Virginia and Catalina are two albino girls from Argentina who became viral on social media when they were born four years ago.
In 2018 Jorge Gomez and his wife received the good news that they were going to become parents to two twin baby girls. The couple already had a son and became ecstatic when the doctors told them they were expecting twin girls.
According to Gomez, the pregnancy was completely normal, and his wife used to visit her doctor regularly.

“When they gave us the news that we would have two babies, it gave us a lot of happiness, and when they were born, and we saw that they were albinos that happiness did not change at all. For us it is a blessing,” he told a local news outlet.
The father-of-three said that there were no complications and everything went smoothly. However, in the 36th week, doctors told him that they had to deliver the babies immediately.
So, the girls were born prematurely in the 36th week. But they were healthy and weighed normal. Catalina was born two minutes earlier than Virginia. They both weighed 5.95 lbs and 5.5 lbs, respectively.

The unusual thing about the newborn girls was their milky white hair. Gomez and his wife didn’t see any kid like that before in their lives, nor did anyone else.
So, the girls became an overnight sensation in Argentina in 2018 and made headlines in many media outlets and newspapers.
The pictures of them went all over the internet, and people were amazed to see two small girls born with snow-white hair.
According to LV12, the twins were born with a rare genetic disorder, albinism in which there is a lack of pigmentation in the skin.
People with albinism do not have enough melanin pigment in their skin and are born with either white or blonde hair. This condition also affects their coloring and eyesight. Some babies even have ginger hair, depending on the amount of melanin in their skin.
Catalina and Virginia were the first-ever kids born with albinism in Argentina. Their rare condition made them popular in the country.

“When they gave us the news that we would have two babies, it gave us a lot of happiness, and when they were born, and we saw that they were albinos, that happiness did not change at all,” Jorge Gomez told LV12.
He said he felt super blessed to be their father and never once thought that they were different from other kids or something was wrong with them.
“There were some precautions that we as parents had to bear in mind. For example, the girls are extremely sensitive to UV rays, which affect their skin and can cause sunburn and even cancer in a worst-case scenario,” said Gomez.
“So, we have to be extra cautious all the time and make sure that they are not going in the sunlight and are well protected from extreme weather conditions, especially hot weather.”
The twins are now four years old and look even more beautiful as they are growing up.
King Charles’ First Official Portrait Deemed Inappropriate
In a dramatic unveiling that has left the public and critics buzzing, King Charles III revealed his first official portrait since ascending to the throne, and reactions have been anything but tepid. As debates rage on social media and in art circles, it is clear that King Charles’ portrait is destined to be one of the most talked-about royal artworks in recent history.
The unveiling

Recently, King Charles III personally unveiled a new portrait of himself at Buckingham Palace, the first such portrait since his coronation. The Royal Family’s Instagram account shared an exclusive video of the unveiling, featuring the king himself presenting the artwork.
This significant new work will ultimately be displayed in Drapers’ Hall in London, adding to its historical art collection and offering the public a glimpse of the monarch’s regal presence.
There was an ongoing debate in the comments.

The unveiling sparked a heated debate in the comments section on the Royal Family’s Instagram post and other social media sites. Opinions were sharply divided, with some users harshly criticizing the artwork. Comments ranged from “That is hideous” and “Without sounding rude, this is the worst royal portrait I’ve ever seen” to “100% thought this was satire.”
One critic remarked, “The face is good, the rest is appalling,” while another noted, “I would have loved this if it was any other color than red. He really captured the essence of him in the face, but the harshness of the red doesn’t match the softness of his expression.”
Despite the criticism, there were also voices of appreciation, such as “A lovely portrait of King Charles! I love the way the muted background draws attention to his face!” The mixed reactions highlight the polarizing nature of the portrait and the strong emotions it has evoked among the public.
The artist
Jonathan Yeo, a prominent figure in the world of figurative painting, has earned widespread acclaim for his unique blend of traditional and experimental portraiture. Yeo’s distinctive approach involves a deep engagement with his subjects, allowing him to capture their essence beyond mere physical appearance.
His recent portrait of King Charles III epitomizes this philosophy. Yeo explained, “As a portrait artist, you get this unique opportunity to spend time with and get to know a subject, so I wanted to minimize the visual distractions and allow people to connect with the human being underneath.”
The meaning of the portrait.
A particularly striking element of Yeo’s portrait is the inclusion of a butterfly. This detail serves multiple purposes, both symbolic and compositional. Yeo elaborated, “Primarily a symbol of the beauty and precariousness of nature, it highlights the environmental causes the King has championed most of his life and certainly long before they became a mainstream conversation.”
The butterfly also provides a visual contrast to the uniform, softening the portrayal and adding layers of meaning. “In the context of art history, a butterfly often symbolizes metamorphosis and rebirth, paralleling the King’s transition from Prince to monarch during the period the portrait was created,” Yeo noted, further emphasizing the transformative phase in King Charles’s life.

Yeo expressed his gratitude and honor for being commissioned to create such a significant portrait. “It was a privilege and pleasure to have been commissioned by The Drapers’ Company to paint this portrait of His Majesty The King, the first to be unveiled since his Coronation.”
Yeo’s approach to portraiture aims to encapsulate the life experiences and humanity etched into his subjects’ faces. “I do my best to capture the life experiences and humanity etched into any individual sitter’s face, and I hope that is what I have achieved in this portrait,” he explained.
The challenge of portraying a figure as complex and significant as King Charles III was substantial, but one that Yeo found immensely rewarding. “To try and capture that for His Majesty The King, who occupies such a unique role, was both a tremendous professional challenge, and one which I thoroughly enjoyed and am immensely grateful for,” he concluded. The portrait, destined for Drapers’ Hall in London, stands as a testament to both the artist’s skill and the monarch’s enduring legacy.
Discover the lesser-known facets of King Charles III’s life in our compelling article, “8 Things About King Charles III That Will Allow Us to Know Him More Closely.” Dive beyond the regal exterior to uncover intimate details about his passions, personal experiences, and unique quirks.
Preview photo credit Kin Cheung / Associated Press / East News, theroyalfamily / Instagram, jonathanyeo / Instagram
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