Among the few living real legends is Faye Dunaway.
The legendary actress, well-known for portraying strong, resentful, and challenging women, is among the best in movie history.
And the eighty-three-year-old continues on…
Dunaway is best known for her twisted cry in the campy cult film Mommie Dearest, “No more wire hangers!” She also starred in Hurry Sundown with Michael Caine and Bonnie & Clyde, winning the main part over Jane Fonda and Natalie Wood.
The Florida native actress, who was also awarded three Golden Globes and an Emmy, was born in Bascom.
It’s difficult to discuss Faye Dunaway’s career without bringing up the film Mommies Dearest. Channeling Joan Crawford’s energy, Faye Dunaway shocked the Mommie Dearest crew when she initially appeared from the dressing room in the legendary role of the four-year-old actress.
The sensationalized movie Mommie Dearest (1981) is based on Christina Crawford’s memoir of the same name, which describes her troubled connection with the late actress Joan Crawford, who was her adopted mother.
Dunaway managed to create a combination of charm and terror.
In her unsettling portrayal of Crawford, Dunaway blurred the boundaries between reality and resurrecting Joan, both on and off the set. She was so desperate that she declared, “I want to climb inside her skin,” to a Hollywood biographer.
Dunaway either developed her method acting skills to a high degree or her spirit took over. In her memoir, Looking for Gatsby, she writes. “I was told by one that it felt like Joan herself had risen from the dead.”
In reality, the media began to believe that Crawford was haunting Dunaway.”(Dunaway) appears to have borrowed it for 12 weeks from the ghost of Joan Crawford,” the Los Angeles Times remarked about her voice.
In a part that will live in legend, Dunaway expresses remorse. She told Entertainment Tonight, “I think it turned my career in a direction where people would irretrievably have the wrong impression of me—and that’s an awful hard thing to beat.” “I should have known better, but sometimes you don’t know what you’re getting into and you’re vulnerable.”
Working with some of the sexiest men in Hollywood, like Paul Newman, Robert Redford, Kirk Douglas, and Johnny Depp, Dunaway showed extreme self-control and maintained a platonic connection with her co-stars.
A few individuals were drawn to particular things; perhaps Jack (Nicholson) and Warren (Beatty), but not many. Though Steve McQueen was contentedly devoted to someone at the time, Warren was at that point in his bachelorhood. “I wouldn’t mess around with something like that even if it were offered, but it wasn’t,” Warren said.
“You simply don’t,” she remarked in a Harper’s Bazaar interview. “You don’t do that because you know it will ruin the performance and the movie. That’s my rule.”
The dapper, Italian award-winning actor Marcello Mastroianni, broke the rules for the timeless beauty with her delicate high cheekbones because he was too much of a temptation.
Life imitates art in her connection with the Italian celebrity. starring in the 1968 film A Place for Lovers, which Roger Ebert of the Chicago Sun-Times referred to as the “most godawful piece of pseudo-romantic slop I’ve ever seen!”-Dunaway portrays a fashion designer who is having an extramarital romance with Mastroianni, a race car driver. She had a brief but intense three-year romance with the actor in real life, which she ended when he refused to leave his wife.
Dunaway stated, “I was deeply in love with him,” in a People interview. I had never encountered a man like him before, and I felt incredibly safe with him.
She wed musician Peter Wolf, the lead vocalist of The J. Geils Band, in 1974; they separated after five years.
According to a Marie Claire article from 2017, Dunaway began an affair with renowned British photographer Terry O’Neill because she was dissatisfied in her marriage to Wolf. With her Oscar from the movie The Network on the table next to her, O’Neill captured a picture of her lounging by the pool at The Beverly Hills Hotel.
After being married in 1983, Dunaway misled the public for many years, claiming that her son Liam, who was born in 1980, was actually her biological child. In 1987, Dunaway and O’Neill were divorced.
Dunaway is alleged to be a manipulative diva who is very difficult and unpredictable for co-stars, production personnel, and even hotel employees.
She was fired from her role as Audrey Hepburn in the off-Broadway production of Tea at Five in 2019 for creating a “dangerous” and “hostile” environment, and she was fired by Andrew Lloyd Weber from his Sunset Boulevard production in Los Angeles, California, in 1994.
She was dubbed the “gossamer grenade” by one of her leading men, Jack Nicholson, and when Johnny Carson questioned her in 1988, “Who’s one of the worst people you know in Hollywood?” “Faye Dunaway and everybody you can put in this chair would tell you exactly the same thing,” was the swift response from the feisty and unrepentant Bette Davis. “I don’t think we have the time to go into all the reasons—she’s just uncooperative,” the woman said. For Miss Dunaway, Miss Dunaway is Miss.
Dunaway is still a very talented performer despite her challenging, frequently harsh, and nasty demeanor.
She was awarded a star on the Hollywood Walk of Fame in 1996, and in 1997, People magazine listed her as one of the 50 Most Beautiful People.
Regarding her romantic status, she is now single.
