldie told Woman’s Day in 2007.
Kurt stated, “Everyone has their marker on what is really important and where you draw the line,” in an interview with the Daily Mail in 2018. The kids come first was Goldie and my main principle.
Through the Goldie Hawn Foundation’s MindUp initiative, which she founded in 2003 to assist improve settings for kids so they may succeed in school and in life, Goldie puts the needs of all children first.
Every time you see her with her daughter Kate Hudson, a Hollywood star in her own right, you can tell how much she loves her own kids. With her second husband Bill Hudson, Goldie had a daughter named Kate and her older brother Oliver.
The amusing mother-daughter team recently made an appearance on the Ellen show, where Goldie made fun of how close she was to daughter Kate when she gave birth to Rani Rose Hudson Fujikawa, who is now one year old.
“The doctor was in there and I could see the head and then it disappeared,” Goldie animatedly declared on the show. “And I’m looking over his shoulder, then the doctor turned to me and said ‘Goldie if you get any closer you’re gonna fall in.’”
In addition, Kate has two sons: Ryder Russell, 15, and Bingham Hawn Bellamy, 8.
I Opened a Mysterious Door in My Cellar—Now I Regret Everything
I never believed in hidden doors or secret rooms; those were things from mystery stories. But when Florence and I decided to renovate our cellar, we found more than just a door behind the old wallpaper. It was something we were never meant to discover, and now, I wish I had never opened it.
You never truly understand a house until you’ve lived in it for some time. That’s what I always believed. Florence and I bought this old Victorian house five years ago. We called it our dream home. It had history, charm, and unique details, the kind of house with a past you could feel in every room.
When we started the renovation project, we thought we knew what we were getting into. The cellar was dark, damp, and unused. Peeling wallpaper and cracked tiles told us it hadn’t been touched in years. But we were excited about turning it into a useful space, maybe a wine cellar or storage room. That’s when we noticed something odd—a section of the wall that didn’t match the rest.
I never believed in hidden doors or secret rooms; those were things from mystery stories. But when Florence and I decided to renovate our cellar, we found more than just a door behind the old wallpaper. It was something we were never meant to discover, and now, I wish I had never opened it.
You never truly understand a house until you’ve lived in it for some time. That’s what I always believed. Florence and I bought this old Victorian house five years ago. We called it our dream home. It had history, charm, and unique details, the kind of house with a past you could feel in every room.
When we started the renovation project, we thought we knew what we were getting into. The cellar was dark, damp, and unused. Peeling wallpaper and cracked tiles told us it hadn’t been touched in years. But we were excited about turning it into a useful space, maybe a wine cellar or storage room. That’s when we noticed something odd—a section of the wall that didn’t match the rest.
In the back corner, we found something even stranger: an old wooden chest, covered in dust and cobwebs. It was locked, but the lock seemed weak, like it could easily break. Florence begged me to leave it alone, but I was too curious. I forced it open, and what I saw made my heart race.
Inside were old documents, letters written in a language I didn’t understand, and something wrapped in a faded cloth. When I unwrapped it, I froze. It was a small, strange object that didn’t belong in this world. Florence screamed and ran out of the cellar, terrified.
I should have followed her, but I was too deep into it. I put everything back in the chest and closed the door, but the feeling that something had changed wouldn’t leave me. Since that day, things have been different. Strange noises, cold drafts, and shadows moving where they shouldn’t.
Now, I regret opening that door. Florence refuses to go back into the cellar, and I can’t sleep at night. I don’t know what we uncovered, but I fear we’ve let something into our home that we can’t control. Every day, I wish I had just left the door hidden behind the wallpaper, where it belonged.
Now, the cellar remains locked. I’ve sealed the door with heavy boards, hoping that will keep whatever we disturbed at bay. Florence refuses to go near it, and our once happy home feels suffocating with the tension between us. It’s like the house itself has changed, like it’s watching us.
At night, I hear whispers coming from the floor below. I try to convince myself it’s just the wind or my imagination, but deep down, I know something’s wrong. The object I found in the chest haunts my thoughts—I’ve hidden it away, but it’s like it calls to me. Florence says I need to get rid of it, but I’m too afraid to touch it again.
I tried contacting the previous owners, but they didn’t know anything about the hidden room. They had lived here briefly before selling the house. No one in the neighborhood seems to know its history, and records of the house are vague. It’s like this part of the house was meant to stay forgotten.
I keep telling myself everything will be fine if I just leave it alone, but the strange occurrences are getting worse. Lights flicker, doors creak open on their own, and sometimes, I catch glimpses of something moving in the dark corners. It feels like the house is alive—angry that we disturbed its secret.
Florence is talking about moving, and maybe she’s right. But part of me knows that whatever we let out, whatever we disturbed, might not stay behind. And now, I wonder if sealing that door was just the beginning of something far more terrifying.
I never should have opened that door.
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