She stated in a 2016 People interview that she was still open to dating. She says, “I’m very much a loner.” “I always think that if I could find the right person, I would like to have a partner in life, and I would.”
Her most recent credit dates back to 2022, when she costarred in the Italian film L’uomo che disegnò Dio with Kevin Spacey.
I Kept Returning to the Same Café and Tipping $50 Each Time for a Reason the Waitress Couldn’t Imagine
For years, I drove two hours every Friday to visit a small suburban café, leaving unusually large tips for one particular waitress. What she didn’t know was that I carried a life-changing secret in my purse. I just wished I could find the courage to share it.
The Friday evening traffic crawled along the interstate as I made my way out of downtown. My colleagues at the law firm thought I was crazy to drive two hours just for dinner at some suburban café, but they didn’t understand. I didn’t go for the coffee or the sandwiches. I went to see her.
Woman in her 30s driving on a rainy road | Source: Midjourney
The café sat on a quiet corner, its red-brick exterior softened by white trim. It also had a white awning and window boxes full of purple petunias. The bell above the door chimed as I pushed it open, and the familiar scent of coffee and fresh-baked pie made me feel at home.
She looked up when I walked in—the waitress with kind eyes and silver-streaked hair. Her name tag read “Martha,” but I’d known that long before I ever set foot in this place.
Woman in her 50s wearing a waitress uniform in a café with a kind smile | Source: Midjourney
Every time I saw her, I thought about what I held in my purse. And yet, I never knew if I would be brave enough to show it to her that day.
“Welcome back, hon,” she said, already reaching for the coffee pot. “Your usual spot?”
I nodded, sliding into my regular booth by the window. The vinyl seats squeaked beneath me, and the tabletop showed years of wear under its polished surface.
Woman in her 30s sitting in the booth of a café looking expectant | Source: Midjourney
Martha set down a mug of black coffee and pulled out her order pad, though we both knew what I wanted. “Apple pie and an espresso?” she asked, her pen hovering over the paper.
“Yes, please.”
Her smile carried a warmth that made my chest ache. Did she ever wonder about me? Did she even remember me?
The truth sat heavy in my purse, wrapped in a manila envelope that was starting to show wear from months of being carried back and forth. Inside were the documents from the adoption agency, the ones that had turned my world upside down just a few months ago.
Woman in her 30s sitting in the booth of a café holding a purse and looking worried | Source: Midjourney
I still remember the day I finally confronted my adoptive parents about my past. Mother had been arranging flowers in their living room, each stem placed with surgical precision.
“We gave you everything,” she’d said, not bothering to look up from her roses. “The best schools, the finest opportunities. Why isn’t that enough?”
“Because it’s not about things, Mother. It’s about knowing who I am.”
Woman in her 30s looking upset while her mother stands in the background with her arms crossed in an expensive foyer | Source: Midjourney
“You’re one of us,” Father had interjected from behind his iPad. “That’s who you are. But if you insist on pursuing this… project, contact the agency yourself. We won’t stand in your way.”
His tone made it clear they wouldn’t help, either. After 38 years, I should have expected nothing less. My adoptive family had always treated emotions like unwelcome houseguests.
Luckily, I didn’t have trouble contacting the agency, and their response arrived faster than I’d expected. As I read through the documents in my condo, pieces of my past clicked into place.
Woman in her 30s sitting on a couch in the living room of a condo reading documents and looking surprised | Source: Midjourney
My birth mother had died bringing me into the world. My birth father had been too overwhelmed by grief and responsibility, so he had walked away. And then there was Martha—my foster mother for two precious years.
She was the one spot of warmth I remembered from my entire childhood. Unfortunately, her husband’s cancer diagnosis forced them to make an impossible choice.
Martha returned with my pie, setting it down with the same care she always showed. “Anything else you need, sweetie?”
Woman in her 50s wearing a waitress uniform in a café smiling and holding a notepad | Source: Midjourney
I opened my mouth, willing the words to come. The envelope pressed against my ribs through my purse. Just tell her, I thought. Just reach in, pull it out, and tell her.
Instead, I shook my head and smiled weakly. “No, thank you.”
She lingered a moment longer than usual, and I wondered if she sensed something. Did she see how my hands shook slightly as I picked up my fork?
Woman in her 50s wearing a waitress uniform in a café frowning and lingering by a booth | Source: Midjourney
If she did, she said nothing and went to another table while I started eating my pie. When I finished, I left my usual $50 tip on the table. It was excessive for coffee and pie, but how do you put a price on lost time?
Maybe I also left so much because I felt guilty for not being brave enough to tell her who I was today, either. Why was it that I could face the most intimidating lawyers in court without sweating, but this part of my past had me acting like a little girl?
I was disappointed in myself, so I stood. Next Friday, I’ll do it for sure, I promised.
Woman in her 30s with a brown leather purse looking disappointed standing by a booth in a café | Source: Midjourney
Rain had started to fall heavily outside. I fumbled with my umbrella, almost dropping my keys on my way to my car.
“Hey, you!”
I froze, my keys hovering near the car door lock.
“Why are you doing this?!”
I turned to see Martha standing a few feet away, still in her work apron. She held up the money I’d given her.
Woman in her 50s wearing a waitress uniform holding money in one hand and looking concerned outside a red-bricked café | Source: Midjourney
“Every week, you come in,” she continued, taking a step closer. “You sit quietly, leave these large tips, and disappear. Why?”
My heart pounded so hard I thought it might break through my ribs. This was the moment I’d both longed for and dreaded. Yet, I knew I had to take this chance.
“I… I have something for you.” My voice sounded strange to my own ears as I reached into my purse with trembling fingers.
The envelope was slightly bent at the corners now.
Woman’s hand handing over an envelope in a rainy parking lot | Source: Midjourney
“Could you please read this?” I asked, holding it out. “When you have a moment?”
Martha took it slowly, confusion drawing her brows together. “What is this about?”
“It’s about me,” I whispered. “About us.”
She opened it right there, heedless of the rain. I watched her face as she read and saw the moment recognition dawned. Her hand flew to her mouth, and she stumbled backward.
Woman in her 50s wearing a waitress uniform holding a manila envelope and looking shocked while standing outside a red-bricked café in the rain | Source: Midjourney
“Oh my God,” she breathed. “Sarah? My little Sarah?”
I nodded, tears spilling down my cheeks. “Yeah…”
We just looked at one another for an infinite moment.
“Oh, sweetie. I see from these documents that you must have figured out what happened. But you have to understand that John… my husband, your foster father… he got so sick,” she said finally. “The bills kept piling up. This couple came along. They were so wealthy. They could give you everything we couldn’t.”
“I understand perfectly,” I said softly, and I did. I knew they did what they thought was best for me. She didn’t need to explain herself. “What happened to John?”
Woman in her 30s talking to a woman in her 50s in a rainy parking lot outside a red-bricked café | Source: Midjourney
“Cancer took him three years after you were adopted…” She swallowed hard. “He loved you so much, Sarah. We both did. Every day since we let you go, I’ve wondered if we made the right choice.”
“I have… fragments of memories,” I admitted. “Someone reading ‘Goodnight Moon.’ The smell of cookies baking. A man’s laugh. Me calling you Momma. I always told myself I was making it up.”
Martha nodded through her tears. “You wouldn’t go to sleep without that book,” she smiled. “And John would spend hours in the kitchen with you, letting you ‘help’ make cookies. You were only two, but you were so determined to do everything yourself. As soon as you could speak, you called us Momma and Papa.”
Little girl standing on a stool helping make cookies | Source: Midjourney
The rain came down harder, soaking us even more. Eager to hear more, we ran and waited below the awning in front of the café.
Martha told me about my early days, about the love that had filled their modest home. I shared stories about growing up with my adoptive parents. I was financially secure, yes, but emotionally… that was a different story.
“I contacted the agency a few months ago and started coming here,” I confessed after telling her about my current life and career. “Every time I tried to tell you, I lost my nerve.”
Woman in her 30s talking to a woman in her 50s beneath the awning of a red-bricked café | Source: Midjourney
“So you left those tips instead?” Martha’s eyes crinkled with understanding.
“It was the only way I knew how to reach out.”
Suddenly, we heard a sharp tap on the window. It was Martha’s manager, beckoning her inside. “I have to go back to work,” she told me, her eyebrows pulling down apologetically. “Will you come next Friday?”
“Actually… could we maybe do breakfast instead? Tomorrow?”
“Oh, honey,” Martha said, wrapping me into the best hug I’d ever gotten. “I would love nothing more.” When we separated, she pulled out her phone. “Here, write down my number.”
Woman in her 30s hugging a woman in her 50s, smiling and emotional, beneath the awning of a red-bricked café | Source: Midjourney
“Thank you,” I said, after putting my phone back in my pocket. “Bye, Momma.”
Martha’s hand flew to her mouth at my words. “Bye, sweetie. See you soon.”
The rain stopped as I drove back to the city, and stars peeked through breaks in the clouds.
I couldn’t wait to see her again.
Don’t get me wrong. I knew my life, despite its beginning, had been privileged; my adoptive parents had provided everything they could, paving the way for all my success. For that, I will always be grateful.
But sometimes, pure warmth and love are all a person needs. I had experienced that with Momma and Papa, and now, at least, I had her back in my life.
Woman in her 30s driving on a dark rainy road smiling brightly | Source: Midjourney
This work is inspired by real events and people, but it has been fictionalized for creative purposes. Names, characters, and details have been changed to protect privacy and enhance the narrative. Any resemblance to actual persons, living or dead, or actual events is purely coincidental and not intended by the author.
The author and publisher make no claims to the accuracy of events or the portrayal of characters and are not liable for any misinterpretation. This story is provided “as is,” and any opinions expressed are those of the characters and do not reflect the views of the author or publisher.
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